Tag: tone mapping

Out For an Evening Spin

Kids Out For an Evening Spin

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Sunday evening I was down in Waterfront Park to shoot the sunset and the people out enjoying the park. As I was heading back to my truck I saw the children’s playground was getting a little attention too. It was well after sunset and the light was very low so I thought I would experiment with some long exposure brackets of the kids playing on the merry-go-round. They were all ages from toddler up to five or so and they were having a great time. I knew that the figures would be blurred by movement so I decided to capitalize on that.

One mother, whose two children were the smallest on the ride, stood nearly motionless as she watched over them. I hoped that she would show up in the shots and was well rewarded. Even though there were eight or ten kids on the ride and several more parents in the scene they all stayed in motion and appear as faint ghosts in the final image.

I merged the three frames in NIK HDR Efex Pro 2 using a 100% setting for anti-ghosting. I also applied the Deep #1 preset and made some very slight adjustments to the tonality before returning the image to Aperture 3 for final adjustments. In Aperture 3 I adjusted each color channel separately in order to compliment the blue tone that the twilight sky cast over the scene. I was still bothered by the way the kids were being rendered as simply a blur though; I decided to add some mid-contrast and voila their small figures appeared inside the merry-go-round. A little sharpening and some further tweaks to the Exposure and Enhance sliders and this final image emerged.

Cold Steel Morning

Cold Steel Morning
Cold Steel Morning

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This was a three frame bracket set -2, 0, +2 EV merged and tone mapped in NIK HDR Efex Pro 2 starting with the Deep 1 Preset. I made some minor changes to the amount and method strength. I also dropped a control point on the sky in the background where I adjusted the exposure and contrast. I then returned the image to Aperture 3 and adjusted the overall exposure, cleaned up some dust spots, and enhanced the vibrance slightly.

Texture Tuesday

Big Four Connector #1
Big Four Connector #1

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These images are detail shots of the massive nuts that are at the junction of the bridge spans. The nuts are at least 12 inches in diameter and when I first noticed them I wondered how big the wrench must have been that was used to tighten them. They are visible at the ends of each bridge span where it connects to the next span. They are down behind the curb; you can also see that the handrail looks different where it goes past them.

These images are single exposures that were first tone mapped in NIK HDR Efex Pro 2 them taken into Color Efex Pro 4 where I used the detail extractor preset to emphasize the texture on the surfaces. I then returned them to Aperture 3 where I adjusted vibrance, contrast and sharpening.

Big Four Connector #2
Big Four Connector #2

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This image went through the same post processing routine as the one above. These colors are all there it just takes opening your mind and eyes to see them when you are photographing them. I don’t change the colors in my images but I do enhance their luminance when I get them into my digital darkroom.

The next time you are up on the Big Four Bridge take a look at these connectors. If you bring your camera try to remember that there is more to shoot on the Big Four Bridge than sunsets and bridge architecture; look for images in the textures and juxtapositions of surfaces that are all around you.

Monday Morning Mood

Stormy Morning on the Ohio River
Stormy Morning on the Ohio River

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I have been doing more experimenting with combining various software in my processing. For this image I used NIK HDR Efex Pro 2 to merge my three shot bracket set. I did some initial tone mapping there and then returned it to Aperture 3 for more refinement. After that I took it into OnOne Perfect Effects and applied some of the filters there at very low strength to bring out more detail in the sky. I’m pleased with this image because it doesn’t exhibit a lot of haloing even after using multiple filters.

West of the Wharf

Louisville Shoreline
Louisville Shoreline

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This image was taken on the west end of the Louisville riverfront between the Third Street Wharf and the McAlpine Locks. The source files are all bracketed HDR images that were merged in NIK HDR Efex Pro 2 where they were first tone mapped before returning the merged file to Aperture 3 and then processing it in OnOne Perfect Effects where I applied a slight vignette.

Under the Interstate
Under the Interstate

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This image is from under Interstate 64  just past 6th Street. The view is looking east toward the Kennedy Bridge. Once again NIK HDR Efex Pro 2 was used to merge the three bracketed files. After that was done I opened it in OnOne Perfect Effects where I experimented with stacking several different effects to bring out the colors and contrast in the scene. I really should write down what I use but many times I am experimenting and go through many different filters before settling on a particular one. One feature I really like about using the OnOne Perfect Effects filters is that they can be stacked and that I can control the amount of strength I want by varying the opacity of each one and stacking several filters together using the layers feature. I then finished the image in my normal way using Aperture 3.

Solitary Sentinel
Solitary Sentinel

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This is an image from a merged bracket set processed in NIK HDR Efex Pro 2 and finished in Aperture 3. The bridges in the background are K&I Railroad bridges that connect west Louisville to New Albany, Indiana.

Ninth Street Ramps
Ninth Street Ramps

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This final image is also Processed in NIK HDR Efex Pro 2, OnOne Perfect Effects and Aperture 3.