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This is another three exposure bracket set merged in HDR Efex Pro 2 using the Deep #1 preset. After merging the images I returned the image to Aperture 3 where I adjusted the Contrast, Exposure, Vibrance and finally Sharpened the image.
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Sunday evening I was down in Waterfront Park to shoot the sunset and the people out enjoying the park. As I was heading back to my truck I saw the children’s playground was getting a little attention too. It was well after sunset and the light was very low so I thought I would experiment with some long exposure brackets of the kids playing on the merry-go-round. They were all ages from toddler up to five or so and they were having a great time. I knew that the figures would be blurred by movement so I decided to capitalize on that.
One mother, whose two children were the smallest on the ride, stood nearly motionless as she watched over them. I hoped that she would show up in the shots and was well rewarded. Even though there were eight or ten kids on the ride and several more parents in the scene they all stayed in motion and appear as faint ghosts in the final image.
I merged the three frames in NIK HDR Efex Pro 2 using a 100% setting for anti-ghosting. I also applied the Deep #1 preset and made some very slight adjustments to the tonality before returning the image to Aperture 3 for final adjustments. In Aperture 3 I adjusted each color channel separately in order to compliment the blue tone that the twilight sky cast over the scene. I was still bothered by the way the kids were being rendered as simply a blur though; I decided to add some mid-contrast and voila their small figures appeared inside the merry-go-round. A little sharpening and some further tweaks to the Exposure and Enhance sliders and this final image emerged.
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I shot this last night on the Big Four Bridge Ramp as the sun was setting. The evening was balmy and people were out enjoying the sunset and strolling along the bridge.
Processing was done on NIK HDR Efex Pro 2 and Aperture 3. There are three frames here that were merged at 100% anti-ghosting setting which eliminated the problem of shooting people moving during the three exposures. I also had to use the underexposed image as the reference image before I managed to get the people de-ghosted. I learned that when applying anti-ghosting it may take several tries before I can get the results I’m looking for. In this case I first used the 0 ev exposure at 20% anti-ghosting but it didn’t stop the ghosting. I then ran through the rest of the settings 40%,60%, 80% and finally 100% but there were still ghosted figures I then switched my reference image and that eliminated the problem.
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I was playing around with depth of field in this image. I was exploring the idea that the people inside weren’t really worth looking at closely; just that they were quarantined from the larger society. I wanted to show how the internment barracks were separated from the outside world.
Single frame faux HDR processed in NIK HDR Efex Pro 2 and Aperture 3.
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This was a three frame bracket set -2, 0, +2 EV merged and tone mapped in NIK HDR Efex Pro 2 starting with the Deep 1 Preset. I made some minor changes to the amount and method strength. I also dropped a control point on the sky in the background where I adjusted the exposure and contrast. I then returned the image to Aperture 3 and adjusted the overall exposure, cleaned up some dust spots, and enhanced the vibrance slightly.
