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This image is a single frame from my exploration of the Vermont American Building last week. I used Topaz Clarity to process it before returning it to Aperture 3 for cropping, sharpening and color channel adjustments.
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This year for the Fourth of July fireworks I tried a new technique that I read about in several various posts around the web. The basic premise is to use focus to create blur around a fireworks explosion. I set my focus at just short of infinity and then refocused after tripping the shutter. I used shutter speeds of 1 and 2 seconds at f5.6 and f8 to experiment with this technique.
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Click on any image to enlarge it in another window.
Click on any image to enlarge it in another window.
Click on any image to enlarge it in another window.
I finished all the images in Aperture 3 and really cranked up the sharpening both in the RAW file and in the finished image. I also played around a lot with the Saturation, Luminance and Range sliders in the individual color channels to intensify the colors.
All in all I am better satisfied with these fireworks images than any I have attempted in the past. I think I’ll work on refining the technique the next time a fireworks opportunity presents itself.
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This is another HDR image of Waterfront Park looking west toward the crane that will be part of the skyline for the next couple of years. I shot this from the ramp to the Big Four Bridge overlooking the Swing Garden. I shot a handheld bracket set of three frames +2, 0 and -2 EV. I was able to hand hold the shots because it was mid morning and the light was high which resulted in relatively short exposures.
I first took the three RAW frames into NIK Sharpener Pro and applied adaptive sharpening to all of them. I then opened them in NIK HDR Efex Pro 2 where I merged them and applied the Deep 2 preset which I tweaked a bit to reduce some of the luminance and saturation. I then returned the merged image to Aperture 3 for final adjustment, sharpening and added a small vignette. In Aperture 3 I also adjusted the exposure and contrast as well as tweaking the individual color channels in the green, yellow and blue areas.
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Work has begun on the Downtown Bridge carrying I-65 across the Ohio River from Louisville. The impact on Waterfront Park should be minimal because the Waterfront Development Corporation had the foresight to prepare a place for it to cross the park. The Waterfront Development Corporation made sure to keep any major component of the park out of this area in an effort to accomodate the bridge and still have a world class park along the Louisville waterfront. This type of forward thinking is the hallmark of the Waterfront Development Corporation which has returned the waterfront to the citizens of Louisville as the “Commons” that the city’s founders envisioned.
As with the Big Four Bridge project I am excited to see and photograph the changing face of Louisville as it continues it’s march into the future. Over the course of the next two years I will be following the construction and the people making it happen. After shooting the Big Four Project I have discovered how much I enjoy construction projects and will certainly be following this latest engineering feat as the work progresses.
I shot this image in the part of the day that most photography “experts” would say to put the camera away. The conventional thinking is that midday light is too harsh and the only time to shoot landscapes is during the “golden hours” or the “blue hours”. I don’t think that is necessary and subscribe to the belief that even when the sun is high in the sky there are plenty of good photo opportunities if one will only open one’s eyes and mind to the possibilities. This particular day the sky was full of interesting cloud formations as a low pressure front was pushing in from the south and colliding with a high pressure front from the north. Had the sky been empty I might have chosen another framing to show the park and construction project.
The image was created from a three frame bracket set using +2, 0 and -2 EV. I first took all three RAW images into NIK Sharpener Pro where I applied some initial sharpening. I then merged the three shots in NIK HDR Efex Pro 2 and applied the Deep 2 preset before returning the merged image to Aperture 3 where I applied several adjustments to saturation and luminance in an effort to tone down the colors slightly. I then straightened and cropped the image and applied the final sharpening.
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I have been trying to represent each of the eclectic business districts of Louisville in a single image for a couple of weeks now. I tried various angles but each time I wound up with too much pavement in relation to the amount of architecture. While shooting one morning last week I discovered that I could show businesses on both sides of the street by using the reflections of one side of the street in the shop window across the street.
I shot all the images in this post in three shot brackets that I merged in NIK HDR Efex Pro 2 and then finished them in Aperture 3. I built a preset in NIK HDR Efex Pro 2 that I used on all these shots so that I had a consistent feel to the images. By using the preset I could quickly get the HDR image where I wanted it and then take it back into Aperture 3 for final processing.
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I used the same processing for the rest of these images.
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