Tag: texture

Ironworker

Posted on by Nick Roberts
Jackie Alpha on the Big Four Bridge Project
Ironworker Jack Alpha

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This image was taken from a man lift inside the Big Four Bridge last week. The man in the photo is Jack Alpha he’s an Ironworker who let me use his safety harness to ride up into the upper structure of the Big Four Bridge as part of my continuing project to photograph the men who are doing the work to convert the Big Four Bridge from an abandoned railway bridge into a pedestrian bridge linking Louisville, Kentucky with Jeffersonville, Indiana. Jack is repairing the handrail that runs along the top of the bridge and in this photo he is anxiously waiting for me to get done with my photos so he can get back to work.

This is a straight photograph with minor adjustments to White Balance and Sharpening. I used Aperture 3 to edit it and the only thing I needed to do to get it right was to set the white balance by picking a neutral gray which was easy since the concrete deck has a full range of grays in it. I then chose a black point from the man lift and a white point from the arrow on the man lift. Using these three points nailed the colors in the image and all that was left to do do was sharpen it.

Joe Ley’s Garden of Delights

Posted on by Nick Roberts
Joe Ley’s Garden of Delights

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This is another image form the NuLu Photowalk on Saturday. This is a side yard at Joe Ley Antiques on Market Street here in Louisville. I processed it using Topaz Adjust and the Spicify preset. Some readers of this blog have asked me if I’m advertising for Topaz, NIK or OnOne so I just want to clear the air about that. The simple answer is no; I am sharing what tools and techniques I use to achieve the images that I see in my mind when I’m photographing or when I’m in my studio creating a new piece of art. I want those who view my art to know what I used, not to sell them on the tools, but to open their eyes to the possibilities that the plug-ins offer for artistic expression.

While I consider myself to be an accomplished photographer I do not feel bound or constrained to meet the expectations of other photographers. I am first and foremost a photographic artist; I try to impart my feeling for the subjects I photograph through the use of color, composition and texture. I am not concerned when someone feels the need to criticize my art and thinks that somehow I have broken some arbitrary norm that they think is sacrosanct. I don’t need validation from those who think they know what I should be doing or how I should do it.

Photography is my chosen art form and I’m content to put it out in the world and share it with anyone who enjoys it. I didn’t study art to copy other artists; in part I studied art to understand what others had done before me and draw inspiration from their works. I enjoy color, I like saturated colors, I like natural colors, I like the colors in a sunset or a thunderstorm. Sometimes I feel that I cannot improve on the scene before my lens and I strive to be as realistic as possible while at other times I want to overpower the colors and punch them up beyond what some folks consider natural.

Closed

Posted on by Nick Roberts
Closed
Closed

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This image is another one from the NuLu Photowalk with Jon Eland last Saturday. I was photographing the facade of the building at Gittings Bedding on Market Street when I noticed this fellow looking out the door. I started photographing him as he stood there for what seemed a very long time watching me. At some point he flipped the OPEN sign to CLOSED and I thought he would close the door but instead he continued to watch me. I continued to shoot until he stepped back inside and closed the door.

I processed this image in Topaz Adjust using Spicify as my initial preset. I dialed it down quite a bit in order to preserve a realistic sense to the image while still intensifying the contrast and colors in the photo. The sun was shining directly on the building but through using the detail slider and other adjustments I was able to show the texture of his shirt and the brick on the building.

“1928”

Posted on by Nick Roberts
Bridge support
“1928”

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This is a detail shot of the top of the bridge pier on the Kentucky end of the Big Four Bridge. I shot this just after sunrise. The shadows are very interesting in that they are creating an optical illusion that the numbers are raised when in reality they are embossed into the concrete.

 

Big Four Bridge

Posted on by Nick Roberts
A View From Above The Big Four Bridge
A View From Above

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Yesterday morning I was given the opportunity to ride in the man lift to the top of the Big Four Bridge. Even though I am very scared of heights I jumped at the chance. It wasn’t nearly as frightening as I thought it would be. The guys on the job gave me a safety harness to wear that would keep me from falling off the bridge and away we went. Tim, the guy operating the lift, was very comfortable and his calmness made the trip easy. At first I was content to just be even with the top of the bridge but after a few shots there I asked Tim to lift me higher so I could shoot down on the bridge. We spent 10 minutes or so while I looked for my compositions and shot a few quick studies of the scene from there.

I’m heading back there this morning and I may even get the courage to walk out on the bridge itself. As I write this I wonder if I’ll be able to step out of the basket on the lift or if I’ll have to content myself with shooting from the safety of the lift.