Tag: texture

Beaterville Beast

Posted on by Nick Roberts

I shot this rat rod at a local car show. I really dig the outrageous engine and aggressive stance this little rat has. A tunnel ram intake, straight pipes and a chopped top all scream hot rod which is why it appealed to me in the first place.

I processed this one using Aperture 3 and Topaz Adjust. Once again I used the Spicify preset and then tweaked the settings to get the overall look I wanted. Spicify does a great job accenting the texture of the rust and the colors in the scene.

I framed this image so that the diagonal lines in the photo would draw the viewer into the frame. The front tire seems poised to leap out of the frame. Once again I was shooting with a polarizer because it was around midday and I knew that the polarizer would saturate the sky and the colors in the scene.

Back to the Boneyard

Posted on by Nick Roberts

Here’s another shot from my trip to the Studebaker Boneyard in Arizona. I really like the texture and patina that this front end from a 1950 Studebaker has. The famous “Bullet Nose” grill is an American icon. Studebaker was so far ahead of it’s competitors, in the design realm, after World War II . Unfortunately the cars themselves were pretty mediocre in terms of the quality of their components which helped seal their fate.

I shot this at midday and, as I do most times, I was using my polarizer to cut down on the glare. I find using a polarizer to photograph these abandoned vehicles helps when I do my final processing. The polarizer seems to intensify the colors and bring out the texture in the rust. I recommend using polarizers to my students when they are shooting in less than favorable light such as the light in the middle of the day.

I processed this image in Topaz Adjust using the Spicify preset then I dialed it down somewhat from the default setting. One of the real benefits of using a plug-in such as Topaz Adjust is that I can accomplish the feat of opening up the shadows and showing the detail that is in them, such as the inside of the wheelwell here, where the viewer can see the ground and the inside of the fender too.  Too often I see images that have gone through one of these plug-ins where the effect is too strong. I often advise my students to think in terms of “less is more” when using them.

Compositionally I like the way the the subject comes forward in the frame; almost as if it is trying to jump back on the highway for one more ride.  The many triangles that are formed by the composition keep the image from being flat or static. The angles move our eyes within the frame while suggesting that there is more going on just out of our sight.

Flaming Sky

Posted on by Nick Roberts

Today’s image was taken at Louisville’s Waterfront Park. I love the texture that the clouds produce and the silhouettes of the bridges. It is a single image that was processed in NIK HDR Efex Pro and finished in Aperture 3.

I love Louisville’s Waterfront Park and the way the bridges across the Ohio frame my shots there. On this particular evening I was able to place the sun between two piers on the left side of the Kennedy Bridge which added to the drama of the scene.

I believe a photographer needs to shoot every day; in the same way that a great musician practices every day to better control his instument. The more one uses the tools of his craft, the better artist he becomes. Photographing daily allows me to become more and more skilled at composition and using the controls of my camera.