Tag: composition

Pinnacle Point Sunset

Pinnacle Point Sunset
Pinnacle Point Sunset

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After my post last week about HDR processing I decided to follow up by processing an image from multiple exposures. In this case I shot four frames at +1.3, +.3, 0, and -3 ev then merged them in NIK HDR Efex Pro 2. I was watching the histogram while shooting which is how I came to use these settings. The histogram was fine on the dark end but was still blown out at the upper end until I underexposed it by 3 stops. That frame was the one that made the image work.

After merging and tone mapping the merged image I returned it to Aperture 3 where I cropped it slightly, added some sharpening and enhanced the definition and vibrancy. I also tried creating an image as vibrant as this using only the 0 ev frame but it was way too dark and noisy. From this experiment I have to admit that it is definitely better to use multiple images when the exposure range is as wide as this sunset was. Without the multiple exposures the lake and mountains in the center of the image would still be too dark and lacking in detail.

I am also including the four frames I used to create the HDR image below so you can see what I was working with to create the final image.

DSC_6450 DSC_6449 DSC_6448 DSC_6446

Waterfront Park Afternoon

Waterfront Park Afternoon
Waterfront Park Afternoon

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This image was processed in Aperture 3 as a RAW file before being taken into NIK HDR Efex 2 where I used the Structure 1 preset where I then boosted exposure, shadows, highlights, contrast and structure. I then returned the image to Aperture 3 where I boosted definition, contrast and vibrancy followed by sharpening.

January Clouds

January Clouds
January Clouds

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I couldn’t believe the way the clouds were arrayed across the sky on Saturday. The morning began as a cloudless day but by early afternoon these cloud formations were spreading into the east. I processed the image in Aperture 3 and NIK HDR Efex Pro 2 before cropping it slightly. I also took it into Photoshop CS% where I manually corrected the vertical perspective.

Spaghetti Junction Sky

Spaghetti Junction Sky
Spaghetti Junction Sky

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The point where the three Interstate Highways intersect in Louisville is known locally as Spaghetti Junction. The weather was changing yesterday from a cloudless sky in the morning to this winter sky around mid afternoon. This image overlooks the Spaghetti Junction intersection and southeast Louisville. It appeared that there was a grid that had been overlaid on the city sky that extended into infinity. The perspective of the clouds intrigued me and I decided to capture it.

I first processed this image in Aperture 3 where I made a few adjustments to the RAW file before taking it into NIK HDR Efex Pro 2 where I worked on enhancing the texture and tonality of the image. I then returned it to Aperture 3 where I applied some exposure, saturation and vibrancy changes. I lowered the saturation slightly and increased the vibrancy in order to achieve the overall feeling I felt when I shot the scene. I had a couple of dust spots that needed attention so I used the Spot and Patch tool in Aperture 3 to clean them up. I then took the image into Photoshop CS5 where I manually adjusted the vertical perspective to compensate for the distortion my 12mm lens had created. Back in Aperture 3 I applied a very slight vignette before saving the image for the web.

The Rivet Choppers

The Rivet Choppers
The Rivet Choppers

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Another crop from Thomas and Perry shows how different an image can be made through thoughtful cropping. I am not suggesting that photographers should not attempt to frame the final image in camera; I’m only showing that one needs to be open to the possibilities that thoughtful cropping offers.