Tag: composition

Foggy Morning on the River Crossing Project

Posted on by Nick Roberts
Ironworker #2
Loading Steel Onto The Construction Barge.

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Yesterday morning the Ironworkers were loading more steel onto the barge they are building the caisson on. The caisson is the internal reinforcement for the bridge pier which will be lowered into the steel casing before the concrete is poured. The size and amount of steel that goes into one of these caissons is incredible. The horizontal elements in this caisson are at least two inches in diameter while the rings around it are close to one inch in diameter. Loading the steel onto the barge is a very controlled process that requires coordination among the ironworkers on the barge and the crane operator to accomplish safely and efficiently. The man in the photo is communicating with hand signals to the crane operator to lower the load onto the steel beams that will support it while it is on the barge deck.

I processed this image from a single frame using Topaz Clarity to reveal the colors in the scene and to show the river fog engulfing the Kennedy Bridge in the background. I find Topaz Clarity to be very good at allowing me to control the contrast and colors in an image while avoiding halos and artifacts that sometimes occur within these types of images. After applying the Topaz Clarity adjustment I returned the image to Aperture 3 where I adjusted the sharpening and applied a small vignette.

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Download a free trial of Topaz Clarity at the link below and give it a try; I think you will agree it is a great addition to any photographer’s workflow. Plug-ins like Clarity really speed and simplify my post processing and allow me to experiment with different approaches to my images in a timely way without spending hours looking for just the right combination of adjustments and enhancements in Photoshop CS5. With a project as large as this one where I’m shooting nearly every day Topaz plug-ins allow me to maintain a relatively fast paced post processing workflow while still creating photos that reflect my feelings for the subject matter.

http://www.topazlabs.com/705.html

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Cedric’s Shadow #2

Posted on by Nick Roberts
Cedric's Shadow #2
Cedric’s Shadow #2

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This is another shot from Tuesday morning. I liked the way the silhouette of the crane operator and the hook were showing on the sheet pilings. I used a single frame in Topaz Adjust to create the image. After Topaz Adjust I returned it to Aperture 3 where I boosted the color saturation and vibrance to reveal the early morning colors. Download a free trial of any or all the Topaz Products at the link below:

http://www.topazlabs.com/705.html

Ironworkers

Posted on by Nick Roberts
Ironworkers Assembling an Iron Framework for a Bridge Pier.
Ironworkers Assembling an Iron Framework for a Bridge Pier.

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This shot is looking east with the Big Four Bridge in the background. The iron structure the ironworkers are building will be placed inside one of the steel cylinders that are in the righthand side of the image. There is a completed one on the barge behind the one where they are working. The hexagonal piece on the end is a jig to align the steel rebar while they assemble it.

This image is a single frame that was edited in Aperture 3 and Topaz Adjust. I wanted to capture the early morning fog and the light as the sun was coming up. The early morning on the river is a peaceful quiet time before the sun gets up in the sky and the temperature starts rising.

Topaz Adjust will be 50% off ($24.99) from September 9th through September 30th with this promo code: septadjust Topaz Adjust is one of their most popular plug-ins and doesn’t go on sale very often so if you haven’t tried it yet this will be a great opportunity to get it and save some money as well. Topaz Adjust is one piece of software that I find indispensable in my work and have been using for years now.

Here’s a link to their site:

http://www.topazlabs.com/705.html

 

 

 

Avoid Cliches

Posted on by Nick Roberts
Chevrolet
Chevrolet

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A cliché or cliche (UK /ˈkliːʃeɪ/ or US /klɪˈʃeɪ/) is an expression, idea, or element of an artistic work which has become overused to the point of losing its original meaning, or effect, and even, to the point of being trite or irritating, especially when at some earlier time it was considered meaningful or novel.[1] (source Wikipedia)

Too often we photographers fall into the trap of shooting the same type of images that we have seen for years. With automobiles and car shows we will often shoot the entire car or some detail like a hood ornament, etc. I suggest you try moving beyond those cliched shots and approach the subject with an abstract approach that still speaks to the essence of the subject but isn’t so obvious.

In this image I fell in love with the bright yellow paint and the complimentary red and blue accents. I chose to use them as leading lines that reinforced the diagonal pattern of the clouds above the car. The blue sky is a direct compliment to the yellow color and also picks up on the blue pinstripes on the red louvers as it also provides background interest to the composition . While there is no question that the subject is an automobile the overall effect is to emphasize color and composition instead of being just another photo of a car.

I used my regular HDR brackets +2, 0 and -2 EV and processing with NIK HDR Efex Pro 2 which allowed me to capture and emphasize things such as the texture in the clouds and the reflections in the the door. I finished the image in Aperture 3 using some minor adjustments to the blue and yellow color channels, cropping and sharpening.

More Handheld HDR

Posted on by Nick Roberts
Supercharger #1
Supercharger #1

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Yesterday I talked about shooting HDR brackets handheld; today’s image is another example of that technique. There are many occasions or situations where a tripod is out of the question. Often those same situations present difficulties due to the extremely broad dynamic range of the subject; that is when a bracket set can assure that the entire dynamic range is covered.

In this image the light on the polished metal was extreme and a single exposure would have left the sky overexposed while the shadows would have been underexposed. By shooting a three frame bracket at +2, 0 and -2 EV I was able to capture the clouds in the sky, the details under the carburetors, the reflected light on the black drive belt in the lower right of the frame and the reflections in the windshield. By combining the three exposures in NIK HDR Efex Pro 2 I was able to bring the broad dynamic range under control.

One of the features of NIK HDR Efex Pro 2 that really helps with handheld images is the Align Images feature that can be applied at the initial merging of the brackets before any other processing takes place. I keep this feature checked for all my HDR work because even on a tripod there can be slight movement between frames; of course when shooting handheld there is bound to be some movement and this feature along with a 20% Ghost Reduction application usually solves that issue.

Finally I used the Balanced preset in NIK HDR Efex Pro 2 as my starting point to tone map the image. A little tweaking there opened up the shadows and tamed the highlights while bringing the clouds out in the sky. I then returned the image to Aperture 3 for final adjustments to exposure and some enhancement of the red and yellow color channels to saturate the brown on the car. A little adjustment to the blue channel saturation and luminance further strengthened the contrast between the clouds and sky. Lastly I sharpened the image and then took it into Photoshop CS5 and used Content Aware fill to remove a small patch of white at the edge of the photo that was there from the corner of the event sticker in the windshield.