Tag: Aperture 3

Ironworkers Assembling an Iron Caisson

Posted on by Nick Roberts
Ironworkers Assembling an Iron Caisson for a Bridge Pier on the Ohio River Bridges Project in Louisville Kentucky
Ironworkers Assembling an Iron Caisson for a Bridge Pier on the Ohio River Bridges Project in Louisville Kentucky.

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Ironworkers known as “Rod Busters” are seen here assembling a steel rebar caisson for the Ohio River Bridges Project in Louisville Kentucky. There is also a completed caisson in the background on the work barge. These caissons will be inserted into the steel cylinders that are in the right hand side of the image when those cylinders are placed in the river to build the piers for the new bridge. It was early in the morning and a fog bank was coming in from the east which diffused the light and lent an ethereal quality to the morning sunlight.

 

Foggy Morning on the River Crossing Project

Posted on by Nick Roberts
Ironworker #2
Loading Steel Onto The Construction Barge.

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Yesterday morning the Ironworkers were loading more steel onto the barge they are building the caisson on. The caisson is the internal reinforcement for the bridge pier which will be lowered into the steel casing before the concrete is poured. The size and amount of steel that goes into one of these caissons is incredible. The horizontal elements in this caisson are at least two inches in diameter while the rings around it are close to one inch in diameter. Loading the steel onto the barge is a very controlled process that requires coordination among the ironworkers on the barge and the crane operator to accomplish safely and efficiently. The man in the photo is communicating with hand signals to the crane operator to lower the load onto the steel beams that will support it while it is on the barge deck.

I processed this image from a single frame using Topaz Clarity to reveal the colors in the scene and to show the river fog engulfing the Kennedy Bridge in the background. I find Topaz Clarity to be very good at allowing me to control the contrast and colors in an image while avoiding halos and artifacts that sometimes occur within these types of images. After applying the Topaz Clarity adjustment I returned the image to Aperture 3 where I adjusted the sharpening and applied a small vignette.

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Download a free trial of Topaz Clarity at the link below and give it a try; I think you will agree it is a great addition to any photographer’s workflow. Plug-ins like Clarity really speed and simplify my post processing and allow me to experiment with different approaches to my images in a timely way without spending hours looking for just the right combination of adjustments and enhancements in Photoshop CS5. With a project as large as this one where I’m shooting nearly every day Topaz plug-ins allow me to maintain a relatively fast paced post processing workflow while still creating photos that reflect my feelings for the subject matter.

http://www.topazlabs.com/705.html

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onOne Software Announces Perfect Photo Suite 8

Posted on by Nick Roberts

boxes_3 editions

OnOne Software Announces Perfect Photo Suite 8, a complete photo editor for every workflow. The new Perfect Enhance module, Perfect Eraser, Perfect Batch utility, and re-engineered Perfect Effects module create a complete photo editing solution that seamlessly integrates into any workflow.

OnOne Software, Inc., a leading developer of innovative and timesaving solutions for digital photography, today announced Perfect Photo Suite 8—the photographer’s choice for photo editing. Perfect Photo Suite 8 is a full-featured, standalone photo editor that integrates seamlessly with Adobe® Photoshop®, Lightroom®, Photoshop Elements, and Apple® Aperture® and it includes all the best tools a photographer needs to create extraordinary images. Key new features include the Perfect Enhance module for essential photo adjustments, the Perfect Eraser with content-aware fill technology, the Perfect Batch processing utility for applying workflows to multiple images at once, and a re-engineered Perfect Effects module with twice as many filters, customizable presets, and integrated FocalPoint™ technology.

The new tools and capabilities alongside Perfect Photo Suite 8’s eight modules—Effects, Enhance, B&W, Portrait, Mask, Layers, Resize, and Browse—allow photographers to enhance, retouch, and stylize images in a layered workflow, replace backgrounds, create high-quality enlargements, prepare images for output, and batch process workflows. The modules share a unified interface, each targeting a specific image processing task. Each module provides only the tools necessary to complete the job at hand, eliminating screen clutter and confusion for the user.

“We listened intently to the digital photography community about what they wanted for their image processing in today’s world of plug-ins, online apps, and subscriptions,” said Craig Keudell, president of onOne Software. “We made it a priority to respond quickly and design a cohesive new product that continues to focus on photography and is built for photographers of all levels, from enthusiasts to professionals. We’ve leveraged our extensive experience as a plug-in company and evolved the Perfect Photo Suite into a complete and powerful photo editor that, unlike existing plug-in collections, works as one, elegantly designed product that seamlessly integrates into any workflow.”

New in Perfect Photo Suite 8:

• Perfect Enhance module – Perfect Enhance provides essential tools for basic enhancements. Use it to adjust brightness and contrast, remove a color cast, remove dust spots and power lines, and add sharpening and vignettes. It is an ideal module to start with when using Perfect Photo Suite 8 as a standalone application or when quick corrections are needed.

• Perfect Eraser – Using content-aware fill technology and simple brush strokes, the Perfect Eraser removes objects and automatically reconstructs the image with realistic results.

• Twice as Many Filters – The Effects module now includes new adjustable filters including: HDR Look, Dynamic Contrast for tonal clarity, Vintage, Grunge, Antique, and more.

• Customizable Presets – All built-in presets included in Perfect Photo Suite 8 may be deconstructed by their filter settings and personally customized.

• FocalPoint is now in the Effects Module – The best parts of FocalPoint technology to create bokeh, tilt-shift, and selective focus effects after the shot, are now in the Effects module as the

Lens Blur filter.

• New Browse module – Images can be browsed and directly accessed from Perfect Photo Suite wherever they are stored—on the computer, an external drive, a connected network, and even on a cloud-based storage service like Dropbox, Google Drive, or Apple’s photo stream.

• Perfect Batch Utility – Powerful batch processing of actions from one or multiple modules, including the insertion of a watermark.

• Multiple File Handling: As a photo editor, you can now open and work with more than one image at a time. Move between images to edit or copy layers from one file to the next.

• Improved Masking Bug: Redesigned Masking Bug in the Effects and Layers modules make mask creation easier and more intuitive.

• Higher Quality Effects: Performance enhancements improve effects by minimizing artifacts without sacrificing processing speed.

• Improved RAW file handling: Open and process RAW files faster and with better quality. Support for new cameras also added.

Availability and Pricing

The new Perfect Photo Suite 8 will be available November 26, 2013. Pre-orders are available immediately at www.onOnesoftware.com/affiliates/idevaffiliate.php?id=459. Perfect Photo Suite 8 is available in three editions: Premium, Standard, and an edition for Adobe Lightroom & Apple Aperture. The Premium Edition works with Adobe Photoshop, Lightroom, Aperture, Photoshop Elements, and as a standalone application. Owners of previous versions of Perfect Photo Suite Premium Edition can upgrade for $99.95. New users may pre-order the Premium Edition for $179.95. For a limited time, pre-orders of Perfect Photo Suite 8 Premium Edition will include a complimentary Essential Video Guide to Perfect Photo Suite 8, which provides a comprehensive collection of getting started training videos for Perfect Photo Suite 8 ($40 value).

Perfect Photo Suite 8 for Adobe Lightroom & Apple Aperture works with Lightroom, Aperture, Photoshop Elements, and as a standalone application. It is available for $129.95 | $79.95 upgrade. The Standard Edition works as a complete standalone photo editor and is available for $79.95. New users who pre-order Perfect Photo Suite 8 will immediately receive a complimentary license for Perfect Photo Suite 7.5. Customers who pre-order Perfect Photo Suite 8 will receive all upcoming Loyalty Rewards that will be delivered monthly to owners of the Perfect Photo Suite 8. For those who have purchased Perfect Photo Suite 7.5 on or after August 1, 2013, onOne Software will issue a complimentary upgrade to Perfect Photo Suite 8 via download when it is available. For more information on Perfect Photo Suite 8, visit http://www.onOnesoftware.com/affiliates/idevaffiliate.php?id=459

About onOne Software

onOne Software, Inc., is a leading developer of innovative software tools and apps for digital photography and offers time-saving software solutions for photographers of all levels, from enthusiasts to professionals. Leveraging its extensive history as successful plug-in developer for Adobe Photoshop, Photoshop Elements, Photoshop Lightroom, and Apple Aperture, and continued development of cutting-edge technology, onOne publishes unified solutions that offer both full-featured photo editing capabilities and the flexibility of traditional plug-ins.

For additional information, visit OnOne using the link below:

http://www.onOnesoftware.com/affiliates/idevaffiliate.php?id=459

Ironworkers

Posted on by Nick Roberts
Ironworkers Assembling an Iron Framework for a Bridge Pier.
Ironworkers Assembling an Iron Framework for a Bridge Pier.

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This shot is looking east with the Big Four Bridge in the background. The iron structure the ironworkers are building will be placed inside one of the steel cylinders that are in the righthand side of the image. There is a completed one on the barge behind the one where they are working. The hexagonal piece on the end is a jig to align the steel rebar while they assemble it.

This image is a single frame that was edited in Aperture 3 and Topaz Adjust. I wanted to capture the early morning fog and the light as the sun was coming up. The early morning on the river is a peaceful quiet time before the sun gets up in the sky and the temperature starts rising.

Topaz Adjust will be 50% off ($24.99) from September 9th through September 30th with this promo code: septadjust Topaz Adjust is one of their most popular plug-ins and doesn’t go on sale very often so if you haven’t tried it yet this will be a great opportunity to get it and save some money as well. Topaz Adjust is one piece of software that I find indispensable in my work and have been using for years now.

Here’s a link to their site:

http://www.topazlabs.com/705.html

 

 

 

More Handheld HDR

Posted on by Nick Roberts
Supercharger #1
Supercharger #1

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Yesterday I talked about shooting HDR brackets handheld; today’s image is another example of that technique. There are many occasions or situations where a tripod is out of the question. Often those same situations present difficulties due to the extremely broad dynamic range of the subject; that is when a bracket set can assure that the entire dynamic range is covered.

In this image the light on the polished metal was extreme and a single exposure would have left the sky overexposed while the shadows would have been underexposed. By shooting a three frame bracket at +2, 0 and -2 EV I was able to capture the clouds in the sky, the details under the carburetors, the reflected light on the black drive belt in the lower right of the frame and the reflections in the windshield. By combining the three exposures in NIK HDR Efex Pro 2 I was able to bring the broad dynamic range under control.

One of the features of NIK HDR Efex Pro 2 that really helps with handheld images is the Align Images feature that can be applied at the initial merging of the brackets before any other processing takes place. I keep this feature checked for all my HDR work because even on a tripod there can be slight movement between frames; of course when shooting handheld there is bound to be some movement and this feature along with a 20% Ghost Reduction application usually solves that issue.

Finally I used the Balanced preset in NIK HDR Efex Pro 2 as my starting point to tone map the image. A little tweaking there opened up the shadows and tamed the highlights while bringing the clouds out in the sky. I then returned the image to Aperture 3 for final adjustments to exposure and some enhancement of the red and yellow color channels to saturate the brown on the car. A little adjustment to the blue channel saturation and luminance further strengthened the contrast between the clouds and sky. Lastly I sharpened the image and then took it into Photoshop CS5 and used Content Aware fill to remove a small patch of white at the edge of the photo that was there from the corner of the event sticker in the windshield.