Tag: composition

Resting Spirits

Whisky barrel warehouse
Resting Spirits

Yesterday morning I joined 25 or 30 fellow Louisville Photographic Society members for a tour and photo walk at the oldest continuously operating distillery in the United States, Buffalo Trace Distillery, located in Frankfort, Kentucky. The tour included a great deal of the lore and history of bourbon making and it’s deep roots in the central Kentucky region. We were very fortunate to have as our guide a third generation employee of the distillery Freddie who gave us a behind the scenes look at the distillery and the history of whiskey in Kentucky. Freddie took us into the warehouses and explained the way that the whisky ages in the barrels and why they are placed where they are in the warehouse. The barrels placed at the lowest levels are there for a long slow aging process that imparts the characteristic flavors of the charred oak barrel and the tannins in the oak to the bourbon inside.

I shot this image as a bracketed set of exposures for HDR processing. I first processed it as a color HDR image in NIK HDR Efex Pro 2 where I tone mapped it using the realistic preset before returning it to Aperture 3 for final adjustment of the vibrancy, clarity and sharpening. Once I had completed that I created a duplicate image and reopened the duplicate in NIK HDR Efex Pro 2 where I used the Black and White preset to convert it. I then applied a yellow filter which enhanced the highlights and deepened the shadows.

The image below is the color version that I started with to create the Black and White photo. With this image I am showing you that there are sometimes several ways to create a memorable image by taking advantage of the tone mapping ability of NIK HDR Efex Pro 2 and then applying different presets to the final image.

Resting Spirits #2

I think the composition is strong in both the images due to the perspective and the leading lines taking the viewer’s eye down the corridor to the lights in the background. The HDR process allowed me to capture the detail in the structure and the barrels which would not have been possible in a single exposure.

Street Rod Nationals 2012

Untitled

HDR bracket set of five exposures merged in NIK HDR Efex Pro 2. I then used the Dark preset which I tweaked for contrast, shadows and highlights. I then returned it to Aperture 3 where I adjusted the clarity and vibrance before a final sharpening.

 

Ohio River Sunset

Ohio River Sunset
(Topaz Version)

Today I decided to give this image from an HDR bracket set a quick processing with Topaz Adjust 5. I started with the Spicify preset which I then tweaked slightly before sharpening and exporting the image. What I hope I demonstrated is that a dramatic image is possible with minimal processing provided your original photo is an interesting composition.

Alabama Morning

Alabama Morning

These Fords were in a wrecking yard in Alabama a couple of years ago. The cars I find in the southern states have a much different patina of rust on them than the cars out west of the Mississippi River do. The climate in the south is much more humid and therefore the rust is more agressive. The oxidation process creates a much rougher surface which in turn traps more moisture that then eats away at the metal more aggressively.

I liked the way the early morning sun was lighting the scene and how it really emphasized the texture on the 1949 Ford in the foreground. The contrast of the smooth chrome and glass in the headlights really caught my eye. The cars are framed to in a typical rule of thirds composition and the rust on the roof in the background draws the viewer’s eye back in the scene while reinforcing the colors of the cars.

There wasn’t much I needed to do in processing to get this image finished. I used a little of the Spicify preset in Topaz Adjust to punch up the texture and saturate the colors before returning the image to Aperture 3 for final sharpening and output.

Keeneland Concours de’Elegance

HDR Efex Pro 2 Packard image
Blue Packard

I took a trip down to Lexington, Kentucky this past weekend to the Keeneland Concours de’Elegance auto show. I have always been interested in automotive design and an event such as this one allows me to see firsthand the craftsmanship and beauty of our automotive heritage.

This Packard caught my eye with it’s massive headlights and brilliant grillwork. I decided to shoot this image as a bracketed series of images in order to overcome the wide range of light that the dark car and the brilliant chrome created. I knew that I was going to finish this image as an HDR image when I shot it. I monitored my histogram which showed me that I had the full range of tones in four exposures which would result in a good HDR image once merged and tone mapped.

Back home in the studio I merged the four exposures in NIK HDR Efex Pro 2 and applied the Structurized 2 preset as my base image. I adjusted the structure, black point and white point sliders very slightly before saving the image back into Aperture 3. I had to place a control point on the building in the lower right side of the frame and increase the exposure on the stonework to keep it from being a dark distraction in the composition. Once the image was back in Aperture 3 I cleaned up some sensor spots that had been emphasized by the tone mapping and hdr conversion before adjusting the vibrancy and sharpening the image for final output.

The composition is a pretty straight forward rule of thirds and uses the repetition of form to unify it. That along with the complimentary color scheme of blue and gold makes this image work for me.