Category: Topaz Plug-in

Alabama Morning

Alabama Morning

These Fords were in a wrecking yard in Alabama a couple of years ago. The cars I find in the southern states have a much different patina of rust on them than the cars out west of the Mississippi River do. The climate in the south is much more humid and therefore the rust is more agressive. The oxidation process creates a much rougher surface which in turn traps more moisture that then eats away at the metal more aggressively.

I liked the way the early morning sun was lighting the scene and how it really emphasized the texture on the 1949 Ford in the foreground. The contrast of the smooth chrome and glass in the headlights really caught my eye. The cars are framed to in a typical rule of thirds composition and the rust on the roof in the background draws the viewer’s eye back in the scene while reinforcing the colors of the cars.

There wasn’t much I needed to do in processing to get this image finished. I used a little of the Spicify preset in Topaz Adjust to punch up the texture and saturate the colors before returning the image to Aperture 3 for final sharpening and output.

Freebird

Chevy
Freebird

This image is another pseudo HDR I created a couple of years ago using  Topaz Adjust. The advantage of using these plug-ins is that they can often salvage an otherwise flat image and allow me to create something rich and dynamic. The ability to extract information and enhance the colors and details within the original file is the main reason I started using them. I don’t think they are an answer for every situation, if the image is poorly composed they won’t help it, but if the exposure range is too extreme they can be invaluable and allow me to rescue my original idea for the photo.

This image works because of the composition which adheres to the rule of thirds. By giving the car the bottom two thirds of the frame and placing the hood ornament at the intersection of the of the upper right third of the frame the viewer’s eye is directed there. The colors of the sky reflect in the chrome and tie the blue of the sky into the dark browns and oranges of the rust on the car. The yellowish orange of the clouds further emphasizes the complimentary color scheme of the photo too.

 

Redneck Racing Team’s Dragster at Beech Bend Raceway

Redneck Racing Team’s Twin Engine Dragster

This image is from the Hot Rod Reunion which is held annually at Beech Bend Raceway in Bowling Green Kentucky. Every year this event attracts nostalgic hot rodders from around the US for a weekend of vintage style drag racing and a hot rod car show. The theme of the event is centered around the early days of the sport and brings out many old race cars from the 50s and 60s when drag racing was still done with grass roots cars and drivers. During that era most dragsters and drag cars were built by hot rodders in their own backyard garages. Those early racers would design and build the chassis then search the wrecking yards for engines to power them. The engines would be hopped up using limited tooling and speed parts that were sourced from small speed shops across the country. There were no major sponsors or multi-million dollar budgets like the current drag racers have; for the most part it was just the money the team could scrape up from their day jobs and local sponsors. There were very few large purses and about all those early racers took home after a day of competition was a cheap trophy and bragging rights for being the fastest car there.

This particular dragster is reminiscent of that era though it is unique in that it has twin engines. During that era the benchmark for high performance engines was to squeeze one horsepower per cubic inch from an engine. An example would be the Chevrolet Corvette V-8 which had a displacement of 283 cubic inches and in race tune that engine was capable of making 270 horsepower. One way to build a car with more power was to put two engines in it and effectively double the horsepower. The car in this photo is using twin engines in an effort to get the most power they can for a small price. The down side of that much power was that the tires of that time were not capable of getting the power to the track and instead spun for long distances from the start line. This car shows that effect as it powers down the racetrack spinning it’s tires and billowing smoke after getting the green light.

I captured this image in the middle of the day which as all photographers know is some of the harshest light to shoot in. By using Topaz Adjust I was able to enhance the detail and color in the scene and produce an acceptable image. I made this image a couple of years ago when I was first getting into using plug-ins such as Topaz Adjust and it reflects the state of HDR photography at that time. I, like many other photographers, was pretty heavy handed with the color saturation and sharpening that the plug-ins created but at the same time I was enjoying the results as they were so much richer than anything I had done before. Since those early days I have started to move into a more realistic style of HDR processing that, while still creating rich color and detail, is more in line with how the scene appears in real life.

This composition relies on the standard rule of thirds as well as strong diagonal lines that sweep from left to right. The position of the car heading out of the frame reinforces the billowing cloud of tire smoke and the sense of movement it conveys while the perspective of the spectator bleachers creates depth as the viewer’s eyes move into the background.

Homage to the Renaissance

Reflections in a Chrome Eye

Sometimes the simplest things can yield surprising results. As I searched the Streetrod Nationals for reflections in cars I came across this car parked in the grass which was a great mirror for the two red vehicles parked nearby. I thought about the way the painters of the Renaissance used convex mirrors in their paintings to capture distorted perspective and decided to go with that concept.

I would call this a radial composition due to the many concentric circles which focus the viewer’s eye on the image within the image though it also conforms to the rule of thirds. The colors in the image are primarily red and green which are complimentary colors and lend harmony to the scene and further strengthen the composition. I also enjoy the way the colors in the wheel are inverted from the center section where the green grass and blue sky are revealed; to the outer portions of the wheel where the green is now on the upper side and the blue has moved to the bottom. The reds of the reflected vehicles benefit too from the red jewel on the tire’s valve cap which adds a small foreground element to the image.

I first processed this image with Aperture 3 where I cropped it slightly to remove extraneous details that were interfering with my initial concept for the photo. I then I opened it in Topaz Adjust for the final enhancements which intensified the colors in the chrome and the scene within the center cap, along with the sky.

Happy Trails

Dave and Wiley

A couple of years ago I was along on a group ride through Colorado where we came upon the coolest outdoor gallery of chainsaw sculpture near Mancos. There was no one around to ask about the work but we did spend an hour or so walking through the place and admiring the creative genius of the artist. As we rode away but I had already decided that I would get back there as soon as it was feasible. We finished our trip a couple of days later and I broke away from the group to return to Cortez and Mancos to photograph the sculture as well as an abandoned auto wrecking yard I had spotted on the road out of Cortez.

When I returned I met the sculptor, Dave Sipe, and spent several hours with him as he showed me around his studio and shared stories of how he had come to Mancos several years earlier. I really loved his whimsical, tongue in cheek approach to his work and decided that I wanted a piece for my own art collection. I loved his buzzards, one of which is in this image, and originally that was what I planned to purchase but when he showed me the Wiley Coyote Happy Trails piece I knew that it was the one for me. I agreed to his price and asked that he allow me to take his photo with my purchase to which he happily agreed.

I really like to shoot portraits of people in their element and this image of Dave fits perfectly into that idea. I love the color and imagery that surrounds Dave and the fact that everything in the image is hand crafted by him. His expression captures the playfulness and enthusiasm for life that infuses every piece that he makes and speaks volumes about his zest for life.

I have returned a couple of more times to see Dave and to see what he is creating; the last time was three years ago when we were taking a motorcycle ride to see Mesa Verde. On that trip I did purchase one of his buzzard sculptures which watches over me as I type this post. I haven’t been able to get back through Mancos since then but I hope to return next year if everything goes as planned with my photography business.

I chose to use Topaz Adjust to process the image because I knew it would emphasize the colors in Dave’s work and lend an air of whimsy to the final portrait.