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I was playing around with depth of field in this image. I was exploring the idea that the people inside weren’t really worth looking at closely; just that they were quarantined from the larger society. I wanted to show how the internment barracks were separated from the outside world.
Single frame faux HDR processed in NIK HDR Efex Pro 2 and Aperture 3.
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This image is from the Waterfront Park Amphitheater looking west. This is a magical place that affords a view of the Big Four Bridge and the Ohio River that many people aren’t aware exists. There are speaker and a sound system there that plays WFPK public radio music which is really a nice way to enjoy the view listening to music.
This image is from a three EV bracket set merged in NIK HDR Efex Pro 2 and tone mapped there before returning it to Aperture 3 for some adjusting and slight straightening of the horizon. After that I used some OnOne Perfect Effects presets dialed down to low strength to enhance the final image. One filter I used was the Polarization filter; it is very good and really mimics the characteristics of a real polarizer by virtue of being able to “rotate” it when applying it to the image.
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This is another image from that same shoot with similar post processing. The next time you are down in Waterfront Park take a stroll to the Amphitheater and discover another facet of our wonderful Waterfront Park.
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Last night I was playing around with some images I shot last week from the Big Four Bridge at sunset. I was intrigued by the patterns that the lights cast on the deck and how they contrasted with the somber sky above. The images were all created from three frame bracket sets of, -2, 0, +2 Exposure Values. The artificial lights on the ramp were set to red and I thought I would experiment with the resulting photos after merging and tone mapping them in NIK HDR Efex Pro 2. For this image I took the HDR image into Aperture 3 and adjusted several sliders in the exposure, enhance and sharpening panels before loading it into OnOne Perfect Effects where I added a vignette. The OnOne suite is another iceberg that I have barely seen the tip of; the range of effects that are available and the ability to combine them in layers within the software leads to an infinite range of looks to explore. Anything you build up in the layers can be exported as a custom preset which you can then apply to similar images and get consistent results.
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This image is another HDR that I merged in NIK HDR Efex Pro 2. I was pleasantly surprised by how the colors of the red lights combined with the silvery blue of the overhead LED lights to create such an incredible color palette. I kept the anti-ghosting set at 20% which allowed the fast moving clouds to soften and blur as well as keeping the lone runner on the bridge in a state of motion too. I used Photoshop CS5 to do some lens correction and straightening to the image before finishing it with Aperture 3.
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This image too is a three frame HDR but in this case I stayed within NIK HDR Efex Pro 2 to enhance and play around with the colors before taking it into Aperture 3 where I further altered them with the Vibrance slider. After that I simply sharpened the image and adjusted the horizon using the straighten tool in Aperture 3.
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This final image is also an HDR with some OnOne adjustments and final finishing in Aperture 3. I’m beginning to discover more and more ways that combining different software from different makers can open more avenues of expression in my photography.
On a similar note there seems to be a price war going on right now between the software makers, NIK has some incredible pricing like their entire Suite for $149.00, you can add in a 15% additional discount if you use the discount code MOATS at checkout. OnOne is having a spring sale at 40% off; you can see what they are offering by clicking on the OnOne Banner in the sidebar on this page. Topaz hasn’t announced anything yet but I suspect they will be joining in on this discount war soon. There is also a link for Topaz in the sidebar. I am an affiliate for OnOne and Topaz so clicking on the banners allows me to earn a small commission should you decide to order anything.
One more plug here is for my good friends at Outdoor Photo Gear whose banner is also in the sidebar. These guys and gals are the friendliest and most knowledgable photo gear suppliers I have ever done business with. They run specials all the time and I would recommend you take a look at their site too.
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Once the people started using the bridge on opening day it went from a static thing to a living structure. I was surprised how much difference I saw once people were walking on the ramp and bridge. Having that many people up there really helped add some scale reference to things. Before that moment I knew how big it was but without people on there it was hard to get a feel for what a massive structure the ramp and bridge really is.
This image is another bracket set of three frames shot at -2, 0, and +2 EV and merged in NIK HDR Efex Pro 2 then finished in Aperture 3. I first tried the merger at 20% anti-ghosting and nearly all the figures were distorted so I returned it to the merge setting and boosted the anti ghosting to 60% which solved the problem and gave me the results I was looking for.
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I thought that with the opening of the Big Four Bridge set for Thursday morning I would look back over the past six months of my posts about the bridge. Photographing this project has been one of the most rewarding experiences in my life as an artist and photographer. Shooting almost daily, getting to know the construction crew, learning about bridge building, seeing my hometown from a vantage point few have ever experienced and expanding my photographic skills are all things that happened because I chose to create this blog which then led to my gaining access to the project.
I started the SpeedDemon2 blog last summer and tried to post a new image each day. Had I not posted a photo of clouds moving over the bridge after a thunderstorm on the blog, it would not have been seen by the Waterfront Development Corporation. Without them seeing that photo the Waterfront Development Corporation wouldn’t have had any reason to contact me or grant me access to the project and I would not have gotten the opportunity to go up on the bridge during the final phase of the conversion from abandoned railroad bridge to a pedestrian bridge and a central component of Louisville Waterfront Park.
When people ask me about how to get recognition for their photography I always tell them to blog about their work. I relate my story about the exposure and opportunities blogging has given me and my work, not only here in Louisville but around the world too.
I can’t begin to list everyone who helped me and took me under their wings as I moved forward with my personal plan for this body of work. I want to thank the Waterfront Development Corporation, Construction Solutions LLC and T&C Construction for all the support and access they have granted me.
I especially want to thank all the Ironworkers, Carpenters, Laborers and Equipment Operators for their cooperation and understanding as I went about documenting their day to day activities. These guys have become friends that I hope to stay in contact with for years to come. Without their skill and expertise the Big Four Bridge conversion could not exist; their dedication to craftsmanship and love for the bridge are evident in every detail. They never cut corners or took an attitude that something was “good enough” instead they took the approach that “perfection equals pride in a job well done” which shows everywhere one looks. Everyone who sees and uses this bridge owes them a debt of gratitude.
The Waterfront Development Corporation has restored Louisville’s Commons and given our city a park that celebrates our roots as a river city. Their vision and leadership will be enjoyed by the people of Louisville and her visitors for generations to come and exemplifies the title “The City of Possibility”. Waterfront Park gives the entire community a gathering place far greater than any of us who have lived here our entire adult lives ever dreamed possible.
The image above is the one that was seen by the Waterfront Development Corporation and landed me on the bridge. I was subsequently allowed to shoot this final phase of the conversion from abandoned railroad bridge to a pedestrian bridge between Kentucky and Indiana.
