Tag: outdoors

End of Tractor Week

Posted on by Nick Roberts
Kansas Tractor #2
Kansas Tractor #2

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Today’s post is the last one I want to share from my Kansas tractor series. Sometimes a detail is all that is needed to tell a story; I think that is the case with this image of an Allis-Chalmers grill shell and Allis-Chalmers emblem. The patina, the complex curves of the metal and the Allis-Chalmers emblem speak to an era long ago when industrial design was also concerned with aesthetics. The farm trucks in the background exist as metaphors for a time when America was struggling to survive the Great Depression and tractors such as this Allis-Chalmers were working to feed the world.

Because I was working with a single frame I used a preset in Topaz Adjust that I built especially for these images. I started with the Spicify preset that I dialed down to a level that emphasized texture and color; I then added a vignette and a border to the image as my finishing touches.

More Playing with Topaz Adjust

Posted on by Nick Roberts
He Retired in Kansas
Retired Kansas Farm Truck

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Here’s another image from Cawker, Kansas. I had a polarizer on my Nikkor 12-24 mm lens which really cut down on the glare and saturated the colors before any processing was done. Once again the sun was almost directly overhead but by using Topaz Adjust with the Spicify preset I was able to bring out the texture and patina on this old Ford farm truck. Spicify really enhanced the crazed windshield glass as well as the reflections inside the headlights.

The current version of Topaz Adjust has the ability to create layers of effects and control the amount and transparency they apply. Not only that, they have added a robust Vignette and Borders feature that didn’t exist in earlier version. I can also apply sharpening within the Topaz application which allows me to finish the image inside Topaz and eliminate the added step of returning to Aperture 3 for final sharpening.

Playing with Topaz Adjust

Posted on by Nick Roberts
Kansas Tractors
Kansas Tractors

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Today I thought I’d play around with some images of old tractors I came across in Kansas a couple of years ago. I was riding through there on my way to Utah when I spotted a junkyard full of farm equipment. As you can see from the shadows it was high noon which is usually thought to be a time of day to avoid shooting anything. I have found over the past few years that photos taken at this time of day seem to really respond to Topaz Adjust treatment.

This was a single frame that I first opened in Topaz Adjust. I used the Adjust 4 presets and chose Spicify as my starting point. I dialed it down a little before adding some color adjustments to the Cyan and Blue in Aperture 3. Before that I applied one of the vignettes and a black border in Topaz Adjust.

Silent Sunday

Posted on by Nick Roberts
Into the Mist
Into the Mist

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Memo From the Department of Shameless Self Promotion

I am still accepting participants for my next HDR Workshop on May 17-18, 2013 here in Louisville. The last session was a great success; the participants all felt that it was time well spent and were applying the things they learned the next day. Here’s a link to the sign up page at Outdoor Photo Gear.

http://outdoorphotogear.ticketleap.com/using-hdr-photography/

 

 

Miles Lake Morning / Using Reflections to Add Interest

Posted on by Nick Roberts
Miles Lake Morning #1
Miles Lake Morning #1

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When I went out to the Parklands the other morning I was hoping to get a dramatic sunrise but the eastern sky was empty. I decided to hike along the southern shore of Miles Lake to see if there might be something else in there to photograph. About half way to the end of the lake I looked behind me and saw that there was a weather front moving in from the west. I noticed that the clouds were creating an interesting reflection in the placid surface of the lake so I set up my tripod and shot a three frame bracket at -2, 0, and +2 EV.

Back home in my studio I opened the three images in NIK HDR Efex Pro 2 where I merged them and since the morning had been calm I only applied 20% anti-ghosting to the merged files. Once they were merged I applied the Deep #1 preset and made some adjustments to the contrast, white, blacks, shadows and highlights sliders. I then returned the image to Aperture 3 where I adjusted the recovery and vibrance sliders very slightly before sharpening and saving the image.