Category: Topaz Plug-in

Playing with Topaz Adjust

Kansas Tractors
Kansas Tractors

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Today I thought I’d play around with some images of old tractors I came across in Kansas a couple of years ago. I was riding through there on my way to Utah when I spotted a junkyard full of farm equipment. As you can see from the shadows it was high noon which is usually thought to be a time of day to avoid shooting anything. I have found over the past few years that photos taken at this time of day seem to really respond to Topaz Adjust treatment.

This was a single frame that I first opened in Topaz Adjust. I used the Adjust 4 presets and chose Spicify as my starting point. I dialed it down a little before adding some color adjustments to the Cyan and Blue in Aperture 3. Before that I applied one of the vignettes and a black border in Topaz Adjust.

Combining Different Maker’s Software

Big Four Lighting #1
Big Four Lighting #1

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Last night I was playing around with some images I shot last week from the Big Four Bridge at sunset. I was intrigued by the patterns that the lights cast on the deck and how they contrasted with the somber sky above. The images were all created from three frame bracket sets of, -2, 0, +2 Exposure Values. The artificial lights on the ramp were set to red and I thought I would experiment with the resulting photos after merging and tone mapping them in NIK HDR Efex Pro 2.  For this image I took the HDR image into Aperture 3 and adjusted several sliders in the exposure, enhance and sharpening panels before loading it into OnOne Perfect Effects where I added a vignette. The OnOne suite is another iceberg that I have barely seen the tip of; the range of effects that are available and the ability to combine them in layers within the software leads to an infinite range of looks to explore. Anything you build up in the layers can be exported as a custom preset which you can then apply to similar images and get consistent results.

Big Four Lighting #2
Big Four Lighting #2

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 This image is another HDR that I merged in NIK HDR Efex Pro 2. I was pleasantly surprised by how the colors of the red lights combined with the silvery blue of the overhead LED lights to create such an incredible color palette. I kept the anti-ghosting set at 20%  which allowed the fast moving clouds to soften and blur as well as keeping the lone runner on the bridge in a state of motion too. I used Photoshop CS5 to do some lens correction and straightening to the image before finishing it with Aperture 3.

Big Four Lighting #3
Big Four Lighting #3

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This image too is a three frame HDR but in this case I stayed within NIK HDR Efex Pro 2 to enhance and play around with the colors before taking it into Aperture 3 where I further altered them with the Vibrance slider. After that I simply sharpened the image and adjusted the horizon using the straighten tool in Aperture 3.

Big Four Lighting #4
Big Four Lighting #4

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This final image is also an HDR with some OnOne adjustments and final finishing in Aperture 3. I’m beginning to discover more and more ways that combining different software from different makers can open more avenues of expression in my photography.

On a similar note there seems to be a price war going on right now between the software makers, NIK has some incredible pricing like their entire Suite for $149.00, you can add in a 15% additional discount if you use the discount code MOATS at checkout. OnOne is having a spring sale at 40% off; you can see what they are offering by clicking on the OnOne Banner in the sidebar on this page. Topaz hasn’t announced anything yet but I suspect they will be joining in on this discount war soon. There is also a link for Topaz in the sidebar. I am an affiliate for OnOne and Topaz so clicking on the banners allows me to earn a small commission should you decide to order anything.

One more plug here is for my good friends at Outdoor Photo Gear whose banner is also in the sidebar. These guys and gals are the friendliest and most knowledgable photo gear suppliers I have ever done business with. They run specials all the time and I would recommend you take a look at their site too.

 

Closed

Closed
Closed

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This image is another one from the NuLu Photowalk with Jon Eland last Saturday. I was photographing the facade of the building at Gittings Bedding on Market Street when I noticed this fellow looking out the door. I started photographing him as he stood there for what seemed a very long time watching me. At some point he flipped the OPEN sign to CLOSED and I thought he would close the door but instead he continued to watch me. I continued to shoot until he stepped back inside and closed the door.

I processed this image in Topaz Adjust using Spicify as my initial preset. I dialed it down quite a bit in order to preserve a realistic sense to the image while still intensifying the contrast and colors in the photo. The sun was shining directly on the building but through using the detail slider and other adjustments I was able to show the texture of his shirt and the brick on the building.

Photowalk Discovery

A Herd of Insects?

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The past Saturday I joined 25 other Louisville photographers for a photowalk with Jon Eland who was visiting Louisville for IdeaFestival. Jon is from Leeds, England which is a sister city with Louisville. As a rule I am not a group shooter, I prefer to go out alone when I do my photography, but after attending a lecture that Jon gave to the PhotoForum camera club here in Louisville last Wednesday I decided to join the group for Jon’s NuLu Fest photowalk. I’m glad I did because the interaction with other photographers led me to some interesting subject matter that I probably wouldn’t have seen such as these insects on the corner of a building on Market Street in the NuLu district of Louisville.

Deborah Brownstein, one of Louisville’s finest macro photographers, pointed these insects out to me as I was walking past Joe Ley Antiques. I was focused on the vast amount of stuff that was outside his shop and walked right past these guys. Deb showed me these insects and immediately I knew that I had to capture a few images of them. I liked the contrast of their red bodies on the green wall and the pattern that they made. I have no idea what they are but I am fascinated by the various stages of growth they appear to be in. Judging by the wings some have matured into full size while other smaller ones are just starting to grow their wings.

Yesterday I decided to start editing the images from the photowalk and the first one I went to was this image. I decided to use Topaz Adjust to enhance the color and detail in the shot. I used to use Topaz Adjust a lot but had drifted away in favor of the NIK collection of software. I decided to use Topaz Adjust 5 and the “Spicify” preset as my point of departure and tweaked several sliders in it to finish this image. I like the controls in Topaz Adjust when I’m editing because they allow me to complete my edit without returning the image to Aperture 3 for sharpening and final output. Everything I need is inside TopazAdjust including sharpening which is something I generally have to return images to Aperture 3 for when using the NIK software.

Ohio River Sunset

Ohio River Sunset
(Topaz Version)

Today I decided to give this image from an HDR bracket set a quick processing with Topaz Adjust 5. I started with the Spicify preset which I then tweaked slightly before sharpening and exporting the image. What I hope I demonstrated is that a dramatic image is possible with minimal processing provided your original photo is an interesting composition.