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Wordless Wednesday
Tag: texture
Waterfront Park Afternoon
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This image was processed in Aperture 3 as a RAW file before being taken into NIK HDR Efex 2 where I used the Structure 1 preset where I then boosted exposure, shadows, highlights, contrast and structure. I then returned the image to Aperture 3 where I boosted definition, contrast and vibrancy followed by sharpening.
Spaghetti Junction Sky
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The point where the three Interstate Highways intersect in Louisville is known locally as Spaghetti Junction. The weather was changing yesterday from a cloudless sky in the morning to this winter sky around mid afternoon. This image overlooks the Spaghetti Junction intersection and southeast Louisville. It appeared that there was a grid that had been overlaid on the city sky that extended into infinity. The perspective of the clouds intrigued me and I decided to capture it.
I first processed this image in Aperture 3 where I made a few adjustments to the RAW file before taking it into NIK HDR Efex Pro 2 where I worked on enhancing the texture and tonality of the image. I then returned it to Aperture 3 where I applied some exposure, saturation and vibrancy changes. I lowered the saturation slightly and increased the vibrancy in order to achieve the overall feeling I felt when I shot the scene. I had a couple of dust spots that needed attention so I used the Spot and Patch tool in Aperture 3 to clean them up. I then took the image into Photoshop CS5 where I manually adjusted the vertical perspective to compensate for the distortion my 12mm lens had created. Back in Aperture 3 I applied a very slight vignette before saving the image for the web.
The Rivet Choppers
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Another crop from Thomas and Perry shows how different an image can be made through thoughtful cropping. I am not suggesting that photographers should not attempt to frame the final image in camera; I’m only showing that one needs to be open to the possibilities that thoughtful cropping offers.
Rivets and Rust
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Last month I read an interesting book, The Photographer’s Eye by Michael Freeman , which is a fantastic book on the subject of composition. In one chapter Freeman discusses the many possibilities that often lie within a single frame. He points out how by selectively cropping the image the photograph can be used to tell several different stories.
I decided to take the image I posted this morning, Perry and Thomas, and see what other ways I could use it. By cropping the figures from the left side of the frame I was able to create an entirely different image that speaks to texture, color and composition without any visible human involvement.
