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Another evening after a thunderstorm moved through Louisville. I composed the image with the trees in silhouette in order to frame the scene and emphasize the sunset and the light on the river. The sky was very dramatic and I enhanced the colors of the sunset to add more drama to the scene. This image was also processed in NIK HDR Efex Pro and finished in Aperture 3.
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Today’s image comes from a shoot I did earlier this year along River Road here in Louisville. I was taken by the way the trees framed the scene of the docks in the Louisville Boat Club Marina and wanted to include them as a foreground element to add interest to the scene.
I’m not really sure which app I used to process this image but I think it was an earlier version of NIK HDR Efex Pro. I finished the edit in Aperture 3 with a little sharpening and some tweaks to the vibrancy slider too.
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Tonight I’m exercising a little macro mojo. I don’t know what they are but they sure look strange to me. Straight photo with my 105mm macro lens and Nikon D90 processed in Aperture 3.
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This image was taken from a man lift inside the Big Four Bridge last week. The man in the photo is Jack Alpha he’s an Ironworker who let me use his safety harness to ride up into the upper structure of the Big Four Bridge as part of my continuing project to photograph the men who are doing the work to convert the Big Four Bridge from an abandoned railway bridge into a pedestrian bridge linking Louisville, Kentucky with Jeffersonville, Indiana. Jack is repairing the handrail that runs along the top of the bridge and in this photo he is anxiously waiting for me to get done with my photos so he can get back to work.
This is a straight photograph with minor adjustments to White Balance and Sharpening. I used Aperture 3 to edit it and the only thing I needed to do to get it right was to set the white balance by picking a neutral gray which was easy since the concrete deck has a full range of grays in it. I then chose a black point from the man lift and a white point from the arrow on the man lift. Using these three points nailed the colors in the image and all that was left to do do was sharpen it.
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The past Saturday I joined 25 other Louisville photographers for a photowalk with Jon Eland who was visiting Louisville for IdeaFestival. Jon is from Leeds, England which is a sister city with Louisville. As a rule I am not a group shooter, I prefer to go out alone when I do my photography, but after attending a lecture that Jon gave to the PhotoForum camera club here in Louisville last Wednesday I decided to join the group for Jon’s NuLu Fest photowalk. I’m glad I did because the interaction with other photographers led me to some interesting subject matter that I probably wouldn’t have seen such as these insects on the corner of a building on Market Street in the NuLu district of Louisville.
Deborah Brownstein, one of Louisville’s finest macro photographers, pointed these insects out to me as I was walking past Joe Ley Antiques. I was focused on the vast amount of stuff that was outside his shop and walked right past these guys. Deb showed me these insects and immediately I knew that I had to capture a few images of them. I liked the contrast of their red bodies on the green wall and the pattern that they made. I have no idea what they are but I am fascinated by the various stages of growth they appear to be in. Judging by the wings some have matured into full size while other smaller ones are just starting to grow their wings.
Yesterday I decided to start editing the images from the photowalk and the first one I went to was this image. I decided to use Topaz Adjust to enhance the color and detail in the shot. I used to use Topaz Adjust a lot but had drifted away in favor of the NIK collection of software. I decided to use Topaz Adjust 5 and the “Spicify” preset as my point of departure and tweaked several sliders in it to finish this image. I like the controls in Topaz Adjust when I’m editing because they allow me to complete my edit without returning the image to Aperture 3 for sharpening and final output. Everything I need is inside TopazAdjust including sharpening which is something I generally have to return images to Aperture 3 for when using the NIK software.
