Category: Texture

Where the Bourbon Was Born

Posted on by Nick Roberts
Memories of Spirits Long Gone
Memories of Spirits Long Gone

Click on the image to open it at a larger size in another window.

This image is a four exposure bracket set taken at ISO 200 without additional light added. One of the benefits of shooting for HDR is the ability to capture scenes such as this with the extended dynamic range that a bracket set encompasses.

By exposing at +2, +1, 0, and -1 EV I was able to capture the textures within the scene and then merge them using NIK HDR EFex Pro 2. I adjusted the exposure and details in NIK HDR EFex Pro 2 and then I took the resulting image into Nik Silver Efex Pro to create a montone image. As I experimented with the various presets I came upon the “Antique Plate 2” preset which allowed me to create an image that feels as if it were made in another time. I thought the preset fit the subject and gave it an aura of mystery that I was hoping for.

After completing the monotone image I returned it to Aperture 3 where I sharpened it slightly and made a few other minor adjustments.

Window to a Spirit World

Posted on by Nick Roberts
Window to a Spirit World
Window to a Spirit World

This is another bracketed shot of five exposures processed in NIK HDR Efex Pro 2 and Aperture 3. By using five exposures I was able to capture both the exterior detail of the brick and stonework and the barrel inside the building. I returned the tone mapped image to Aperture 3 where I cropped and straightened it as well as adjusted the sharpness, vibrancy and exposure slightly.

The blacks you see are a mold that forms on everything around a distillery. It is nurtured by the evaporation of the alcohol as it ages in the barrels. The distillery folks refer to the evaporation as the “Angels Share” which probably has it’s roots in the religious beliefs of the Scots, Irish and Welsh people who brought the distillation of whisky to Kentucky in the 18th century as America pushed westward from the coastal settlements.

The image is a symmetrical composition because the window is centered in the frame while within the window the barrel on the left side of the opening shifts the viewer’s eye and adds movement to the photo.

Resting Spirits

Posted on by Nick Roberts
Whisky barrel warehouse
Resting Spirits

Yesterday morning I joined 25 or 30 fellow Louisville Photographic Society members for a tour and photo walk at the oldest continuously operating distillery in the United States, Buffalo Trace Distillery, located in Frankfort, Kentucky. The tour included a great deal of the lore and history of bourbon making and it’s deep roots in the central Kentucky region. We were very fortunate to have as our guide a third generation employee of the distillery Freddie who gave us a behind the scenes look at the distillery and the history of whiskey in Kentucky. Freddie took us into the warehouses and explained the way that the whisky ages in the barrels and why they are placed where they are in the warehouse. The barrels placed at the lowest levels are there for a long slow aging process that imparts the characteristic flavors of the charred oak barrel and the tannins in the oak to the bourbon inside.

I shot this image as a bracketed set of exposures for HDR processing. I first processed it as a color HDR image in NIK HDR Efex Pro 2 where I tone mapped it using the realistic preset before returning it to Aperture 3 for final adjustment of the vibrancy, clarity and sharpening. Once I had completed that I created a duplicate image and reopened the duplicate in NIK HDR Efex Pro 2 where I used the Black and White preset to convert it. I then applied a yellow filter which enhanced the highlights and deepened the shadows.

The image below is the color version that I started with to create the Black and White photo. With this image I am showing you that there are sometimes several ways to create a memorable image by taking advantage of the tone mapping ability of NIK HDR Efex Pro 2 and then applying different presets to the final image.

Resting Spirits #2

I think the composition is strong in both the images due to the perspective and the leading lines taking the viewer’s eye down the corridor to the lights in the background. The HDR process allowed me to capture the detail in the structure and the barrels which would not have been possible in a single exposure.

Alabama Morning

Posted on by Nick Roberts
Alabama Morning

These Fords were in a wrecking yard in Alabama a couple of years ago. The cars I find in the southern states have a much different patina of rust on them than the cars out west of the Mississippi River do. The climate in the south is much more humid and therefore the rust is more agressive. The oxidation process creates a much rougher surface which in turn traps more moisture that then eats away at the metal more aggressively.

I liked the way the early morning sun was lighting the scene and how it really emphasized the texture on the 1949 Ford in the foreground. The contrast of the smooth chrome and glass in the headlights really caught my eye. The cars are framed to in a typical rule of thirds composition and the rust on the roof in the background draws the viewer’s eye back in the scene while reinforcing the colors of the cars.

There wasn’t much I needed to do in processing to get this image finished. I used a little of the Spicify preset in Topaz Adjust to punch up the texture and saturate the colors before returning the image to Aperture 3 for final sharpening and output.

Freebird

Posted on by Nick Roberts
Chevy
Freebird

This image is another pseudo HDR I created a couple of years ago using  Topaz Adjust. The advantage of using these plug-ins is that they can often salvage an otherwise flat image and allow me to create something rich and dynamic. The ability to extract information and enhance the colors and details within the original file is the main reason I started using them. I don’t think they are an answer for every situation, if the image is poorly composed they won’t help it, but if the exposure range is too extreme they can be invaluable and allow me to rescue my original idea for the photo.

This image works because of the composition which adheres to the rule of thirds. By giving the car the bottom two thirds of the frame and placing the hood ornament at the intersection of the of the upper right third of the frame the viewer’s eye is directed there. The colors of the sky reflect in the chrome and tie the blue of the sky into the dark browns and oranges of the rust on the car. The yellowish orange of the clouds further emphasizes the complimentary color scheme of the photo too.