Tag: art

1948 Pontiac

1948 Pontiac

I went back into the vault for this image. I shot this several years ago but I had never done anything with the image. The original file is a little overexposed and judging by the shadows it was probably shot in the middle of the day. I liked the camera angle but the colors were very washed out. I wanted to try a psuedo HDR approach to see if I could give it some depth.

Yesterday I started by using NIK HDR Efex Pro 2 on it to see what I could create. I tried several different presets and finally settled on Deep 2 as the start point for finishing the photo. I then adjusted several sliders which really brought out the clouds as well as revealing the green reflections under the headlight. Some times when working on an image with the adjustment slider I will simply grab the slider and move it all the way to the right or left to see what happens. Most of the time it is way too much but I liken it to having an eye exam where the doctor places two sets of lenses in front of you and asks “better here or better here?” when trying to find the right combination for your vision. Once I know what the extreme effect is I can then decide whether to use that adjustment slider or not. If the effect is in keeping with my vision for the image I can then dial it down and fine tune it’s effect.

I was pleasantly surprised at the way the sky came to life after the initial adjustments in NIK HDR Efex Pro 2 but there was still a problem area on the left side of the image. Just to the left of the headlight there was a red car that was drawing my eye away from the rest of the image. I returned it to Aperture 3 and then I took the image into NIK Vivesa 2 where I used a couple of control points placed on the red car to desaturate the red of the car. After that I took the image back into Aperture 3 and finished it with a little tweak to the vibrancy slider and some minor sharpening.

HDR Ohio River Panorama

This image is along the Ohio River in Louisville, Kentucky. The building on the left is the Muhammad Ali Center which serves as a multicultural center with exhibits, classrooms, distance learning facilities, an archival library, exhibit galleries, a retail space and a café. The mural on the side of the building is made up of individual tiles that really pop when shot with the HDR technique.  Here’s a link http://alicenter.org/site/ for more information about the Ali Center and it’s mission. I shot the panorama from the Louisville Belvedere in downtown Louisville using exposure values of +2, +1, 0, -1, -2 inorder to capture the full range of tones in the scene.

I created this image from twenty exposures of the scene which I stitched together in Photoshop CS5 after first merging each section of five exposures in NIK HDR Efex Pro 2. I used five exposures for each section of the panorama which I first brought into NIK HDR Efex Pro 2 from Aperture 3. Once in NIK HDR Efex Pro 2 I applied the Realistic Deep preset which I then adjusted to suit my concept for the overall image. After merging and adjusting the first set of exposures in NIK HDR Efex Pro 2  I created a custom preset that I then applied to each of the other sections of the image after merging them in NIK HDR Efex Pro 2 in order to create a consistent tonal range in the final panorama.

After completing the HDR merges in NIK HDR Efex Pro 2 I took the four resulting images into Photoshop CS5 where I used the Automate Photo Merge setting to create my panorama. I then cropped the Photoshop image to clean up the edges before returning it to Aperture 3 where I made some final adjustments to the vibrancy and sharpening before saving the final image.

NIK HDR Efex Pro 2 did a fantastic job of anti-ghosting in the HDR processing which kept the texture of the water and definition in the clouds. I had it set for 100% anti-ghosting which seem to work very well in these types of situations. I hope this helps you the viewer see the possibilities that using NIK HDR Efex Pro 2 along with Photoshop CS5 and Aperture 3 offer when making panoramas.

Freebird

Chevy
Freebird

This image is another pseudo HDR I created a couple of years ago using  Topaz Adjust. The advantage of using these plug-ins is that they can often salvage an otherwise flat image and allow me to create something rich and dynamic. The ability to extract information and enhance the colors and details within the original file is the main reason I started using them. I don’t think they are an answer for every situation, if the image is poorly composed they won’t help it, but if the exposure range is too extreme they can be invaluable and allow me to rescue my original idea for the photo.

This image works because of the composition which adheres to the rule of thirds. By giving the car the bottom two thirds of the frame and placing the hood ornament at the intersection of the of the upper right third of the frame the viewer’s eye is directed there. The colors of the sky reflect in the chrome and tie the blue of the sky into the dark browns and oranges of the rust on the car. The yellowish orange of the clouds further emphasizes the complimentary color scheme of the photo too.

 

Keeneland Concours de’Elegance

HDR Efex Pro 2 Packard image
Blue Packard

I took a trip down to Lexington, Kentucky this past weekend to the Keeneland Concours de’Elegance auto show. I have always been interested in automotive design and an event such as this one allows me to see firsthand the craftsmanship and beauty of our automotive heritage.

This Packard caught my eye with it’s massive headlights and brilliant grillwork. I decided to shoot this image as a bracketed series of images in order to overcome the wide range of light that the dark car and the brilliant chrome created. I knew that I was going to finish this image as an HDR image when I shot it. I monitored my histogram which showed me that I had the full range of tones in four exposures which would result in a good HDR image once merged and tone mapped.

Back home in the studio I merged the four exposures in NIK HDR Efex Pro 2 and applied the Structurized 2 preset as my base image. I adjusted the structure, black point and white point sliders very slightly before saving the image back into Aperture 3. I had to place a control point on the building in the lower right side of the frame and increase the exposure on the stonework to keep it from being a dark distraction in the composition. Once the image was back in Aperture 3 I cleaned up some sensor spots that had been emphasized by the tone mapping and hdr conversion before adjusting the vibrancy and sharpening the image for final output.

The composition is a pretty straight forward rule of thirds and uses the repetition of form to unify it. That along with the complimentary color scheme of blue and gold makes this image work for me.

Redneck Racing Team’s Dragster at Beech Bend Raceway

Redneck Racing Team’s Twin Engine Dragster

This image is from the Hot Rod Reunion which is held annually at Beech Bend Raceway in Bowling Green Kentucky. Every year this event attracts nostalgic hot rodders from around the US for a weekend of vintage style drag racing and a hot rod car show. The theme of the event is centered around the early days of the sport and brings out many old race cars from the 50s and 60s when drag racing was still done with grass roots cars and drivers. During that era most dragsters and drag cars were built by hot rodders in their own backyard garages. Those early racers would design and build the chassis then search the wrecking yards for engines to power them. The engines would be hopped up using limited tooling and speed parts that were sourced from small speed shops across the country. There were no major sponsors or multi-million dollar budgets like the current drag racers have; for the most part it was just the money the team could scrape up from their day jobs and local sponsors. There were very few large purses and about all those early racers took home after a day of competition was a cheap trophy and bragging rights for being the fastest car there.

This particular dragster is reminiscent of that era though it is unique in that it has twin engines. During that era the benchmark for high performance engines was to squeeze one horsepower per cubic inch from an engine. An example would be the Chevrolet Corvette V-8 which had a displacement of 283 cubic inches and in race tune that engine was capable of making 270 horsepower. One way to build a car with more power was to put two engines in it and effectively double the horsepower. The car in this photo is using twin engines in an effort to get the most power they can for a small price. The down side of that much power was that the tires of that time were not capable of getting the power to the track and instead spun for long distances from the start line. This car shows that effect as it powers down the racetrack spinning it’s tires and billowing smoke after getting the green light.

I captured this image in the middle of the day which as all photographers know is some of the harshest light to shoot in. By using Topaz Adjust I was able to enhance the detail and color in the scene and produce an acceptable image. I made this image a couple of years ago when I was first getting into using plug-ins such as Topaz Adjust and it reflects the state of HDR photography at that time. I, like many other photographers, was pretty heavy handed with the color saturation and sharpening that the plug-ins created but at the same time I was enjoying the results as they were so much richer than anything I had done before. Since those early days I have started to move into a more realistic style of HDR processing that, while still creating rich color and detail, is more in line with how the scene appears in real life.

This composition relies on the standard rule of thirds as well as strong diagonal lines that sweep from left to right. The position of the car heading out of the frame reinforces the billowing cloud of tire smoke and the sense of movement it conveys while the perspective of the spectator bleachers creates depth as the viewer’s eyes move into the background.