Tag: female construction carpenter

Carpenters Working On Tower Three West From an Aerial Lift.

Carpenters of the Ohio River Bridges Project

This post showcases several different images of the Carpenter’s trade.

Slugger Field Section of I-65 is Moving Along Well

These images are of the construction around the Slugger Field Section of I-65 for the Ohio River Bridges Project in Louisville, KY.

Some of the Men and Women of The Ohio River Bridges Project

Today’s post is a gallery of photos of some of the men and women of the Ohio River Bridges Project. As I go around the Ohio River Bridges Project I meet and talk with so many fine men and women who perform the arduous work of Heavy Highway and Bridge Construction.

Watching them work is a real eyeopener to the skills and strength they must bring to their work. One thing that really strikes home with me is how little complaining I hear. Everyone of them seems genuinely happy to be a part of such a historic project; many of them comment about the pride they feel to be involved. The work they are doing will change the face of Louisville and forever be a testament to their labors. I’m very fortunate to be able to share this historic project with them and thank each and every one of them for the kindness they show me as I go about my work too.

Click on any image to open a slideshow of today’s images.

HDR Construction Images of a Morning in November 2013

Ironworkers from Local 70 preparing rigging on a caisson for the Ohio River Bridges Project in Louisville KY
Ironworkers from Local 70 preparing rigging on a caisson for the Ohio River Bridges Project in Louisville KY

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Today’s post is rather long on images yet short on words. I decided that what I wanted to show my readers was a series of several HDR construction images from a morning in November 2013. I thought sharing these HDR images from a single morning shoot would help my readers see how busy things are on the Ohio River Bridges Project.

I am always amazed at the skill and expertise that is required to do the work of Heavy Highway and Bridge Construction. Ironworkers, Carpenters and Operating Engineers must choreograph so many moves into placing the pieces of a single pier. The skill and commitment  to safety that they use to get the massive components in place is a sign of their professionalism and dedication to their respective trades. Any miscalculation when handling these pieces could result in slowing or stopping construction or even worse the very real possibility of the loss of someone’s life. For that reason the attention paid to properly performing each element in the process is paramount to safely accomplishing the task at hand.

Ironworker Local 70 member Travis tying rebar on a caisson. #2
Ironworker Local 70 member Travis attaching rigging to a caisson. #2

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Ironworker Local 70 member Travis tying rebar on a caisson.
Ironworkers Local 70 member Travis attaching rigging to the caisson.

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Crane booms in the sky
Crane booms in the sky.

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Ironworkers Sean and Travis rigging the caisson for the pick and placement in the pier casing. #2
Ironworkers Sean and Travis rigging the caisson for the pick and placement in the pier casing. #2

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Ironworkers Sean and Travis rigging the caisson for the pick and placement in the pier casing.
Ironworkers Sean and Travis rigging the caisson for the pick and placement in the pier casing.

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Starting the pick of the caisson as Travis and Sean stand by.
Starting the pick of the caisson as Travis stands by and Sean communicates with the crane operator through hand signs.

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Early morning on the Indiana Approach
Early morning on the Indiana Approach.

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Apprentice Carpenter Escarlett learning how to use a cutting torch.
Apprentice Carpenter, Escarlett, learning how to use a cutting torch.

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Placing a Caisson in the pier casing
Placing a Caisson in the pier casing on the Indiana approach of the downtown span.

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Placing a Caisson in the pier casing on the Indiana approach of the downtown span. #2
Placing a Caisson in the pier casing on the Indiana approach of the downtown span. #2

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Rigging the caisson for picking.
Sean and Travis rigging the caisson for picking.

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Sean and Travis rigging the caisson for picking. #2
Sean and Travis rigging the caisson for picking. #2

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I hope these HDR construction images help reveal the size and scope of the Ohio River Bridges Project as well as the my admiration for the skilled tradesmen and tradeswomen who perform these critical tasks. I also hope that the next time you see a construction site or meet a construction worker you will see their contribution to our way of life and the valuable part they play in building the world. Maybe you’ll even have a little more understanding of the important role that organized labor plays in providing skilled professionals that construct safe and dependable infrastructure for our world.

One final note about these images. All of the images in this post were created from three exposure bracket sets of +2, 0 and -2 EV exposures. They were merged in NIK HDR Efex Pro 2 and finished in Aperture 3. I use NIK HDR Efex Pro 2 because it does the best job I have found of reducing, and in most cases eliminating, ghosting when working with active subjects such as the men and women in these images. I finish the merged images in Aperture 3 because it allows me to control all the other variables such as color, contrast, sharpening etc in a non-destructive workflow.

HDR of Robyn Keith at Work

Robyn Keith  #2
Robyn Keith #2

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The woman in this image is Robyn Keith. Robyn is a carpenter and I wanted to capture her at work with the rising sun behind her. The light was really rich the morning I shot this and the sparks flying from her cutting wheel also caught me eye. I also liked the way the morning sunlight was reflecting off the surface of the concrete form that she was working on and tying the sparks, the sunlit sky and the reflections together.

This HDR image was created in NIK HDR Efex Pro 2 from my standard bracket set of +2, o and -2 EV. Because she was moving slightly while cutting off the rebar, I had to apply 80% anti-ghosting to eliminate some ghosting around her head. When applying anti-ghosting I always strive to use the smallest percentage possible to avoid creating other artifacts in the image. In this case 80% was the lowest amount I could use; anything less than that amount left ghosts of her head and hands. I could have dealt with that issue inside Photoshop but the anti-ghosting settings in NIK HDR Efex Pro 2 usually are a much simpler approach and work very well in most cases.After merging the three frames I applied the Balanced preset to do my basic tone-mapping. I like to use that preset because it adds a small amount of contrast to the initial merger and sets the stage for me to adjust the shadows and highlights without adding too much of an over-processed HDR feel to the merged files. As usual I returned the merged files to Aperture 3 where I completed adjusting it and sharpened it.