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Another evening after a thunderstorm moved through Louisville. I composed the image with the trees in silhouette in order to frame the scene and emphasize the sunset and the light on the river. The sky was very dramatic and I enhanced the colors of the sunset to add more drama to the scene. This image was also processed in NIK HDR Efex Pro and finished in Aperture 3.
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Today’s image comes from a shoot I did earlier this year along River Road here in Louisville. I was taken by the way the trees framed the scene of the docks in the Louisville Boat Club Marina and wanted to include them as a foreground element to add interest to the scene.
I’m not really sure which app I used to process this image but I think it was an earlier version of NIK HDR Efex Pro. I finished the edit in Aperture 3 with a little sharpening and some tweaks to the vibrancy slider too.
HDR bracket set of five exposures merged in NIK HDR Efex Pro 2. I then used the Dark preset which I tweaked for contrast, shadows and highlights. I then returned it to Aperture 3 where I adjusted the clarity and vibrance before a final sharpening.
Today I decided to give this image from an HDR bracket set a quick processing with Topaz Adjust 5. I started with the Spicify preset which I then tweaked slightly before sharpening and exporting the image. What I hope I demonstrated is that a dramatic image is possible with minimal processing provided your original photo is an interesting composition.
This image is along the Ohio River in Louisville, Kentucky. The building on the left is the Muhammad Ali Center which serves as a multicultural center with exhibits, classrooms, distance learning facilities, an archival library, exhibit galleries, a retail space and a café. The mural on the side of the building is made up of individual tiles that really pop when shot with the HDR technique. Here’s a link http://alicenter.org/site/ for more information about the Ali Center and it’s mission. I shot the panorama from the Louisville Belvedere in downtown Louisville using exposure values of +2, +1, 0, -1, -2 inorder to capture the full range of tones in the scene.
I created this image from twenty exposures of the scene which I stitched together in Photoshop CS5 after first merging each section of five exposures in NIK HDR Efex Pro 2. I used five exposures for each section of the panorama which I first brought into NIK HDR Efex Pro 2 from Aperture 3. Once in NIK HDR Efex Pro 2 I applied the Realistic Deep preset which I then adjusted to suit my concept for the overall image. After merging and adjusting the first set of exposures in NIK HDR Efex Pro 2 I created a custom preset that I then applied to each of the other sections of the image after merging them in NIK HDR Efex Pro 2 in order to create a consistent tonal range in the final panorama.
After completing the HDR merges in NIK HDR Efex Pro 2 I took the four resulting images into Photoshop CS5 where I used the Automate Photo Merge setting to create my panorama. I then cropped the Photoshop image to clean up the edges before returning it to Aperture 3 where I made some final adjustments to the vibrancy and sharpening before saving the final image.
NIK HDR Efex Pro 2 did a fantastic job of anti-ghosting in the HDR processing which kept the texture of the water and definition in the clouds. I had it set for 100% anti-ghosting which seem to work very well in these types of situations. I hope this helps you the viewer see the possibilities that using NIK HDR Efex Pro 2 along with Photoshop CS5 and Aperture 3 offer when making panoramas.
