Tag: Topaz Adjust

Faux HDR with Topaz Adjust

Patina Pickup
Patina Pickup

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Today I’m wrapping up my automotive theme of the past week with this shot from the NSRA Streetrod Nationals a couple of years ago. Unlike most of my current work this image is a single frame which means it isn’t a true HDR image. I used Topaz Adjust to create the overall feeling of the shot and emphasize the sky and clouds while still rendering the truck’s shadow detail. By working with Topaz Adjust I was able to pull out the wonderful colors and tones that were in the image.

I hope you have enjoyed this week’s posts and writings. My goal with SpeedDemon2 is to share my workflow and discoveries as I evaluate and apply the many plug-ins that are out there today. I won’t claim that I’m an expert with any of them but after several years of exploring them I do have a pretty good handle on their strengths and their shortcomings. Plug-ins won’t make a poor composition or a badly exposed image better but when applied to photographs that are well thought out and  well executed they can definitely add interest and a personal style to your work.

Topaz, NIK and OnOne are really expanding the capabilities and usability of their products as they learn from their customers what they, the end users, want and need. The ability to combine presets, modify the presets and also create your own presets is rapidly expanding the range of styles and results we can get without spending hours or days inside Photoshop. Adobe’s decision to stop selling it’s creative suite and offering a subscription only model is, in my opinion, driving this expansion of features and functionality and will ultimately benefit all of us who enjoy creating photographic art.

On that note I want to mention that Topaz Labs has added another incredible program to their already extensive line. Topaz ReStyle is their latest offering and from my short exploration yesterday I think it will be a great addition to my workflow. ReStyle contains over 1000 presets and each one is fully customizable to allow the artist to fully explore his or her vision for their images. It is on sale at an introductory price of  $29.99 (the regular price after 08/31/2013 is $59.99)with the coupon code restyleit.

Use this link to go to the Topaz Labs website and download a free 30 day trial or take advantage of the introductory pricing which is good until August 31, 2013.

http://www.topazlabs.com/705.html

ReStyle_box_clear

Topaz Clarity vs Topaz Adjust Comparison

Topaz Adjust Version
Topaz Adjust Version

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I wanted to see how Topaz Clarity would compare to Topaz Adjust in terms of rendering a more realistic faux HDR image so I went back in my library to some work I did at the Bonneville Salt Flats during the BUB Motorcycle Speed Trials.

The image above was processed in Topaz Adjust 4 and shows a lot of halos as well as a very surreal rendering of the racers themselves. I reprocessed the original file using Topaz Clarity which really improved on the result as you can see in the second version below. There is a lot less noise in the sky and the skin tones are more realistic though the shadow areas are not as open as in the earlier version. All in all Topaz Clarity made a smoother version while still compensating for the extreme lighting conditions of shooting at midday on the salt flats.

Topaz Clarity Version
Topaz Clarity Version

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Below is another image of a sunrise over the entrance to the Bonneville Salt Flats that I used Topaz Clarity to process. It has fewer problems with halos and noise while still extracting a great deal of information from the single frame exposure I used to create it.

Bonneville Sunrise
Bonneville Sunrise

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I like the way that Topaz Clarity handles these types of images and suggest that you give the Topaz software a trial of your own to see if it is something you want to add to your processing tools and techniques. Topaz is running a summer sale offer of the entire Topaz Bundle for $199 until July 7, 2013 which makes it a really good deal. If you want to trial or purchase any of the Topaz products please use the link below which credits me with your purchase and pays me a small commission.

http://www.topazlabs.com/705.html

 

Topaz Clarity vs Topaz Adjust

Kansas Tractor #4 Clarity Version
Kansas Tractor #4 Clarity Version

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Today I decided to go back to an image I posted a few days ago that I had processed in Topaz Adjust. I have always liked the effect that Topaz Adjust has when applied to these sorts of rusted relics. I usually apply the Spicify preset and then tweak it to achieve the final result. The one thing that I have always struggled with when using that method was the extreme halos that arose when pushing contrast, saturation and definition to enhance the texture in the image.

Topaz Clarity is designed to allow enhancing texture, contrast and saturation while minimizing halos and similar artifacts. The image below shows haloing in the sky and around the edges of the tractor that are almost entirely gone in the Topaz Clarity processed image. From these two images it seems clear that they have accomplished their goal. I was able to open up the shadows and saturate the colors without getting the types of halos that the Topaz Adjust version below exhibits.

Kansas Tractor #3
Kansas Tractor #3

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From this experiment I can say Topaz Clarity lives up to it’s billing. I’m sure that as I become more familiar with the software I’ll be able to create images that reflect my vision for them while avoiding having to go into additional processing to deal with halos. I think Topaz Clarity is a valuable addition to my processing software and recommend it to anyone looking for a program that will give great control to contrast and color in single frame images.

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Topaz Clarity will retail for $49.99, but will be available at a special reduced price of $29.99 through May 31st with with this promo code: claritynew

Please use the Topaz link below when going to the Topaz Labs site. 

http://www.topazlabs.com/705.html

I’m an affiliate of Topaz Labs and earn a small commission on any sales made through my referral link which helps me offset the cost of producing SpeedDemon2. 

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End of Tractor Week

Kansas Tractor #2
Kansas Tractor #2

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Today’s post is the last one I want to share from my Kansas tractor series. Sometimes a detail is all that is needed to tell a story; I think that is the case with this image of an Allis-Chalmers grill shell and Allis-Chalmers emblem. The patina, the complex curves of the metal and the Allis-Chalmers emblem speak to an era long ago when industrial design was also concerned with aesthetics. The farm trucks in the background exist as metaphors for a time when America was struggling to survive the Great Depression and tractors such as this Allis-Chalmers were working to feed the world.

Because I was working with a single frame I used a preset in Topaz Adjust that I built especially for these images. I started with the Spicify preset that I dialed down to a level that emphasized texture and color; I then added a vignette and a border to the image as my finishing touches.

Cawker, Kansas Tractor

Kansas Tractor #3
Kansas Tractor #3

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Here’s another image from Cawker, Kansas. I chose this one because I like the composition with the wheel coming forward in the frame as if it is on the verge of entering the viewer’s space. I had a polarizer on my Nikkor 12-24 mm lens which really cut down on the glare and saturated the colors before any processing was done. The sun was almost directly overhead but by using Topaz Adjust with the Spicify preset I was able to bring out the texture and patina on this tractor.

One thing I currently strive for is to keep from overdoing the texture in these types of images. I like bold color but I try to avoid getting too much texture when applying the various filters to my Topaz work. I wasn’t always so restrained and when I go back to some of my earliest examples I wonder how I could have been so heavy handed with the software back then. I also credit Topaz Labs for refining their entire line of software and giving us the tools to take greater control of the various filters in it. As with many skills in photography the more one uses a given technique, or tool, the better one gets with it and they evolve into becoming a better photographer.

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Memo From the Department of Shameless Self Promotion

I am still accepting participants for my next HDR Workshop on May 17-18, 2013 here in Louisville. The last session was a great success; the participants all felt that it was time well spent and were applying the things they learned the next day. Here’s a link to the sign up page at Outdoor Photo Gear.

http://outdoorphotogear.ticketleap.com/using-hdr-photography/