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This image is the Louisville skyline viewed from the Indiana shore of the Ohio River. The bridge is the Clark Memorial Bridge which carries US 31 across the river. I shot this image early this past spring and processed it in NIK HDR Efex Pro and Aperture 3.
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This image is a four exposure bracket set taken at ISO 200 without additional light added. One of the benefits of shooting for HDR is the ability to capture scenes such as this with the extended dynamic range that a bracket set encompasses.
By exposing at +2, +1, 0, and -1 EV I was able to capture the textures within the scene and then merge them using NIK HDR EFex Pro 2. I adjusted the exposure and details in NIK HDR EFex Pro 2 and then I took the resulting image into Nik Silver Efex Pro to create a montone image. As I experimented with the various presets I came upon the “Antique Plate 2” preset which allowed me to create an image that feels as if it were made in another time. I thought the preset fit the subject and gave it an aura of mystery that I was hoping for.
After completing the monotone image I returned it to Aperture 3 where I sharpened it slightly and made a few other minor adjustments.
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I got up this morning and all I could think about was going back to the abandoned distillery I found last week. I had some ideas I wanted to try out using my 12-24 mm lens to shoot a panorama of this structure. I think I’m beginning to become obsessed with this place and the other unique buildings on the property but that may be coming to an end. Today I was discovered by one of the caretakers of the property who asked me to leave. Since I was trespassing I didn’t argue with him and to be fair he was very polite about the situation. He explained that a couple of weeks ago some vandals had set a fire in the road outside the property and the owners had instructed him to call the police and have anyone found there arrested. He said he wouldn’t do that today but he did let me know that I had been warned about trespassing and that he might not be so understanding if he found me in there again.
I shot this panorama as a four shot bracket set at five different camera angles horizontally. The 12-24 mm lens has a little too much distortion for this technique so if I ever get back in there again I think I’ll shoot it at 50 mm. I merged the five frames in Photoshop CS5 and then cropped the final image before taking it into NIK HDR Efex Pro 2 for tone mapping. I then took it back into Aperture 3 when I slightly reduced the saturation and boosted the vibrancy and structure before sharpening the final image.
I also rendered a copy in Black and White using an orange filter in aperture 3. Please take the time to comment and let me know which version you like best and why.
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I had a tough time shooting this year at the Streetrod Nationals due to the weather and time constraints of my own. The opening morning there wasn’t a cloud in the sky so the light was very harsh which as most photographers know makes things difficult. The second morning it was raining almost the entire time I was there which left me pretty much consigned to shooting closeups and detail shots with waterdrops on everything. I threw in the towel by noon and wrote off the event for this year.
I di manage to get a few images that I liked and this is one of them. One of the toughest factors I face when photographing at this event is what I refer to as the “visual pollution” that is created with all the tents and popups that the participants erect. Due to the tents and the folding chairs that are everywhere; it is nearly impossible to isolate the cars from the clutter. Another problem arises when the owner decides to open the hood on the car to show the engine; this act usually destroys any hope of getting a decent shot of the car no matter how interesting the car is.
Today’s image is from the first morning I was there and even though the whole car was incredibly well done, the place where it was parked was so cluttered with tents and the attendent items such as BBQ grills, lawn chairs, coolers and stacks of “stuff” I could not cet a clean shot of the whole car. I opted to shoot the front end and framed it as well as I could to remove those distractions. I shot a five exposure bracket set that I then edited in NIK HDR Efex Pro 2 and Aperture 3 to produce this image.
