Tag: Louisville

Spaghetti Junction Sunrise

Spaghetti Junction Sunrise (Topaz Clarity Version)
Spaghetti Junction Sunrise (Topaz Clarity Version)

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Today I’m sharing two versions of the same image to show how Topaz Clarity and Topaz Restyle can be used to create different feeling images from the same exposure. In the each version I worked the underexposed frame from the bracket set I shot for HDR processing. I opted to use this frame because I liked the way it emphasized the sky and obscured the foreground. The Clarity version allowed me to bring out the colors in the sunrise sky and the reflection in the foreground while still keeping the equipment subdued yet readable.

Spaghetti Junction Sunrise (Topaz Restyle Version, Fiery Night Preset Version)

Spaghetti Junction Sunrise (Topaz Restyle Version, Fiery Night Preset Version)

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In this second version I used Topaz ReStyle and selected the Fiery Night Preset to really change the sky colors.As you can see it has an entirely different feel from the first image The only difference was the Topaz program I chose to use on the original image.

I intentionally allowed the exposure to be dark in the foreground to lend an air of mystery to the final image. One of the things I like about how ReStyle worked was the way it didn’t create or amplify any noise in the dark areas of the image.

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Sunset on the Ohio River

Sunset on the Ohio River
Sunset on the Ohio River

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This image was shot from the ramp leading up to the Big Four Bridge. Three shot bracket set merged in NIK HDR Efex Pro 2 and finished in Aperture 3.

Construction Cranes in HDR

Walsh Construction Cranes on the Ohio River Bridges Project.
Walsh Construction Cranes on the Ohio River Bridges Project.

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Cranes are the workhorses for Walsh Construction on their Ohio River Bridges Project. In this view from the Indiana landing there are two large cranes on barges in the river and if you look along the horizon you can see at least six more cranes. They are being used to move material and to set the pile drivers in place on the Kentucky side of the river where there are going to be over fifty structures erected in the reconstruction of Louisville’s Spaghetti Junction.

This HDR image is another three frame bracket set +2, 0 and -2 EV at f8. I merged them in NIK HDR Efex Pro 2 and finished the merged image in Aperture 3. After that I took the HDR image into Photoshop and applied some lens correction as well. I’m starting to limit my use of the structure slider in NIK HDR Efex Pro 2 because I think it is introducing graininess into the skies. I still use a little to punch up the details but not nearly as much as I have in the past. When in Aperture 3 I have also limited the use of the details slider for the same reason.

This Is Why I Get Up Early Each Day

Iron workers Placing Reinforcement Steel into Concrete Form For Pier Cap.
Iron workers Placing Reinforcement Steel into Concrete Form For Pier Cap.

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I get up every morning hoping to find a sky with this much texture and color. On this particular morning I was given a wonderful start to the day when I saw the colors start to intensify as the sun rose in the sky. The morning light and the wide range of light made this scene a natural for shooting it as a high dynamic range image. Even with such a wide range it was only necessary to use +2, 0 and -2 EV to capture the shadow details as well as the highlights and mid-tones. I try to keep the number of frames I use to a minimum to help combat the noise that inevitably occurs when underexposing the frame to capture the highlights and then merging them to create the HDR image.

The more I use HDR techniques and adjustments the more comfortable I become with them. In my book NIK HDR Efex Pro 2 is the leader for creating realistic HDR images with minimal halos and believable transitions across the tonal range. I want my images to convey a sense of the wonder I feel when I’m shooting them and the natural beauty in the scene. In this image I am very pleased with the balance of warm and cool light and the peaceful mood that accompanies sunrise on the river.

 

B&W HDR Image

Drilling Equipment #2
Drilling Equipment #2

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Using HDR to create a B&W is another way to exploit the broad dynamic range that a HDR image gives me. This image was created from a three frame bracket set that I first processed in NIK HDR Efex Pro 2.

After tone mapping and adjusting the contrast I returned the image to Aperture 3 for final color adjustments and sharpening. After finishing it there I decided to use OnOne Perfect B&W to convert it to a monochrome image. I liked the composition and the way the conversion turned out which is why I’m sharing it with my readers.