Category: HDR

Pattern and Texture Closeups

Closeup of Rusty Retaining Straps
Closeup of Rusty Retaining Straps

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Whenever I’m on a job site I keep my eye open for interesting patterns and textures to shoot as closeups or macro images. On this particular day I was on the job site to capture a large crane that had been brought in for a pick that night. I was scouting for good vantage points to capture the crane at work that evening when I came upon these retaining wall straps in the material storage area. I was intrigued by the surface texture and the undulating pattern that they revealed so I took a few bracket sets to work with later.

I almost always work in HDR and I decided to merge three frames in NIK HDR Efex Pro 2 and experiment with them. For this first image I applied the Balanced Preset and then boosted the definition to enhance the texture of the oxidized steel and reinforce the pattern. I included the long shadow in the upper left of the frame and the short shadow in the lower right side to create a sense of depth and movement in the final composition. After returning the merged file to Aperture 3 I adjusted the mid-contrast and boosted the  saturation and luminance in the red and yellow color channels. I then applied sharpening and a small vignette to complete the image.

Retaining Straps Closeup
Retaining Straps Closeup

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I used a similar workflow for this image of the same straps that had been opened up and stacked for use. In this case I also worked in the blue color channel to contrast the blue and orange colors.

Closeup of Retaining Straps in Black and White
Closeup of Retaining Straps in Black and White

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The final image is a Black and White version I created using Topaz B&W Effects and a Platinum preset. I also applied a white vignette and a frame from the same software before returning it to Aperture 3 for final contrast and sharpness adjustments.

 

 

Sparks Were Flying

Welder using a cutting torch to make some angle iron brackets.
Welder using a cutting torch to make some angle iron brackets.

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I love it when sparks are flying! Whenever I see someone using a torch or a grinder I try to capture the spark patterns that are formed. It is as if the worker is putting on a miniature fireworks display and the kid in me cannot resist watching.

This HDR image was created from a three frame bracket set of +2, 0 and -2 EV exposures using NIK HDR Efex Pro 2 to merge them. After merging the three images I applied a custom preset I have built and saved in NIK HDR Efex Pro 2. I then returned the HDR file to Aperture 3 for final adjustment and sharpening.

One thing I discovered in merging these images was how through use of the anti-ghosting feature I was able to show how the gases used in the cutting torch could be isolated and show where they are pushing the sparks away from the torch.

Construction Diver Prepares to Enter Water.

Construction diver prepares to enter the water to check on broken drill head for extraction.
Construction diver prepares to enter the water to prepare on broken drill head for extraction.

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A few weeks ago the shaft of drilling head on the BG 40 snapped off while drilling a 12 foot diameter hole inside the pier casing. There were numerous attempts made to secure the broken drill head to remove it from the casing each of which required a diver to go down and assess the situation. In this image the diver and his assistant are checking the diver’s helmet and air supply lines prior to his dive. Once he was properly geared up he entered a wire cage and was lowered into the casing so that he could perform his tasks to secure lifting rigging to extract the drill head from the casing. The lines on the ground are the diver’s air supply as well as his communication link to his assistant and the rest of the dive team. The air tank on the diver’s back is a safety backup in case something were to fail with the air supply lines while he is underwater and provide a supply of air to allow him to safely return to the surface.

This is a three exposure bracket set of +2, 0 and -2 EV exposures that I then merged in NIK HDR Efex Pro 2 with 60% anti-ghosting applied to minimize the ghosting caused by the movement of the two men as they geared up for the dive. I applied a preset that I built for this particular day’s shooting that intensified the colors and compensated for some of the overexposure that the bright morning sun caused. After completing the merger and applying the needed tone adjustments I returned the image to Aperture 3 where I applied adjustments to the separate color channels, contrast and sharpening. One of the primary reasons I like using multiple exposures and HDR techniques is the way I can open up shadow details yet retain the highlights in a scene. HDR allows me to render the image in a way that closely resembles the way the human eye sees but the camera sensor cannot record in a single exposure.

Joe and Beauregard

Joe Dec and his constant companion Beauregard Willard Bulldog
Joe Dec and his constant companion Beauregard Willard Bulldog

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This HDR image is a three exposure bracket set using +2, 0 and -2 EV exposures. I merged them in NIK HDR Efex Pro 2 with a 60% anti-ghosting setting and the Balanced preset. I then returned the merged image to Aperture 3 where I adjusted the exposure, contrast, sharpening and added a small vignette.