Category: Texture

Using Diagonal Lines as Compositional Elements

Posted on by Nick Roberts

This is another photo incorporating the highway as a major compositional element. I can’t recall where I took this photo but I really like the way the highway sweeps across the frame from right to left forming several triangles that converge at the horizon. Even the clouds are forming triangular patterns and reinforcing the diagonal slopes of the distant mountains.

It is also pretty obvious that this photo was taken at midday yet it still has enough contrast and detail to remain interesting. I processed this image with Topaz Adjust before final sharpening was done in Aperture 3.

A Storm Was Brewing on the Horizon

Posted on by Nick Roberts

When the destination for my ride requires me to be on a tight schedule the Interstate Highway System is my only choice. While I prefer to use the older US Highway system to travel across the country, the pace is different and I don’t mind slowing down as I pass through small towns, I sometimes need to cover a lot of distance in a day.

I often hear from people that the Interstate Highways are boring roads but I don’t always find them that boring. For one thing these highways often pass through beautiful country and since the right of way is so wide there are sections where the only sign of man’s hand is the highway itself.

This is a photo of one such stretch of interstate. I don’t recall where I was when I took this photo but I do remember vividly how quickly the rain moved in my direction! I saw this storm on the horizon and pulled to the side of the road to put on my rain gear. Before donning my rain gear I grabbed my camera from my saddlebag and took a few shots of the approaching rain storm. I love seeing the rain falling as a storm moves in the distance and the way the rain makes patterns uniting the clouds and the earth. In a matter of minutes the storm was on top of me and I stashed my camera back in the saddlebag.

I grabbed my rain gear and was just getting it unrolled when the wind and rain were upon me; the wind was blowing full force and the rain drops were as big as grapes. I was standing there in the middle of nowhere trying to put on my rain jacket as the wind was doing it’s best to tun it into a sail! I had only managed to get one arm in the jacket when the storm got to me. As I stood there in the pouring rain, battling the wind and trying to get the rain pants and jacket fastened I was drenched with rain. Once I finished I was almost as wet as I would have been had I simply left the rain gear in the saddlebag.

I climbed back on the bike and headed into the storm fully expecting to ride the rest of the afternoon in rain but less that five miles down the road the storm was gone and the sky was clear again. I was still wet and cold but I had another great experience to remember and savor for years to come. These types of things are among the reasons I love motorcycling and exploring America by motorcycle; if I had been in a car that afternoon I wouldn’t have tasted and felt the the forces of nature that form our world.

As for the composition, once again the highway leads the viewer’s eye into the scene, dominates the foreground and reinforces the rule of thirds as it moves into the frame.  The colors and textures of the clouds add interest to the upper part of the image while the horizon gives a sense of depth. I used Topaz Adjust on this image which accounts for the enhanced contrast of the road surface and the saturation of the colors.

 

Texture Is Where You Find It.

Posted on by Nick Roberts

Following up with yesterday’s post I wanted to share a few more images where texture is the dominant element. This first shot was taken in Arches National Park while hiking to a point to shoot some red rock vistas. The texture of the lizard’s skin against the sandstone combined with the visual texture of the shadows across the scene reinforce the feeling of the arid desert. I’m drawn to the sparkle of the individual grains of sand that make up his perch and the way that the light reflects under the ledge. Topaz Adjust was used to intensify the monochromatic tones in the scene while highlighting the overall contrast.

This image is a macro shot of the desert floor of the same trail that the previous image was taken on. The repetition of the same forms that make up the landscape are visible here in an area that is likely less than two inches across. The way that the shadows fall across the scene enhance the contrast and definition of the surface. Using Topaz to process this shot was a simple choice because of the ability of the Spicify preset to bring out the details while preserving the color and texture of the rock.

This final image is once again a macro shot of the desert floor. This was taken in Monument Valley and shows us how even at the smallest point the forces that formed monument valley’s huge buttes and mesas are at work carving away the layers of sandstone and creating new forms. On a grand scale geologic areas like this are referred to as “slick rock” and the tiny mesa in the middle of the scene could just as easily be seen in a landscape shot encompassing miles and miles of the valley. The Spicify preset in Topaz Adjust brings out the texture and color while allowing the scene to stand on the merits of it’s color and composition.