The work on the Ohio River Bridges Project Downtown Span is moving so fast it is becoming more and more difficult to shoot, edit and post the photos I’m getting now. With Ironworkers, Raising Gangs and Cable Stay Gangs, working feverishly to complete their tasks it is hectic to say the least.
This is a series of Composit Abstract Images started with a single source image.
This Gallery of images shows the men and materials that went into constructing the tower crane on pier five of the downtown span of the Ohio River Bridges Project.
Several photographs from inside the mast of the tower crane on the Ohio River Bridges Project in Louisville, Kentucky being built by Walsh Construction
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Last week I was cleared by the safety manager to enter and climb the tower crane that has been installed on pier four of the Ohio River Bridges Project. The tower crane is approximately 100 feet tall now and will eventually be extended up to around 200 feet in order to build the bridge towers for the northern tower of the downtown span. Each section of the crane tower is ten feet tall and affords me a place to stand and shoot from as I climb up. I only went up six sections but with the additional height of the tower base I was able to shoot from around eighty feet above the river. The view of the project from there is amazing and I can’t wait to climb higher the next time I’m out there. Eventually I will be able to climb all the way up to the crane itself and see the project as the crane operator sees it.
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In this second image you can see the base of the eastern leg of the northern bridge tower and the shadow of the tower crane. I think I was around forty feet above the base but I’m not sure exactly which level I was on when I shot this image. The river was pretty muddy from the heavy rains that went through upstream from Louisville a few days earlier. The brown shapes on the water are driftwood branches and logs that are swept into the river whenever the river rises.
Not much more to say about these images except that they are both HDR shot handheld in a three frame bracket set of +2, 0 and -2 EV exposures. They were merged in NIK HDR Efex Pro 2 and finished in Aperture 3.
