Category: Landscape

We’re Almost There

Posted on by Nick Roberts
Entrance to the Big Four Bridge
Entrance to the Big Four Bridge

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We are just a couple of days from the opening of the Big Four Bridge. All the work has been completed and all that’s left is for the gate to be removed and the dedication on Thursday morning. After that the crown jewel of Waterfront Park will be open to everyone on the Kentucky side. Later this year the ramp from Indiana will be completed and we’ll be able to walk or bike over the river.

I processed this image in HDR Efex Pro 2 from three exposures +1.3, 0, -1.3 EV. After tone mapping the merged image I returned it to Aperture 3 for some additional adjustments to exposure, definition, vibrancy and sharpening.

I finally broke down and started using the auto bracket feature on my Nikon D90 to capture my bracket sets. I don’t know why it took me so long to adopt this feature but I am really glad I did. It really simplifies the HDR bracketing process and allows me to focus more on composing the images while speeding up everything about the shooting process.

More HDR Exploration

Posted on by Nick Roberts
This image was created using 5 exposures +2,+1,0,-1,-2, EV
This image was created using 5 exposures +2,+1,0,-1,-2, EV

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Today I am going to share several versions of one image to further illustrate the HDR process. In the image above I combined 5 exposures using NIK HDR Efex PRO 2. I then started with one of the realistic presets in NIK HDR Efex PRO 2 which I adjusted to my vision for the image. After getting it where I wanted it I created a custom preset that recorded all the adjustments I made to the image. I named the custom preset Pine Mountain #2 and saved it in the custom preset panel in NIK HDR Efex PRO 2 so that I could use it with any image I chose. I then started applying it to some of the single frames from this scene.

I’ll start with this frame which is the -1 EV underexposed frame. As you can see it is very dark and lacks detail in the shadows.

-1 ev exposure
-1 ev exposure

Below is the same image with the Pine Mountain #2 preset applied. It opened up the shadows and brought out a greater color range as well as some shadow detail.

-1 EV after applying Pine Mountain #2 preset
-1 EV after applying Pine Mountain #2 preset

I followed the same process for the 0 EV exposure below. This exposure has better shadow detail than the underexposed frame but it is beginning to show some blown highlights in the upper area, notably the small amount of sky and the mountain laurel leaves.

0 EV exposure
0 EV exposure

Once again I applied the Pine Mountain #2 preset I had created earlier to this single frame which produced the image below. There is now more detail in the shadows, the colors are richer but the sky is starting to gray slightly.

0 EV after applying Pine Mountain 2 preset
0 EV after applying Pine Mountain 2 preset

Lastly I used the overexposed image with the +1 EV and followed the same procedure with it. Once again the highlights are blown in the sky and on the leaves as well as on the rocks themselves.

+1 EV exposure
+1 EV exposure

This is the overexposed image after applying the Pine Mountain #2 preset.

+1 EV exposure after applying Pine Mountain #2 preset
+1 EV exposure after applying Pine Mountain #2 preset

Once again there is marked improvement both in the highlights and in the shadows but it still isn’t as rich as the first image in this post that was created by merging multiple exposures in NIK HDR Efex PRO 2.

My conclusion from this experiment is that; while there is increased detail in the shadows, better highlights and increased tonal range available when using NIK HDR Efex PRO 2 on a single image; the use of multiple exposures produces a richer more detailed image. I stand corrected regarding my earlier post about the differences in single vs multiple image HDR processing and the results that are attainable.

I hope this helps my readers and that they benefit from my exploration and experimentation with the NIK HDR Efex PRO 2 software. I feel certain that these results are repeatable regardless of which software is used be it Photoshop, NIK, Photomatix or any of the myriad of other HDR programs out there.

Pinnacle Point Sunset

Posted on by Nick Roberts
Pinnacle Point Sunset
Pinnacle Point Sunset

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After my post last week about HDR processing I decided to follow up by processing an image from multiple exposures. In this case I shot four frames at +1.3, +.3, 0, and -3 ev then merged them in NIK HDR Efex Pro 2. I was watching the histogram while shooting which is how I came to use these settings. The histogram was fine on the dark end but was still blown out at the upper end until I underexposed it by 3 stops. That frame was the one that made the image work.

After merging and tone mapping the merged image I returned it to Aperture 3 where I cropped it slightly, added some sharpening and enhanced the definition and vibrancy. I also tried creating an image as vibrant as this using only the 0 ev frame but it was way too dark and noisy. From this experiment I have to admit that it is definitely better to use multiple images when the exposure range is as wide as this sunset was. Without the multiple exposures the lake and mountains in the center of the image would still be too dark and lacking in detail.

I am also including the four frames I used to create the HDR image below so you can see what I was working with to create the final image.

DSC_6450 DSC_6449 DSC_6448 DSC_6446

Waterfront Park Afternoon

Posted on by Nick Roberts
Waterfront Park Afternoon
Waterfront Park Afternoon

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This image was processed in Aperture 3 as a RAW file before being taken into NIK HDR Efex 2 where I used the Structure 1 preset where I then boosted exposure, shadows, highlights, contrast and structure. I then returned the image to Aperture 3 where I boosted definition, contrast and vibrancy followed by sharpening.

Spaghetti Junction Sky

Posted on by Nick Roberts
Spaghetti Junction Sky
Spaghetti Junction Sky

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The point where the three Interstate Highways intersect in Louisville is known locally as Spaghetti Junction. The weather was changing yesterday from a cloudless sky in the morning to this winter sky around mid afternoon. This image overlooks the Spaghetti Junction intersection and southeast Louisville. It appeared that there was a grid that had been overlaid on the city sky that extended into infinity. The perspective of the clouds intrigued me and I decided to capture it.

I first processed this image in Aperture 3 where I made a few adjustments to the RAW file before taking it into NIK HDR Efex Pro 2 where I worked on enhancing the texture and tonality of the image. I then returned it to Aperture 3 where I applied some exposure, saturation and vibrancy changes. I lowered the saturation slightly and increased the vibrancy in order to achieve the overall feeling I felt when I shot the scene. I had a couple of dust spots that needed attention so I used the Spot and Patch tool in Aperture 3 to clean them up. I then took the image into Photoshop CS5 where I manually adjusted the vertical perspective to compensate for the distortion my 12mm lens had created. Back in Aperture 3 I applied a very slight vignette before saving the image for the web.