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This image was shot from the ramp leading up to the Big Four Bridge. Three shot bracket set merged in NIK HDR Efex Pro 2 and finished in Aperture 3.
Sunset on the Ohio River
Tag: Big Four Bridge
Color and B&W HDR Versions of the Same Image
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Today I am sharing two versions of the same image. For the color image I used NIK HDR Efex Pro 2 to merge the three frame bracket set. I applied the default preset and then returned it to Aperture 3 for contrast and color adjustments.
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I decided to try OnOne Perfect B&W to convert the color HDR into a black and white HDR image. I started with the default B&W setting that OnOne Perfect B&W provided and tweaked it to adjust the contrast until it was the way I wanted it. Not much more I can say about this one.
Saturday’s Sunset on the Ohio River
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This HDR image was taken from the Big Four Bridge in Waterfront Park Saturday evening just after sunset. I shot my usual three frame bracket set of +2, 0 and -2 EV which I merged in NIK HDR Efex Pro 2 to create a HDR image. I started with the balanced preset and from there I built my own preset for this image as well as several other bracket sets that are from the same shoot. After merging the three images I adjusted contrast and exposure sliders. I then added a -2 stop gradient filter to the sky to lower the brightness level there. I then returned the image to aperture 3 where I made a few small adjustments to contrast and adjusted the red, yellow, blue and magenta color channels. Finally I applied sharpening and cropped it to give it a more panoramic feeling.
HDR Image of the Ohio River in Black and White
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This image was taken from the Big Four Bridge looking west over Waterfront Park and the Ohio River in Louisville Kentucky. It was a busy morning on the river, the construction tug was moving barges for the Ohio River Bridges Project, the Belle of Louisville was headed upriver and a tugboat was pushing the largest size tow downriver, five barges long and three barges wide, that can go through the McAlpine Locks at one time. The Ohio river carries more traffic than any river in America delivering cargo from Pennsylvania in the northeast to the Mississippi River in the west and vice versa.
I decided to make this image Black and White after merging it in NIK HDR Efex Pro 2. I first took it into Aperture 3 after merging my three frame bracket set where I applied some additional contrast and a vignette to the HDR image before opening it in Topaz B&W Effects 2.1 where I chose the Platinum preset. I adjusted the paper tone slightly as well as adding some additional contrast adjustments that the Topaz B&W version seemed to need.
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HDR of Robyn Keith at Work
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The woman in this image is Robyn Keith. Robyn is a carpenter and I wanted to capture her at work with the rising sun behind her. The light was really rich the morning I shot this and the sparks flying from her cutting wheel also caught me eye. I also liked the way the morning sunlight was reflecting off the surface of the concrete form that she was working on and tying the sparks, the sunlit sky and the reflections together.
This HDR image was created in NIK HDR Efex Pro 2 from my standard bracket set of +2, o and -2 EV. Because she was moving slightly while cutting off the rebar, I had to apply 80% anti-ghosting to eliminate some ghosting around her head. When applying anti-ghosting I always strive to use the smallest percentage possible to avoid creating other artifacts in the image. In this case 80% was the lowest amount I could use; anything less than that amount left ghosts of her head and hands. I could have dealt with that issue inside Photoshop but the anti-ghosting settings in NIK HDR Efex Pro 2 usually are a much simpler approach and work very well in most cases.After merging the three frames I applied the Balanced preset to do my basic tone-mapping. I like to use that preset because it adds a small amount of contrast to the initial merger and sets the stage for me to adjust the shadows and highlights without adding too much of an over-processed HDR feel to the merged files. As usual I returned the merged files to Aperture 3 where I completed adjusting it and sharpened it.
