Tag: Tim Williams

Over the Top

Posted on by Nick Roberts
Over the Top

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Today’s image was taken from above the Big Four Bridge when Tim Williams took me up in the 135 foot tall man lift. We were in one of the middle spans on the bridge and as he worked the basket through the bridge super structure I saw this image. We were looking south over the top of the bridge and for the first time I saw the beauty of the elliptical  ramp that leads up onto the bridge from Waterfront Park. The ramp is a quarter mile long and is an engineering marvel. It incorporates multiple radia as it spirals up to the bridge. The engineering that went into designing and building it have led to numerous engineering and architectural awards.

I chose to process this black and white version in Aperture 3 using the Black and White adjustment panel. I tried all the various filters and ultimately opted to use the orange filter to get the level of contrast I was looking for. After that I adjusted the exposure, contrast and sharpening before exporting it as a 300 DPI JPEG file.

Waterfront Park Morning

Posted on by Nick Roberts
Waterfront Park Morning

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This image is one that I shot while in the man lift a few weeks back. We were 135 feet above the Big Four Bridge and the view was incredible. Fall was just beginning and a few of the trees were stating to turn adding just a bit of color to the park. This view of the Louisville skyline is one that I won’t be able to get again and I’m very grateful to the man lift operator, Tim Williams, for taking me up in the man lift. I also want to thank T&C Construction and Construction Solutions for allowing me to be a part of the project and giving me such unique perspectives of the city

I processed this image using Aperture 3 in an effort to create a realistic photo with a high dynamic range. The histogram for this image was an excellent exposure with no blocking up in the shadows or blown highlights. I am relying more and more on reading the histogram while shooting and using 1/3 stop EV adjustments to get as optimal an exposure as possible. I still shoot brackets, in most cases, but where possible I use only the best frame to create my image. This doesn’t mean I am abandoning  merging multiple exposures for HDR images though. There are still many times when the dynamic range of a scene can only be captured with bracketed exposures in order to open up the shadows or prevent blown highlights. I still love the richness and latitude that HDR processing affords me and will continue to use it but there is a great deal of satisfaction in capturing the full dynamic range, such as this image exhibits, in a single frame.