Tag: Nikon D90

HDR Images Using Topaz Restyle and OnOne Perfect Effects

Ohio River Bridges Project Downtown Span #1
Ohio River Bridges Project Downtown Span #1

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This first image was created in NIK HDR Efex Pro 2 from a three frame bracket set using +2, 0 and -2 EV. Because it was evening I shot it with a tripod to allow for the long exposures needed to capture such a low light scene. After merging the three frames in NIK HDR Efex Pro 2  I returned the image to aperture 3 where I made some adjustments to the color channels and applied sharpening.

Ohio River Bridges Project Downtown Span #4
Ohio River Bridges Project Downtown Span #4

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This second image was created by taking the same HDR image as above into OnOne Perfect Photo 7.5 and then opening it in Perfect Effects where I first added a layer with the  Daguerrotype effect I then added a second layer where I overlaid the Palladium Print effect after that I added another layer where I applied one of the Border effects to complete the image. As you can see it gives an entirely different feeling to the image which is one of the strengths of the Perfect Effects application.

Ohio River Bridges Project Downtown Span #3
Ohio River Bridges Project Downtown Span #3

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For this third version I took the HDR image into the newest Topaz Labs product, Topaz ReStyle, and applied the preset named Saffron Sunset. I was amazed by the transformation that Topaz ReStyle made to the image. I didn’t stop with simply selecting the preset; instead I then adjusted the sliders in the preset to give the image the feeling I was looking for. Topaz ReStyle has over 1000 different presets built into it and by previewing them in groups I was able to find one that I liked for this scene. One of the interesting feature of Topaz ReStyle is the ability to select a color pallet to work with and search the entire preset library to find variations that use the colors you have selected. You can then preview the presets with your image before committing to one of them.

I hope these three images help you to see the potential of combining different software options from Topaz, OnOne and NIK to create an image that expresses your personal vision for a particular image. Topaz ReStyle is going to become another tool for me to use when I want to explore variations on a theme and I think over time it will be as valuable in my workflow as the many other plug-ins that I already use.

Topaz ReStyle is on sale for $29.99 (a 50% discount) until August 31  if you use the link below and the promo code restyleit 

http://www.topazlabs.com/705.html

 

 

Moon Over Angel’s Envy

Moon Over Angel's Envy
Moon Over Angel’s Envy

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This image is a single frame from my exploration of the Vermont American Building last week. I used Topaz Clarity to process it before returning it to Aperture 3 for cropping, sharpening and color channel adjustments.

Angel’s Envy

Office of the Angels
Office of the Angels

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I really like to shoot buildings that are in a state of deterioration and neglect because they contain so many textures and interesting details. I enjoy the beauty of things as they weather and deteriorate and I strive to share that beauty with the world. The Japanese term Wabi-sabi, which means to appreciate and accept the forces of transience and imperfection and find the beauty that exists in the state of impermanence, is often applied to this type of photography. 

I was down on Main Street last week to photograph the construction taking place as the Ohio River Bridges Project begins to take shape along I-65. While shooting the cranes and the activity around them I also started shooting the Vermont America Building as it exists today. This image is from above the door at the old Vermont America Building which has been closed for many years but will be reopened in the future as Angel’s Envy Distillery. This building is slated be renovated as the main headquarters for Angel’s Envy Distillery.

I used a three frame bracket set of +2, 0 and – 2 EV at ISO 200 to create this HDR image. I processed it in NIK HDR Efex Pro 2 to merge and tone map the image. I also created my own preset from these adjustments so that I could experiment with other versions such as monotone or black and white without having to go through the merging process again if I wanted to try applying them to the image. In the end I settled on this version as the one that best captured my vision for the image. I then returned the merged image to Aperture 3 where I completed the finishing touches such a sharpening and straightening.

 

 

 

 

Funnel Cake Fourth

Fourth of July Funnel Cakes
Funnel Cake Fourth

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This past week I attended the Fourth of July event in Louisville’s Waterfront Park to capture some fireworks images. While waiting for the fireworks show to begin I wandered around the park looking for images that spoke to the idea of festivals and the attendant support services that are needed whenever large groups of people gather for a celebration. The sky was leaden with the remnants of our unrelenting week of rain and thunderstorms so I went in search of some color to shoot.

As I strolled through the park I came upon the food vendors area and was immediately drawn to the scene you see here. I liked the graphic quality of the signage and the lights on and in the funnel cake vendor and decided to create a composition that incorporated it. I found a place behind the food wagons that also held some promise of a strong foreground element. I set my tripod up and shot this image because I enjoyed the strong diagonal lines and the contrast of colors between the booths and the park’s water feature. I also liked the way the stainless steel rails contrasted with the concrete and the angles that they created.

I shot a three frame bracket set using +2, 0 and -2 EV to be sure that I had a wide dynamic range to work with. Back at my computer I first took the three RAW frames into NIK Sharpener Pro and pre-sharpened them. I then opened the three images in NIK HDR Efex Pro 2 where I merged them into a HDR image. I applied the Deep 2 preset and then adjusted the amount of tone mapping and contrast to suit my taste. After the initial tone mapping was completed I returned the HDR image to Aperture 3 where I adjusted the individual color channels to bring out the reds and yellows of the signage. I also added some additional adjustments to the contrast and sharpened the image before adding a small vignette to it.

Reflections of Louisville

The Highlands Reflected in the Leatherhead Front Windows.
The Highlands Reflected in the Leatherhead Front Windows.

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I have been trying to represent each of the eclectic business districts of Louisville in a single image for a couple of weeks now. I tried various angles but each time I wound up with too much pavement  in relation to the amount of architecture. While shooting one morning last week I discovered that I could show businesses on both sides of the street by using the reflections of one side of the street in the shop window across the street.

I shot all the images in this post in three shot brackets that I merged in NIK HDR Efex Pro 2 and then finished them in Aperture 3. I built a preset in NIK HDR Efex Pro 2 that I used on all these shots so that I had a consistent feel to the images. By using the preset I could quickly get the HDR image where I wanted it and then take it back into Aperture 3 for final processing.

Plehn's Bakery and Jimmy John's Deli Reflected in 60 West Windows in St. Matthews.
Plehn’s Bakery and Jimmy John’s Deli Reflected in 60 West Windows in St. Matthews.

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I used the same processing for the rest of these images.

St Mathews Hardware Window
St Mathews Hardware Window

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Highlands Businesses Reflected in Leatherhead's Front Window.
Highlands Businesses Reflected in Leatherhead’s Front Window.

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St. Matthews Reflected in 60 West Front Windows.
St. Matthews Reflected in 60 West Front Windows.

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Doo Wop Shop Facade With Highlands Businesses Reflections.
Doo Wop Shop Facade With Highlands Businesses Reflections.

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Doo Wop Shop Facade #2
Doo Wop Shop Facade #2

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