My friend Murph is doing an around the world motorcycle adventure and I thought you, my readers, might enjoy seeing his photos from the Ice Bar in Stockholm, Sweden.
Tag: motorcycle
Happy Trails
A couple of years ago I was along on a group ride through Colorado where we came upon the coolest outdoor gallery of chainsaw sculpture near Mancos. There was no one around to ask about the work but we did spend an hour or so walking through the place and admiring the creative genius of the artist. As we rode away but I had already decided that I would get back there as soon as it was feasible. We finished our trip a couple of days later and I broke away from the group to return to Cortez and Mancos to photograph the sculture as well as an abandoned auto wrecking yard I had spotted on the road out of Cortez.
When I returned I met the sculptor, Dave Sipe, and spent several hours with him as he showed me around his studio and shared stories of how he had come to Mancos several years earlier. I really loved his whimsical, tongue in cheek approach to his work and decided that I wanted a piece for my own art collection. I loved his buzzards, one of which is in this image, and originally that was what I planned to purchase but when he showed me the Wiley Coyote Happy Trails piece I knew that it was the one for me. I agreed to his price and asked that he allow me to take his photo with my purchase to which he happily agreed.
I really like to shoot portraits of people in their element and this image of Dave fits perfectly into that idea. I love the color and imagery that surrounds Dave and the fact that everything in the image is hand crafted by him. His expression captures the playfulness and enthusiasm for life that infuses every piece that he makes and speaks volumes about his zest for life.
I have returned a couple of more times to see Dave and to see what he is creating; the last time was three years ago when we were taking a motorcycle ride to see Mesa Verde. On that trip I did purchase one of his buzzard sculptures which watches over me as I type this post. I haven’t been able to get back through Mancos since then but I hope to return next year if everything goes as planned with my photography business.
I chose to use Topaz Adjust to process the image because I knew it would emphasize the colors in Dave’s work and lend an air of whimsy to the final portrait.
Racecourse Reflections
This week I would like to share some of the candid portraits I have taken in my travels across America. This young man’s name is Vic Briggs, sadly he lost his life last summer in an auto accident in South Dakota. He was a really quiet guy with a quick wit and good sense of humor and he is dearly missed by his friends and co-workers at Klock Werks Kustom Cycles in Mitchell SD.
I try in my portraits to capture the essence of the subject and to show them in their element. In Vic’s case it was as a crew member for the Klock Werks team at BUB International Motorcycle Speed Trials. The reflection in his glasses is that of the starting line staging tent. I like the way the motorcycles and the racers are shown in his glasses.
I processed this image using Topaz Adjust and Aperture 3. The composition is a standard rule of thirds. Not much to add beyond that.
One final note here, Vic was an advocate for organ donation and his organs went to help several people who needed them. In a sense he lives on through his selfless act of signing his drivers license as an organ donor. In memory of Vic; his friends and co-workers at Klock Werks established a fund for his children: Vic Briggs Memorial, Home Federal Bank, 714 S. Burr Street, Mitchell, SD 57301, (605) 996-8100
Self Portrait with the Devilhog
This self portrait was taken a couple of years ago at the entrance to the Bonneville Salt Flats International Speedway. I used Topaz Adjust bring out the details and colors in the scene.
I’m still feeling my way through this startup of the Speeddemon2 blog and trying to wrap my head around the WordPress analytics that show how many visitors the blog gets each day. There have been days where over 200 people viewed the blog and there have been days when as few as 30 people have stopped by. I’m trying to correlate those numbers with the posts from those days to better understand how I can deliver photos and information that will lead people to return each day or each week. I truly want to be a resource for photographers and ordinary folks to learn more about the work I produce and to find help, or inspiration, to further their artistic vision.
I would really appreciate hearing from you, the visitors, about what worked over the past few weeks and what didn’t. I studied fine art in a school that valued critiques as a way to grow and expand an artist’s thinking and inform his or her work. I’m asking anyone who has something constructive to say to post it in the comment section. I’m sitting here writing these word though and I’m wondering how I’ll deal with the possibility that no one will say anything. Oh well I can’t control the universe so I’ll take my chances with this post.
Great Basin Vista
Today’s image is once again from the Great Basin along US 50. In this image I was trying to capture the vastness of the Great Basin as well as the clouds that had been gathering all day. As I rode along US 50 this particular day I was treated to seeing a thunderstorm develop. During the day I watched as a large mass of clouds in the southern sky coalesced into a thunderstorm. As the day went on I noticed how every cloud in the sky moved over to become part of the storm. It was fascinating to see that even small clouds that were miles away from the main body would quickly move toward the growing mass until by the end of the day the entire sky had become part of the storm.
Compositionally I used the large boulder in the foreground as a way to bring the viewer into the scene. The triangles formed by the foreground element and the sloping terrain on the left side help to direct the viewer’s eyes down the highway and into the Great Basin while the clouds themselves frame the distant horizon. I used Topaz Adjust to process this image before applying some final tweaks in Aperture 3.
