Tag: Morning

Ohio River Bridges Project Downtown Span Construction Progress

Posted on January 15, 2014 by Nick Roberts

Ohio River Bridges Project Downtown Span, January 2014

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Yesterday morning I decided to shoot an overview of the Ohio River Bridges Project Downtown Span foundation progress. I wanted to show the entire river crossing foundation work that has been accomplished so far. I went up on the Big Four Pedestrian Bridge to get far enough upriver to capture the view from shore to shore where the bridge will cross the Ohio River. I knew I wanted a panorama so I shot with the final cropping in mind.

I used a three frame bracket set of +2, 0 and -2 EV exposures that I merged in NIK HDR Efex Pro 2 and finished in Aperture 3. Currently most of my HDR work is being sent back to Aperture after very minimal tone mapping in NIK HDR Efex Pro 2 using the Balanced preset as my starting point and then adjusting exposure, contrast, highlights and shadows in Aperture 3. I also adjust the individual color channels and sharpen in Aperture 3 as well as cropping the image to the final size proportions.

Mitchell South Dakota

Posted on January 14, 2014 by Nick Roberts

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I was in Mitchell South Dakota a couple of years ago and found myself walking around the business district early in the morning. I came upon the local VFW Post and really liked the way the morning sun was casting shadows on the wall. I liked the juxtaposition of the circular kitchen exhaust fan, and it’s shadow, with the rectangular windows, the plaster over door and the street sign’s shadow as well as the texture of the concrete blocks in the wall. I decided to process this image in Black and White to emphasize the texture and lend an air of nostalgia.

Sorta Silent Sunday

Posted on December 1, 2013 by Nick Roberts

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The Day Begins When The Crew Boat Arrives

Posted on November 10, 2013 by Nick Roberts

Crew Boat Picking Up Workers At the Start of The Workday.

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Each morning after the crew meets to go over the day’s activities and assignments many of them are transported to their worksites by Lee the crew boat operator. I have learned that Lee has a good handle on what is taking place at all the pier locations on the river, he know when something significant is going to happen and often directs me to interesting activities throughout the day.

I chose this image to show Lee’s boat arriving to carry the workers to their jobs for the day. I liked the way the boat’s wake smoothly rippled across the river and the contrast of the safety vests on the workers with the deep shades of blue and green in the sky and river. Seeing the scale of the project is always difficult but whenever there are people in the scene it becomes clear what a monumental undertaking this is.

I shot this in HDR and processed it using NIK HDR Efex Pro 2 and Aperture 3.

Rigging for the Caisson Pick

Posted on November 7, 2013 by Nick Roberts

Rigging the Caisson For Lifting #1 — Rigging the Caisson For the Pick #1

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These Ironworkers are setting the rigging to pick this caisson and right it so that it can be lowered into the casing for final placement. To lift it two cranes must coordinate their actions so that the main crane can upright the assembly and transfer it from the barge to the pier casing. Photo Tip: Having the men in the photo helps give scale to the size of the structure.

Once more this is a three bracket set of exposures using -2, 0 and +2 EV to capture the broad dynamic range between the sky and the foreground I encountered. This is one of the most important reasons to learn and use HDR techniques so that in a situation like this there is a reasonable chance that there will be enough data to create a good image after merging the exposures.

I used NIK HDR Efex Pro 2 and Aperture 3 to merge and process the image.

Rigging the Caisson For Lifting #2 — Rigging the Caisson For the Pick #2

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This second image is not an HDR image. There was too much movement of the cables and hooks, between frames in the bracket set; for the anti ghosting to handle in NIK HDR Efex Pro 2. I decided to take the normal (0 EV) exposure into Topaz Clarity to see how well it would do with the wide dynamic range. All in all I am fairly pleased with the way that I was able to bring out some shadow detail and still hold the sky detail using a single exposure. I know some folks like to take the normal exposure and change the exposure value in subsequent copies for a faux HDR look but I don’t go that route since there isn’t any additional data captured as there is when a bracket set is used.