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Tuesday I was down in Moulton, Alabama to attend my maternal Aunt Helen Parker’s funeral. She had a long life of 94 years and though it was sad to know she had passed on it was also reaffirming in the way the passing of a loved one draws a family together. Aunt Helen had started her life as the daughter of sharecroppers in the Alabama cotton fields but through hard work she and her family rose into a comfortable middle class farm life. She, as so many others in the south, had worked hard and risen above the tough times that almost all rural southerners endured especially through the Great Depression. Throughout her long life her faith and love for her family strengthened and supported her through the loss of two husbands and many others in her large family. Aunt Helen ended her life surrounded by her nieces and nephews who all loved her dearly. Her life was one of persistence and compassion and we will all miss her and remember fondly her lilting “I love you” which she always said when she hugged us as we were heading out her door after a visit.

On my way to Moulton I passed through Decatur Alabama and saw these large buildings alongside the railroad tracks on the west side of the city. I had never been down that particular street before and in all the times I had travelled down there I had not seen these unusual structures. I am always drawn to abandoned industrial sites and decided that on my way back home I needed to stop and photograph them. When I asked my cousins what they were they told me they had once been part of a large cotton oil and cotton meal manufacturing complex.

When I arrived there I found a business office in another building nearby and asked if I could go in and photograph the place. The receptionist said that they belonged to the city of Decatur and that she didn’t know any more about them. I decided that I would find an opening in the fence around them and see for myself what mysteries they held. The sky was heavy with cold gray clouds and a light mist was falling as I unpacked my cameras and scouted for and found an opening in the fence around the property. The wind was pretty strong and the metal on the buildings rattled and creaked; it was as if the buildings were speaking to me telling about their earlier days as productive structures now left to decay and eventually return to the earth.

I shot everything that day in a three frame bracket set of -2, 0, and +2 EV. I then merged them in NIK HDR Efex Pro 2 before finishing them in Aperture 3. In some of the interior shots I went into OnOne Software’s Perfect Effects and played around with some of the many presets. The images below are from that experimentation and application within the Perfect Photo 6 Suite from OnOne after being merged and tone mapped in NIK HDR Efex Pro 2. I like the way that the two software programs complimented each other and allowed me to bring out the greens that the moisture inside these buildings had created by feeding mosses and molds on the corrugated steel. My final processing with all these images was in Aperture 3 where I used various adjustments and completed the sharpening prior to exporting the final images you see here.

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Click on the image to open it at full size in another window.

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