Tag: hdr image

Time Gone By

Posted on by Nick Roberts
Homage to A Time Gone By
Homage to A Time Gone By

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I wanted to try something a little different with these bridge images. I decided to take them into Nik Siver Efex Pro and see what might come from that. I first used my -2, 0, and +2 EV bracket set to create a HDR image in NIK HDR Efex Pro 2 which I then adjusted for exposure and tone mapped it. I returned it to Aperture 3 where I made a few adjustments to saturation, vibrance and detail slider before doing my final sharpening. After doing that I took that image into NIK Silver Efex Pro where I used the antique preset to create the image above.

Light at the End of the Tunnel
Looking Back To An Earlier Time

For the image above I followed essentially the same process, bracket set to HDR then back to Aperture for some adjustments and finally into NIK Silver Efex Pro where I applied the neutral preset and chose the Agfa 400 film look along with a little red filter to finish it

Keeneland Concours de’Elegance

Posted on by Nick Roberts
HDR Efex Pro 2 Packard image
Blue Packard

I took a trip down to Lexington, Kentucky this past weekend to the Keeneland Concours de’Elegance auto show. I have always been interested in automotive design and an event such as this one allows me to see firsthand the craftsmanship and beauty of our automotive heritage.

This Packard caught my eye with it’s massive headlights and brilliant grillwork. I decided to shoot this image as a bracketed series of images in order to overcome the wide range of light that the dark car and the brilliant chrome created. I knew that I was going to finish this image as an HDR image when I shot it. I monitored my histogram which showed me that I had the full range of tones in four exposures which would result in a good HDR image once merged and tone mapped.

Back home in the studio I merged the four exposures in NIK HDR Efex Pro 2 and applied the Structurized 2 preset as my base image. I adjusted the structure, black point and white point sliders very slightly before saving the image back into Aperture 3. I had to place a control point on the building in the lower right side of the frame and increase the exposure on the stonework to keep it from being a dark distraction in the composition. Once the image was back in Aperture 3 I cleaned up some sensor spots that had been emphasized by the tone mapping and hdr conversion before adjusting the vibrancy and sharpening the image for final output.

The composition is a pretty straight forward rule of thirds and uses the repetition of form to unify it. That along with the complimentary color scheme of blue and gold makes this image work for me.