Tag: composition

Beautiful May Evening

May Sunset on the Ohio River
May Sunset on the Ohio River

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This image is from a photo shoot I did last Thursday evening after shooting at the Pegasus Parade earlier in the afternoon. I wasn’t ready to go home yet so we headed down to Waterfront Park to explore it further and capture some images with Derby Festival goers using the park. We walked around the park for a couple of hours and wound up on my favorite place to shoot Waterfront Park from, the Big Four Bridge. I had been up there the prior afternoon and evening to photograph the Great Steamboat Race but I really wasn’t happy with a lot of the landscapes I shot after the race ended. I wanted to capture the dramatic sky that was visible Thursday so we hung out on the bridge waiting for sunset.

I shot my normal three frame bracket set of -2, 0 and +2 EV for this HDR image. Today I made a change in my processing and started my post processing in NIK Sharpener Pro 3. I allowed the program to determine the amount of RAW pre-sharpening to apply and then I opened the sharpened RAW files in NIK HDR Efex Pro 2. I merged the three frames in NIK HDR Efex Pro 2 and kept the anti-ghosting set at 20%. I then applied the Deep #1 preset which I tweaked slightly to improve contrast and accent the highlights and shadows. Once that was finished I returned the HDR image to Aperture 3 where I spent some time adjusting the individual color channels as well as the vibrance and saturation of each one. Finally I applied my sharpening and a very light vignette to the image.

 

End of Tractor Week

Kansas Tractor #2
Kansas Tractor #2

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Today’s post is the last one I want to share from my Kansas tractor series. Sometimes a detail is all that is needed to tell a story; I think that is the case with this image of an Allis-Chalmers grill shell and Allis-Chalmers emblem. The patina, the complex curves of the metal and the Allis-Chalmers emblem speak to an era long ago when industrial design was also concerned with aesthetics. The farm trucks in the background exist as metaphors for a time when America was struggling to survive the Great Depression and tractors such as this Allis-Chalmers were working to feed the world.

Because I was working with a single frame I used a preset in Topaz Adjust that I built especially for these images. I started with the Spicify preset that I dialed down to a level that emphasized texture and color; I then added a vignette and a border to the image as my finishing touches.

Cawker, Kansas Tractor

Kansas Tractor #3
Kansas Tractor #3

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Here’s another image from Cawker, Kansas. I chose this one because I like the composition with the wheel coming forward in the frame as if it is on the verge of entering the viewer’s space. I had a polarizer on my Nikkor 12-24 mm lens which really cut down on the glare and saturated the colors before any processing was done. The sun was almost directly overhead but by using Topaz Adjust with the Spicify preset I was able to bring out the texture and patina on this tractor.

One thing I currently strive for is to keep from overdoing the texture in these types of images. I like bold color but I try to avoid getting too much texture when applying the various filters to my Topaz work. I wasn’t always so restrained and when I go back to some of my earliest examples I wonder how I could have been so heavy handed with the software back then. I also credit Topaz Labs for refining their entire line of software and giving us the tools to take greater control of the various filters in it. As with many skills in photography the more one uses a given technique, or tool, the better one gets with it and they evolve into becoming a better photographer.

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Memo From the Department of Shameless Self Promotion

I am still accepting participants for my next HDR Workshop on May 17-18, 2013 here in Louisville. The last session was a great success; the participants all felt that it was time well spent and were applying the things they learned the next day. Here’s a link to the sign up page at Outdoor Photo Gear.

http://outdoorphotogear.ticketleap.com/using-hdr-photography/

The Eagle and the Indian

Eagle Motorcycle
Eagle Motorcycle

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I thought I would begin this week on a different note from the last few posts. As I’ve said many times motorcycles are a passion of mine and have been for over 48 years. I started riding when I was 17 years old and still love the feel of a motorcycle as it accelerates out of a turn and blasts down the road. Nothing compares to the immediacy of riding, hearing and feeling the machine as I go through the gears on a lonesome highway.

The motorcycles in these photos harken back to an earlier time when men were just beginning to ride motorcycles. I imagine that they too felt the same way about their machines as I feel about mine today. I love to look at how elemental they were , not a lot of unneeded or frivolous components just the bare necessities.

Eagle Engine Detail
Eagle Engine Detail

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I really like the attention to detail that the early motorcycle manufacturers showed. Even though everything here has a function there is still a measure of pride in the way they are attached to the engine such as putting an acorn nut on the magneto bracket and chrome plating the oil fill neck.

The Soul of an Indian
The Soul of an Indian

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This Indian Motorcycle engine is so primitive yet in it’s day it was the epitome of internal combustion technology. Once again the engineers made sure that every part had an intrinsic beauty as well as a clearly defined function.

 

 

 

Miles Lake Morning / Using Reflections to Add Interest

Miles Lake Morning #1
Miles Lake Morning #1

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When I went out to the Parklands the other morning I was hoping to get a dramatic sunrise but the eastern sky was empty. I decided to hike along the southern shore of Miles Lake to see if there might be something else in there to photograph. About half way to the end of the lake I looked behind me and saw that there was a weather front moving in from the west. I noticed that the clouds were creating an interesting reflection in the placid surface of the lake so I set up my tripod and shot a three frame bracket at -2, 0, and +2 EV.

Back home in my studio I opened the three images in NIK HDR Efex Pro 2 where I merged them and since the morning had been calm I only applied 20% anti-ghosting to the merged files. Once they were merged I applied the Deep #1 preset and made some adjustments to the contrast, white, blacks, shadows and highlights sliders. I then returned the image to Aperture 3 where I adjusted the recovery and vibrance sliders very slightly before sharpening and saving the image.