Tag: cars

Redneck Racing Team’s Dragster at Beech Bend Raceway

Redneck Racing Team’s Twin Engine Dragster

This image is from the Hot Rod Reunion which is held annually at Beech Bend Raceway in Bowling Green Kentucky. Every year this event attracts nostalgic hot rodders from around the US for a weekend of vintage style drag racing and a hot rod car show. The theme of the event is centered around the early days of the sport and brings out many old race cars from the 50s and 60s when drag racing was still done with grass roots cars and drivers. During that era most dragsters and drag cars were built by hot rodders in their own backyard garages. Those early racers would design and build the chassis then search the wrecking yards for engines to power them. The engines would be hopped up using limited tooling and speed parts that were sourced from small speed shops across the country. There were no major sponsors or multi-million dollar budgets like the current drag racers have; for the most part it was just the money the team could scrape up from their day jobs and local sponsors. There were very few large purses and about all those early racers took home after a day of competition was a cheap trophy and bragging rights for being the fastest car there.

This particular dragster is reminiscent of that era though it is unique in that it has twin engines. During that era the benchmark for high performance engines was to squeeze one horsepower per cubic inch from an engine. An example would be the Chevrolet Corvette V-8 which had a displacement of 283 cubic inches and in race tune that engine was capable of making 270 horsepower. One way to build a car with more power was to put two engines in it and effectively double the horsepower. The car in this photo is using twin engines in an effort to get the most power they can for a small price. The down side of that much power was that the tires of that time were not capable of getting the power to the track and instead spun for long distances from the start line. This car shows that effect as it powers down the racetrack spinning it’s tires and billowing smoke after getting the green light.

I captured this image in the middle of the day which as all photographers know is some of the harshest light to shoot in. By using Topaz Adjust I was able to enhance the detail and color in the scene and produce an acceptable image. I made this image a couple of years ago when I was first getting into using plug-ins such as Topaz Adjust and it reflects the state of HDR photography at that time. I, like many other photographers, was pretty heavy handed with the color saturation and sharpening that the plug-ins created but at the same time I was enjoying the results as they were so much richer than anything I had done before. Since those early days I have started to move into a more realistic style of HDR processing that, while still creating rich color and detail, is more in line with how the scene appears in real life.

This composition relies on the standard rule of thirds as well as strong diagonal lines that sweep from left to right. The position of the car heading out of the frame reinforces the billowing cloud of tire smoke and the sense of movement it conveys while the perspective of the spectator bleachers creates depth as the viewer’s eyes move into the background.

STOP!

STOP!

I found this car at a local car show. I have never seen a top that was chopped and then laced back together but the rat rod crowd does some interesting fabrication. I liked the way the rusted patina of the car contrasted with the slick finish of the yellow car reflected in the stop light. I thought the inclusion of the bullet holes in the rear deck lid helped add interest to the right hand side of the image.

I framed it in as a classic rule of thirds placing the red light at the intersection of the lower third section and the left third section. I processed this image using the NIK HDR Efex Pro plug-in and finished it in Aperture 3.

More Vintage Tin HDR

 

This image is another HDR shot from last year. It is a single image that was tone-mapped using NIK HDR Efex Pro which helped me accent the textures of the rust and the paint while keeping the detail in the headlight and light bulb.

The composition relies on complimentary colors, red and green, to give it harmony while the repetition of form in the round headlight, turn indicator, and the horn contrast nicely with the vertical elements on the right side of the frame.

 

Bumsted

Bumsted

This image is another photo from the NSRA Streetrod Nationals in Louisville, KY. I processed this image using the Topaz Adjust Spicify preset. Not a lot to add about processing except to point out that the fact that when using presets such as Spicify there is always the potential for excessive noise in the image. I processed this image at a time when I was just starting to use Topaz Adjust and looking back at the image I would probably dial the strength of the preset down some in an effort to reduce the noise in the sky and the reflections in the paint on the car.

I like the composition for a couple of reasons in particular the low camera angle that really emphasizes the voluptuous form of the car. The placement of the subject creates a tension as the car seems to be moving forward in the frame. I did this to showcase that massive grill and front bumper and to emphasize the front vanity license plate. The complimentary colors of the orange car with the blue sky add interest from the standpoint of color balance.

Cadillac Abstract

Cadillac Abstract

This image is a macro of the glass in a 1931 Cadillac Sedan I saw last year at the NSRA Streetrod Nationals. This particular car was impecable in every way but the owner had chosen not to replace any of the glass in the car. These early cars had a type of safety glass that was made by taking two layers of glass and fusing them together with a clear plastic membrane that was sandwiched between them. Over time the membrane will sometimes start to delaminate and the result is an amber looking pattern usually at the edges of the glass. This car’s glass had done that at the bottom of every piece of glass in the car and the restorer had kept it in the car. I couldn’t resist the abstract patterns and colors and took several photos of it though I’m not sure I took any of the car itself.

I processed this image in Topaz Adjust which allowed me to intensify and enhance the colors in the delamination. Once again I took a subject that I had seen and photographed innumerable times and found a new way to interpret it. Keep your eyes open when you are looking at something you have photographed many times before and you just may stumble onto a gem such as this image.