Tag: Sunrise

This Is Why I Get Up Early Each Day

Posted on by Nick Roberts
Iron workers Placing Reinforcement Steel into Concrete Form For Pier Cap.
Iron workers Placing Reinforcement Steel into Concrete Form For Pier Cap.

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I get up every morning hoping to find a sky with this much texture and color. On this particular morning I was given a wonderful start to the day when I saw the colors start to intensify as the sun rose in the sky. The morning light and the wide range of light made this scene a natural for shooting it as a high dynamic range image. Even with such a wide range it was only necessary to use +2, 0 and -2 EV to capture the shadow details as well as the highlights and mid-tones. I try to keep the number of frames I use to a minimum to help combat the noise that inevitably occurs when underexposing the frame to capture the highlights and then merging them to create the HDR image.

The more I use HDR techniques and adjustments the more comfortable I become with them. In my book NIK HDR Efex Pro 2 is the leader for creating realistic HDR images with minimal halos and believable transitions across the tonal range. I want my images to convey a sense of the wonder I feel when I’m shooting them and the natural beauty in the scene. In this image I am very pleased with the balance of warm and cool light and the peaceful mood that accompanies sunrise on the river.

 

HDR of Robyn Keith at Work

Posted on by Nick Roberts
Robyn Keith #2
Robyn Keith #2

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The woman in this image is Robyn Keith. Robyn is a carpenter and I wanted to capture her at work with the rising sun behind her. The light was really rich the morning I shot this and the sparks flying from her cutting wheel also caught me eye. I also liked the way the morning sunlight was reflecting off the surface of the concrete form that she was working on and tying the sparks, the sunlit sky and the reflections together.

This HDR image was created in NIK HDR Efex Pro 2 from my standard bracket set of +2, o and -2 EV. Because she was moving slightly while cutting off the rebar, I had to apply 80% anti-ghosting to eliminate some ghosting around her head. When applying anti-ghosting I always strive to use the smallest percentage possible to avoid creating other artifacts in the image. In this case 80% was the lowest amount I could use; anything less than that amount left ghosts of her head and hands. I could have dealt with that issue inside Photoshop but the anti-ghosting settings in NIK HDR Efex Pro 2 usually are a much simpler approach and work very well in most cases.After merging the three frames I applied the Balanced preset to do my basic tone-mapping. I like to use that preset because it adds a small amount of contrast to the initial merger and sets the stage for me to adjust the shadows and highlights without adding too much of an over-processed HDR feel to the merged files. As usual I returned the merged files to Aperture 3 where I completed adjusting it and sharpened it.

Ironworkers Assembling an Iron Caisson

Posted on by Nick Roberts
Ironworkers Assembling an Iron Caisson for a Bridge Pier on the Ohio River Bridges Project in Louisville Kentucky
Ironworkers Assembling an Iron Caisson for a Bridge Pier on the Ohio River Bridges Project in Louisville Kentucky.

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Ironworkers known as “Rod Busters” are seen here assembling a steel rebar caisson for the Ohio River Bridges Project in Louisville Kentucky. There is also a completed caisson in the background on the work barge. These caissons will be inserted into the steel cylinders that are in the right hand side of the image when those cylinders are placed in the river to build the piers for the new bridge. It was early in the morning and a fog bank was coming in from the east which diffused the light and lent an ethereal quality to the morning sunlight.

 

Cedric’s Shadow #3

Posted on by Nick Roberts
Cedric #3
Cedric’s Shadow #3

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The position of the hook and the man’s shadow on the rust colored sheet pilings really drew my attention. I processed this image with Topaz Clarity and Aperture 3 to enhance the texture and colors while maintaining the warmth of the early morning sunlight on the scene.

Silhouette

Posted on by Nick Roberts
Cedric's Shadow
Cedric’s Shadow

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I shot this image yesterday morning just after sunrise. I especially liked the way the hook and the crane operator, Cedric, were silhouetted on the rusty steel retaining wall. The morning light was simply gorgeous and I have several other images that really reveal the wonderful colors. While processing them I decided to see what one would look like in Black and White. I wanted to create an image that felt like it might have been taken at the turn of the twentieth century.

I used the normal exposure value of 0 EV which rendered the scene very well. I first processed this image in Topaz Adjust as a faux HDR image which allowed me to emphasize the colors and texture. I then took the resulting version into OnOne Perfect B&W where I applied the Ambrotype preset. I also added a border within OnOne Perfect B&W using the Emulsion 003 setting with a wide border size. I didn’t need to do anything else, except to add a little sharpening, when I returned the image to Aperture 3.