Tag: outdoors

Texture Tuesday

Footprint #1
Footprint #1

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Footprint #2
Footprint #2

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Tread #1
Tread #1

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Tread #2
Compactor #1

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When walking around a construction site I like to look for interesting textures and patterns. On this particular day I found these tracks from men and machines on the dry dirt under an overpass. I thought they would be interesting for the patterns of the equipment juxtaposed against the boot prints of the people who were walking in the area. These are HDR images that I used NIK HDR Efex Pro 2 and Aperture 3 to process.

This Is Why I Get Up Early Each Day

Iron workers Placing Reinforcement Steel into Concrete Form For Pier Cap.
Iron workers Placing Reinforcement Steel into Concrete Form For Pier Cap.

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I get up every morning hoping to find a sky with this much texture and color. On this particular morning I was given a wonderful start to the day when I saw the colors start to intensify as the sun rose in the sky. The morning light and the wide range of light made this scene a natural for shooting it as a high dynamic range image. Even with such a wide range it was only necessary to use +2, 0 and -2 EV to capture the shadow details as well as the highlights and mid-tones. I try to keep the number of frames I use to a minimum to help combat the noise that inevitably occurs when underexposing the frame to capture the highlights and then merging them to create the HDR image.

The more I use HDR techniques and adjustments the more comfortable I become with them. In my book NIK HDR Efex Pro 2 is the leader for creating realistic HDR images with minimal halos and believable transitions across the tonal range. I want my images to convey a sense of the wonder I feel when I’m shooting them and the natural beauty in the scene. In this image I am very pleased with the balance of warm and cool light and the peaceful mood that accompanies sunrise on the river.

 

HDR of Robyn Keith at Work

Robyn Keith  #2
Robyn Keith #2

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The woman in this image is Robyn Keith. Robyn is a carpenter and I wanted to capture her at work with the rising sun behind her. The light was really rich the morning I shot this and the sparks flying from her cutting wheel also caught me eye. I also liked the way the morning sunlight was reflecting off the surface of the concrete form that she was working on and tying the sparks, the sunlit sky and the reflections together.

This HDR image was created in NIK HDR Efex Pro 2 from my standard bracket set of +2, o and -2 EV. Because she was moving slightly while cutting off the rebar, I had to apply 80% anti-ghosting to eliminate some ghosting around her head. When applying anti-ghosting I always strive to use the smallest percentage possible to avoid creating other artifacts in the image. In this case 80% was the lowest amount I could use; anything less than that amount left ghosts of her head and hands. I could have dealt with that issue inside Photoshop but the anti-ghosting settings in NIK HDR Efex Pro 2 usually are a much simpler approach and work very well in most cases.After merging the three frames I applied the Balanced preset to do my basic tone-mapping. I like to use that preset because it adds a small amount of contrast to the initial merger and sets the stage for me to adjust the shadows and highlights without adding too much of an over-processed HDR feel to the merged files. As usual I returned the merged files to Aperture 3 where I completed adjusting it and sharpened it.

The Ironworker’s Barge

The Ironworker's Barge
The Ironworker’s Barge

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This image is from the work barge where the ironworkers are constructing the reinforcement frameworks that will be placed inside the bridge piers before the concrete in poured. I processed it in Aperture 3 without any additional plug-ins.

HDR at Night

 

Big Four Bridge Ramp at Night
Big Four Bridge Ramp at Night

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This HDR image is a three frame bracket set +2,0 and -2 EV. I merged it in NIK HDR Efex Pro 2 and finished it in Aperture 3. The flares around the lights are from the f8 aperture which adds a star burst to almost all artificial lights; the way around it is to shoot with as wide an aperture as possible which will reduce it greatly.

Louisville at Night
Louisville at Night

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This HDR image was created using the same procedure as the first. I was shooting from the Big Four Bridge looking  south west from a vantage point close to the Indiana side of the Ohio River.