Tag: Nikon D90

Combining Different Maker’s Software

Posted on by Nick Roberts
Big Four Lighting #1
Big Four Lighting #1

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Last night I was playing around with some images I shot last week from the Big Four Bridge at sunset. I was intrigued by the patterns that the lights cast on the deck and how they contrasted with the somber sky above. The images were all created from three frame bracket sets of, -2, 0, +2 Exposure Values. The artificial lights on the ramp were set to red and I thought I would experiment with the resulting photos after merging and tone mapping them in NIK HDR Efex Pro 2.  For this image I took the HDR image into Aperture 3 and adjusted several sliders in the exposure, enhance and sharpening panels before loading it into OnOne Perfect Effects where I added a vignette. The OnOne suite is another iceberg that I have barely seen the tip of; the range of effects that are available and the ability to combine them in layers within the software leads to an infinite range of looks to explore. Anything you build up in the layers can be exported as a custom preset which you can then apply to similar images and get consistent results.

Big Four Lighting #2
Big Four Lighting #2

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 This image is another HDR that I merged in NIK HDR Efex Pro 2. I was pleasantly surprised by how the colors of the red lights combined with the silvery blue of the overhead LED lights to create such an incredible color palette. I kept the anti-ghosting set at 20%  which allowed the fast moving clouds to soften and blur as well as keeping the lone runner on the bridge in a state of motion too. I used Photoshop CS5 to do some lens correction and straightening to the image before finishing it with Aperture 3.

Big Four Lighting #3
Big Four Lighting #3

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This image too is a three frame HDR but in this case I stayed within NIK HDR Efex Pro 2 to enhance and play around with the colors before taking it into Aperture 3 where I further altered them with the Vibrance slider. After that I simply sharpened the image and adjusted the horizon using the straighten tool in Aperture 3.

Big Four Lighting #4
Big Four Lighting #4

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This final image is also an HDR with some OnOne adjustments and final finishing in Aperture 3. I’m beginning to discover more and more ways that combining different software from different makers can open more avenues of expression in my photography.

On a similar note there seems to be a price war going on right now between the software makers, NIK has some incredible pricing like their entire Suite for $149.00, you can add in a 15% additional discount if you use the discount code MOATS at checkout. OnOne is having a spring sale at 40% off; you can see what they are offering by clicking on the OnOne Banner in the sidebar on this page. Topaz hasn’t announced anything yet but I suspect they will be joining in on this discount war soon. There is also a link for Topaz in the sidebar. I am an affiliate for OnOne and Topaz so clicking on the banners allows me to earn a small commission should you decide to order anything.

One more plug here is for my good friends at Outdoor Photo Gear whose banner is also in the sidebar. These guys and gals are the friendliest and most knowledgable photo gear suppliers I have ever done business with. They run specials all the time and I would recommend you take a look at their site too.

 

Happy St.Patrick’s Day

Posted on by Nick Roberts
Greendrops Keep Fallin' On My Head
Greendrops Keep Fallin’ On My Head

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In the tradition of honoring my Irish roots I thought I’d post some green images today. For me green is the color of spring, hope, rebirth and my eyes. This first image is my favorite shade of green too. All these images come from the past several years of the NSRA Streetrod Nationals held here in Louisville, Kentucky.

Bullet Nose Beast
Bullet Nose Beast

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Bullet Nose Beast #2
Bullet Nose Beast #2

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REO Speed Wagon
REO Speed Wagon

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Emerald Buick
Emerald Buick

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Alabama Morning

Posted on by Nick Roberts
Alabama Morning
Alabama Morning

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These images are from my trip down to Alabama a few weeks back. While exploring the countryside I came upon this old log building that has become a piece of Americana. The owner of the property is obviously into collecting old signs and old gas pumps. The sky was full of clouds that were remnants of a thunderstorm that went through the night before while off to the east the sun was breaking through and illuminating the cabin and the surrounding area. In the distance the sky and horizon were still dark and foreboding. The light was bright enough that I was able to handhold the shots and that allowed me to move quickly around the scene.

I processed this image using NIK HDR Efex Pro 2 for the merging of my three frame bracket set.  My bracket set was -2, 0 and +2 EV.  After I tone mapped the image I made some adjustments to vibrance and contrast in Aperture 3 and then I took the image into OnOne Perfect Effects 4 where I applied a vignette using the Big Softy preset.

Alabama Morning #3
Alabama Morning #3

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This is another image from the same shoot. I loved the way the sun was lighting the buildings and the field around them while in the distance the horizon and sky were still dark. I followed the same basic procedure for processing this image as I did in the one above but I spent a little more time in OnOne Perfect Photo 7 playing around with Perfect Effects where I once again added the vignette using Big Softy preset as well as experimenting with some of the other adjustments that Perfect Effects has available.

Alabama Morning #4
Alabama Morning #4

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In this image the sun went behind some clouds and it really softened the light. I shot a handheld three frame bracket at -2, 0 and +2 EV and merged them in NIK HDR Efex Pro 2 before taking the merged image back into Aperture 3 for final processing. The change in the quality of the light creates an entirely different feel to the scene and I didn’t feel that Perfect Effects 4 would be of any benefit on this image so I finished it with Aperture 3.

 

End of the Deck Pour

Posted on by Nick Roberts
Removing the Bidwell Machine
Removing the Bidwell Machine

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This shot is from the day that the T & C Construction crew completed pouring the concrete veneer on the Big Four Bridge. This was the culmination of the task of getting the deck in place and one of the major milestones on the project. The Bidwell concrete paving machine in the air had to be reengineered and modified to work within the confines of the bridge. Because it’s original purpose was to be used for highways and highway bridges it was too wide for the Big Four Bridge. Willie and his crew figured out a way to narrow it to fit the bridge and designed a new roller system that could use the bridge’s curb to position the machine. This is another facet of the problem solving and ingenuity that the construction crew had to do on a daily basis that the casual observer isn’t aware of.

I shot this as a single frame and completed all processing within Aperture 3. As you can see by the angle of the shadows it was getting late in the day which gave me some great light to work with that saturated the colors and boosted the contrast.

Keep It Simple

Posted on by Nick Roberts
Finishing the Deck
Finishing the Deck

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Sometimes a simple image has a lot to say. I was photographing the final finishing of the concrete when I saw this scene in the viewfinder. It has been processed in Aperture 3 with minimal enhancement to the vibrance and a little sharpening.