Tag: texture

Isaac Was Coming to Visit

Isaac is Coming to Visit Soon
Isaac is Coming to Visit Soon

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Today’s image is another shot from Waterfront Park looking east. As I mentioned in my earlier posts this week I expected some dramatic skies with the approach of Hurricane Isaac into the Ohio River Valley. I wasn’t disappointed and my early arrival in Waterfront Park revealed this scene as it unfolded before me. It was around 7:00 AM and the sun had not quite risen over the horizon, the clouds were layered across the sky and the sunlight was just starting to filter up through them. The colors and texture of the sky were exactly what I had hoped for as drove into the city to shoot from the eastern end of Waterfront Park. The building on the left is the University of Louisville Boathouse and the building in the center is a new condo complex being built adjacent to the new Louisville Marina.

I decided to process this image from a single file, from my bracket set, to see how well NIK HDR Efex Pro 2 would handle it. The more I use NIK HDR Efex Pro 2 the more impressed I am with it’s ability to render the image in a way that suits my vision for it. More and more I am able to use NIK HDR Efex Pro 2 on single frames and achieve realistic HDR images that rival those, that in the past, required a large bracket set to produce. I’m not interested in seeing how many images I can merge just for the sake of saying that I did it. As I see HDR processing it is simply an extension of the Dodging and Burning that I was doing years ago in the darkroom when I wanted to tone down the highlights or open up the shadows.

My goal as a photographic artist is to produce an image that captures my personal feeling and vision for the scene and if I can do that with one or two images I’m quite satisfied. This does not mean that I am giving up on using multiple images over a broad exposure range when I need them in order to capture the entire tonal range of a scene that is beyond the capability of my camera’s sensor. It simply means that I have more options at my disposal. NIK HDR Efex Pro 2 is a super program and I recommend that you try it for yourself.

After processing the image in NIK HDR Efex Pro 2 I returned it to Aperture 3 where I adjusted the vibrance slider, retouched a few sensor spots, cropped out a billboard on the right side of the frame and finally added some sharpening before saving it as a jpeg for the web.

Between the Bridges

Between the Bridges
Between the Bridges

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This shot is a single frame that was first edited in NIK HDR Efex Pro 2 to adjust the tone map and tonality. I also added the vignette while in there. I then took the image back to Aperture 3 to sharpen it. I thought the preset added too much noise so I applied the Aperture 3 denoise adjustment and softened it slightly. I also boosted the vibrancy and detail a small amount to make the sky pop.

Where the Bourbon Was Born

Memories of Spirits Long Gone
Memories of Spirits Long Gone

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This image is a four exposure bracket set taken at ISO 200 without additional light added. One of the benefits of shooting for HDR is the ability to capture scenes such as this with the extended dynamic range that a bracket set encompasses.

By exposing at +2, +1, 0, and -1 EV I was able to capture the textures within the scene and then merge them using NIK HDR EFex Pro 2. I adjusted the exposure and details in NIK HDR EFex Pro 2 and then I took the resulting image into Nik Silver Efex Pro to create a montone image. As I experimented with the various presets I came upon the “Antique Plate 2” preset which allowed me to create an image that feels as if it were made in another time. I thought the preset fit the subject and gave it an aura of mystery that I was hoping for.

After completing the monotone image I returned it to Aperture 3 where I sharpened it slightly and made a few other minor adjustments.

Back to the Distillery Again

Horizontal old taylor springhouse_Panorama1_HDR
The Old Spring Revisited

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I got up this morning and all I could think about was going back to the abandoned distillery I found last week. I had some ideas I wanted to try out using my 12-24 mm lens to shoot a panorama of this structure. I think I’m beginning to become obsessed with this place and the other unique buildings on the property but that may be coming to an end. Today I was discovered by one of the caretakers of the property who asked me to leave. Since I was trespassing I didn’t argue with him and to be fair he was very polite about the situation. He explained that a couple of weeks ago some vandals had set a fire in the road outside the property and the owners had instructed him to call the police and have anyone found there arrested. He said he wouldn’t do that today but he did let me know that I had been warned about trespassing and that he might not be so understanding if he found me in there again.

I shot this panorama as a four shot bracket set at five different camera angles horizontally. The 12-24 mm lens has a little too much distortion for this technique so if I ever get back in there again I think I’ll shoot it at 50 mm. I merged the five frames in Photoshop CS5 and then cropped the final image before taking it into NIK HDR Efex Pro 2 for tone mapping. I then took it back into Aperture 3 when I slightly reduced the saturation and boosted the vibrancy and structure before sharpening the final image.

I also rendered a copy in Black and White using an orange filter in aperture 3. Please take the time to comment and let me know which version you like best and why.

Horizontal old taylor springhouse_Panorama1_HDR - B&W Version 2

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Exploring an Abandoned Distillery (Part 4)

Temple of the Whiskey Spirits #3
Temple of the Whiskey Spirits #3

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I thought I would end the week with a couple more shots of the distillery I was exploring. This first image was processed in NIK HDR Efex Pro 2 using the Realistic 2 setting from a five shot bracket set. After merging the five shots and adjusting the Tone-Mapping and Tonality sliders I returned the image to Aperture 3 for some minor straightening and cropping as well as sharpening it for output.

I cropped into the image slightly to make the column on the right a stronger foreground element and to direct the eye into the frame. The repitition of the columns unifies the scene and also creates movement within the frame.

I decided to do a Black and White version as well which is the image below. I used NIK Silver Efex Pro to convert the photo to B&W and applied an orange filter to punch up the contrast slightly. I chose the Kodak Panatomic X ISO 32 film setting to get the dramatic blacks that I used to get from the same film in the darkroom.

Temple of the Whiskey Spirits #3 (B&W Version)

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