Tag: Streetrod Nationals

Tri-Five Beauty

Posted on by Nick Roberts

Among the lovers of the 1955 through 1957 Chevrolet the term “Tri-Five” is used to differentiate these models from the rest of their General Motors brethren. This gorgeous 1955 Chevy was parked at the Streetrod Nationals last year. I thought the overall restoration and modernization  of this car was outstanding. Even though it has been completely refitted with a modern driveline and custom wheels it is so well done it could fool most people into believing it is a stock 1955 Chevrolet. The interior was all reupholstered in new old stock factory seat covers and interior panels. The radio was hidden somewhere in the car but the controls looked like the original radio knobs and tuning dial.

I like this composition for it’s repetition of the forms that occur in the roof behind the car and the sky bridge at the left side of the image. The strong diagonals of the buildings reinforce the the placement of the car in the frame while the colors in the scene are harmonious and intensified. I used Topaz Adjust and Aperture 3 to process the image.

Mighty Mercury

Posted on by Nick Roberts

This 1946 Mercury coupe is the same car I used for my self portrait shot last week. I composed the image with the car coming at the viewer as if it were rolling out of the frame. Since one of my criteria for this shoot was to accent the reflections in the cars I really liked the way the reflection of the other cars showed up in the door on this car.

I processed this image using Topaz Adjust and Aperture 3 to intensify the color of he car and sky.

Buick Fireball Eight

Posted on by Nick Roberts

At the NSRA Streetrod Nationals you will see many creative uses for vintage engines. This Buick Dyna Flash Fireball Eight is one such engine. It was installed in a Reo roadster which made it a very unique combination. The car itself was a faint pastel green and the engine was this fantastic deep jade green with white lettering. I wanted to capture the paint job on the engine because it was as finely detailed as the overall car. All the raised lettering that was stamped into the spark plug cover really caught my eye because it had all been perfectly hand painted.

Once again I am trying to show how by taking an entirely different approach to a subject, that I have been photographing for over 40 years, I was able to come up with a unique image that I hope will resonate not only with car people but with anyone who appreciates streamline influenced art deco design.

I chose to frame it diagonally to move the viewer’s eye through the frame from left to right. I used Aperture 3 and NIK HDR EFex Pro to saturate and intensify the color in the image.

Reflected Beauties

Posted on by Nick Roberts

As I posted yesterday sometimes a photographer needs to try a different approach to a familiar subject. I attend several car shows every year in search of memorable images of automotive art. Given that there literally thousands of photographers who share my passion for early automobiles it is a daunting task to find a fresh way to showcase these vehicles. For this particular photo shoot I decided to focus on using reflections to capture the essence of the Streetrod Nationals.

This image shows the beauty of a traditional 1940 Ford coupe and a 1938 Chevrolet reflected in the side of a 1940 Graham sedan. The Graham is a nontraditional vehicle for the streetrod scene which is the reason I chose it as the main subject for this image. I found the juxtaposition of the reflected cars with the beauty of the lines of the Graham to be compelling enough to warrant exploring using the reflections as the main theme of the image.

I processed the image in Aperture 3 and Topaz Adjust to saturate and intensify the colors and details in the scene. The composition is another case of using the rule of thirds to balance the image. The strong foreground elements of the Graham fender and the reflections in it help to draw the eye into the image while the repetition of the Ford and Chevy in so many surfaces unifies the composition as well. As you view the image try to see how many times the Ford and Chevy are represented in the image.

Whiskey Ridge Roadster

Posted on by Nick Roberts

I found this track style roadster last year at the NSRA Streetrod Nationals in Louisville, Kentucky. I really liked the way this car was built and it’s racing style but I didn’t want to just shoot it from a standing position. I got this angle by laying down in the grass beside the car and shooting upward. I saw this composition in my viewfinder and knew immediately that I was onto something.

Back in my studio I decided to use NIK HDR Efex Pro to process the image. As I was going through the presets it occurred to me that this image was a good candidate for black and white. The preset I settled on caused some haloing around the cockpit of the roadster which I thought really fit with the image. After a few minor tweaks to the contrast I returned the image to Aperture 3 for final output as you see it here.

The composition uses circles to unify the image and adheres to the rule of thirds. The texture and position of the tire creates foreground interest while the perspective of the roadster draws your eye into and through the image into infinity.