Tag: travel

Buick Fireball Eight

Posted on by Nick Roberts

At the NSRA Streetrod Nationals you will see many creative uses for vintage engines. This Buick Dyna Flash Fireball Eight is one such engine. It was installed in a Reo roadster which made it a very unique combination. The car itself was a faint pastel green and the engine was this fantastic deep jade green with white lettering. I wanted to capture the paint job on the engine because it was as finely detailed as the overall car. All the raised lettering that was stamped into the spark plug cover really caught my eye because it had all been perfectly hand painted.

Once again I am trying to show how by taking an entirely different approach to a subject, that I have been photographing for over 40 years, I was able to come up with a unique image that I hope will resonate not only with car people but with anyone who appreciates streamline influenced art deco design.

I chose to frame it diagonally to move the viewer’s eye through the frame from left to right. I used Aperture 3 and NIK HDR EFex Pro to saturate and intensify the color in the image.

Reflections of a 1946 Mercury

Posted on by Nick Roberts

Last year I decided to shoot reflections at the Streetrod Nationals here in Louisville. As I worked that weekend I noticed that many times I was a part of the scene before my camera. I started playing with the idea of producing a self portrait within the reflections on the cars. This particular car caught my eye because when I was a kid in high school I owned a 1946 Mercury Coupe. My car was a deep green color but before it was painted green it had been maroon in color. I thought it would be fun to see what possibilities this particular car offered for utilizing the reflection to create a self portrait. I settled on this image as the best of the lot with this car.

My point with this post is that when I take my camera in the field I like to have some concept or theme when I’m shooting a subject that I’ve photographed literally thousands of times. By making reflections the overall concept of that weekend’s shooting I was able to take a cliched subject and give it new life. So the next time you are stumped about shooting something that you love, and have photographed many times, try thinking about another way to interpret the scene; you just may surprise yourself and walk away with an image that you really enjoy

 

Self Portrait with the Devilhog

Posted on by Nick Roberts

This self portrait was taken a couple of years ago at the entrance to the Bonneville Salt Flats International Speedway. I used Topaz Adjust bring out the details and colors in the scene.

I’m still feeling my way through this startup of the Speeddemon2 blog and trying to wrap my head around the WordPress analytics that show how many visitors the blog gets each day. There have been days where over 200 people viewed the blog and there have been days when as few as 30 people have stopped by. I’m trying to correlate those numbers with the posts from those days to better understand how I can deliver photos and information that will lead people to return each day or each week. I truly want to be a resource for photographers and ordinary folks to learn more about the work I produce and to find help, or inspiration, to further their artistic vision.

I would really appreciate hearing from you, the visitors, about what worked over the past few weeks and what didn’t. I studied fine art in a school that valued critiques as a way to grow and expand an artist’s thinking and inform his or her work. I’m asking anyone who has something constructive to say to post it in the comment section. I’m sitting here writing these word though and I’m wondering how I’ll deal with the possibility that no one will say anything. Oh well I can’t control the universe so I’ll take my chances with this post.

Louisville Waterfront at Night

Posted on by Nick Roberts

One of the difficulties inherent in shooting night scenes is the large dynamic range needed to capture the scene. The artificial light in the image is usually much brighter than the surrounding areas. When this occurs the highlights are blown out which is almost always in the street lights. This image is one such situation. I shot this image using a five shot bracket series from +2 through -2 stops. Even at that range the centers of the lights are blown out in this image.

My studies of my images at night have led me to adopt a wider range of exposures to offset this undesired effect. My current practice is to go as many as five stops underexposed if I encounter scenes that have large ares of manmade lighting such as this one. I watch my histogram very closely and underexpose until I see the right hand side move completely away from the end of the histogram. I have discovered that by doing that I can subdue the blow outs that occur in the lights themselves.

I merged the five exposures in NIK HDR Efex Pro and then used the default setting as my base to tone map it. I then tweaked the sliders until it was where I liked it and finally returned it to Photoshop CS5 to sharpen it using the unsharp mask tool.

Compositionally I framed the shot with the sunset in the right hand third of the frame in order to balance it with the waterfront on the left. The sky counterbalances the architecture and the complimentary colors of the deep blue sky and the orange waterfront create a harmonious whole.

My point in sharing this image is to show you that the conventional practice of using an automatic bracket set to shoot the scene is not always going to give you control of the entire dynamic range. By using the histogram as a tool to analyze the images in your HDR shoots you can take control and prevent blown highlights such as the street lights in this image.

 

Great Basin Vista

Posted on by Nick Roberts

Today’s image is once again from the Great Basin along US 50. In this image I was trying to capture the vastness of the Great Basin as well as the clouds that had been gathering all day. As I rode along US 50 this particular day I was treated to seeing a thunderstorm develop. During the day I watched as a large mass of clouds in the southern sky coalesced  into a thunderstorm. As the day went on I noticed how every cloud in the sky moved over to become part of the storm. It was fascinating to see that even small clouds that were miles away from the main body would quickly move toward the growing mass until by the end of the day the entire sky had become part of the storm.

Compositionally I used the large boulder in the foreground as a way to bring the viewer into the scene. The triangles formed by the foreground element and the sloping terrain on the left side help to direct the viewer’s eyes down the highway and into the Great Basin while the clouds themselves frame the distant horizon. I used Topaz Adjust to process this image before applying some final tweaks in Aperture 3.