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Sometimes a simple image has a lot to say. I was photographing the final finishing of the concrete when I saw this scene in the viewfinder. It has been processed in Aperture 3 with minimal enhancement to the vibrance and a little sharpening.
For the past six months I have been very fortunate to be granted the opportunity to showcase the Louisville Waterfront Park and it’s latest addition the Big Four Bridge. The “Crown Jewel” of the park was the conversion of the abandoned Big Four Railway Bridge which has now been rescued from it’s former status as “The Bridge to Nowhere” and given new life as an intercity/interstate connection for pedestrians and bicyclists in Louisville Kentucky and Jeffersonville Indiana. I recorded not only the final five months of the construction project but also the men who did the hard physical labor that it required. Throughout that time I created a photographic record of these men, their names and their accomplishments, which is going into the Waterfront Development Corp. archives.
My goal, from the first day I set foot on the project, was to record and preserve the faces and the names of these men so that future generations would know who they were and what they looked like. I feel that too often in our society we overlook the contribution that labor makes to the success of great civic projects like Waterfront Park; I envisioned an archive that would allow them to be remembered as a significant part of the history of the Big Four Bridge. Their dedication to their trades as Ironworkers, Carpenters, Equipment Operators, Laborers and Bridge Builders shows in every facet of the bridge. I hope that their pride in, and love for, the Big Four Bridge will never be forgotten and that in some small way my photos will celebrate these men.
From my involvement with this aspect of Louisville Waterfront Park I decided that I wanted to stay involved with the park and continue to share my images of Louisville Waterfront Park with the City of Louisville. When Ms. Margaret Walker asked if I was interested in a continued partnership with the Waterfront Development Corporation I immediately said yes. After conferring with the President of the Waterfront Development Corporation, Mr. David Karem, and Ms. Walker we agreed that I would continue to record and share my images of the continued evolution of the park and the activities that take place there with the Waterfront Development Corporation and the public through the Waterfront Park Photo Archives.
Yesterday Margaret Walker announced our partnership with the following press release:
“The Waterfront Development Corporation is pleased to partner with photographer Nick Roberts on his photo documentation of the workings of Waterfront Park. Nick’s series of photos of the last five months of construction of the Big Four Pedestrian/Bicycle Bridge are an invaluable resource and an important addition to Waterfront Park’s photo archives. We look forward to continuing this partnership as Nick captures an ongoing behind-the-scenes look at Waterfront Park construction, operation and events.”
I look forward with anticipation to the future of Louisville Waterfront Park and the opportunity to share my images and feelings with my fellow Louisvillians for years to come.
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These images are black and white conversions of HDR images that I created from a three shot bracket set using +2, 0 and -2 EV frames that I first merged in NIK HDR EFex Pro 2 to create a HDR image. After merging and tone mapping them I returned them to Aperture 3 where I applied the black and white adjustment with an orange filter. I also sharpened them and added a little mid-contrast to show the texture in the rust and intensify the shadows.
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As a rule Louisville doesn’t get a lot of snow and this winter has been one where we have had maybe 5 or 6 snows. The weather here has changed a great deal from when I was a boy growing up here in the 1950s. Back then we would get really cold winters with snow from November thru April. We could go sledding for days on end and once the snows fell they stayed around for a long time. That has all changed in the past 10 or 15 years and now we seldom have a snow that stays around more than a few days.
Last Wednesday we had snow showers in the morning and by afternoon the temperature was back in the mid 40s. I was in town visiting at my friend Chuck Rubin’s used camera store when I looked outside to see a heavy wet snow falling. I jumped at a chance to photograph Waterfront Park in the snow and immediately headed down to the park. I decided to shoot from the Big Four Bridge, (I’m sure everyone who reads this blog is surprised to hear that LOL), since the snow was really coming down and was covering the ground quickly. Later that afternoon the temperature was back in the upper 40s and the snow was gone as quickly as it arrived
I shot everything in bracket sets of +2, 0 and -2 EV so that I could process them as HDR images. The light was fairly bright so I kept my ISO set at 200 which resulted in fairly fast shutter speeds. The snow was so dense that it rendered itself in gray tones and bright highlights much as clouds do when the sun is in and out. I used NIK HDR Efex Pro 2 to merge the frames and created a couple of my own presets starting with the Deep #2 preset as my basis. I was able then to move through the several merged sets in a little less time than trying to adjust each merged set individually. Even with that I still had to make adjustments to my preset depending on the balance of light and dark in the individual HDR images.
After completing my initial processing in NIK HDR Efex Pro 2; I opened each one in Aperture 3 where I completed the adjustments for exposure, contrast, detail, vibrance, and sharpening. I also did a small amount of spot removal where individual snowflakes rendered themselves as sensor spots sometimes do. I did not attempt to remove every snowflake’s shadow from the sky because part of what I wanted to convey was how large and dense they were.
Below you will find more from that day’s photo shoot. I hope you enjoy them and will comment where you think appropriate. I converted some of the images to black and white after merging them in NIK HDR Efex Pro 2 to create a different version that was more about contrast and form than color.
