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I thought I’d try a little B&W Effects from onOne to see how this image would turn out. It was composed to capitalize on the idea of circles but the color version was just too flat due to the lighting that day. I applied an antique process preset but I don’t recall which one I used. I like the way the mood of the image conveys another era of photography while containing contemporary subject matter.
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There is still time to join me for my HDR workshop in Louisville, KY, November 9, 2013. Learn how to use HDR techniques and NIK HDR Efex Pro 2 to create images that reflect your own personal style in this hands on workshop. You’ll be taught how to shoot for HDR along with what equipment you’ll need.
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We will also go over shooting handheld brackets, using single frames and software plugins to create faux HDR and applying plugins from Topaz Labs and onOne Software to get unique results without beating your brains out in Photoshop. My past workshop participants have all said it was well worth the time and money to attend and they still share images with me that show how well the class prepared them to build their HDR expertise.
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Learn how to create images that defy the cliched, halo riddled, over saturated, grungy look that many people think of when thinking about HDR. After this workshop you will have the knowledge and the tools to create realistic yet powerful HDR images that show your vision for the subject without drawing attention to the technique that you used. In addition to learning how to use HDR to improve your images we will also talk about composition and it’s contribution to successful and memorable images.
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I have an affiliate relationship with Topaz Labs and onOne Software, and earn a small commission, which helps support this site, on any sales that are made by using the links below. Even if you aren’t ready to make a purchase you can use the links to access a Free 30 day trial of any of these products to determine whether or not they will fit your own digital workflow.
http://www.topazlabs.com/705.html
http://www.onOnesoftware.com/affiliates/idevaffiliate.php?id=459
One additional thing to note is that both Topaz FX and onOne Perfect Photo Suite can be used as stand alone photo editing programs as well as plugins for Photoshop, Lightroom, Aperture and Photoshop Elements. Both Topaz FX and onOne Perfect Photo Suite have built in layering features that make it possible to combine their own plugins when using them.
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This first image was created in NIK HDR Efex Pro 2 from a three frame bracket set using +2, 0 and -2 EV. Because it was evening I shot it with a tripod to allow for the long exposures needed to capture such a low light scene. After merging the three frames in NIK HDR Efex Pro 2 I returned the image to aperture 3 where I made some adjustments to the color channels and applied sharpening.
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This second image was created by taking the same HDR image as above into OnOne Perfect Photo 7.5 and then opening it in Perfect Effects where I first added a layer with the Daguerrotype effect I then added a second layer where I overlaid the Palladium Print effect after that I added another layer where I applied one of the Border effects to complete the image. As you can see it gives an entirely different feeling to the image which is one of the strengths of the Perfect Effects application.
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For this third version I took the HDR image into the newest Topaz Labs product, Topaz ReStyle, and applied the preset named Saffron Sunset. I was amazed by the transformation that Topaz ReStyle made to the image. I didn’t stop with simply selecting the preset; instead I then adjusted the sliders in the preset to give the image the feeling I was looking for. Topaz ReStyle has over 1000 different presets built into it and by previewing them in groups I was able to find one that I liked for this scene. One of the interesting feature of Topaz ReStyle is the ability to select a color pallet to work with and search the entire preset library to find variations that use the colors you have selected. You can then preview the presets with your image before committing to one of them.
I hope these three images help you to see the potential of combining different software options from Topaz, OnOne and NIK to create an image that expresses your personal vision for a particular image. Topaz ReStyle is going to become another tool for me to use when I want to explore variations on a theme and I think over time it will be as valuable in my workflow as the many other plug-ins that I already use.
Topaz ReStyle is on sale for $29.99 (a 50% discount) until August 31 if you use the link below and the promo code restyleit
http://www.topazlabs.com/705.html
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I took an HDR image that I created in NIK HDR Efex Pro and started experimenting with it in OnOne Perfect B&W to see what I could get from it. The OnOne Perfect Photo Suite is very powerful. It allows me to work in layers so that I can turn on and off each individual layer to see whether I like what it does in conjunction with other layers. For the first image here I applied the Ambrotype preset and then made several adjustments to the paper tone and silver tone, added an Emulsion border and adjusted the contrast and sharpening. Using the HDR image as a starting point helped render the interior details while still maintaining the surface textures on the car.
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This is the HDR image I started with. As you can see there is a lot of color in the image due to the patina of age. Most of the color in the glass and the wooden steering wheel was too muted for my taste until I adjusted the separate color channels in Aperture 3 after merging my bracket set in NIK HDR Efex Pro 2.
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For this last image I used the Perfect Effects application and applied a preset that changed the overall color of the image yet allowed me to emphasize the yellow and red in the window sticker. I can’t recall which preset I started with but I’m sure that I adjusted it’s effect to get the result I was looking for. I seldom stop with the base settings in these presets as I consider them to be starting points rather than end results.
The point of this post is to show that digital image processing opens the door to many options when creating art photography. It’s no longer necessary to spend hours in Photoshop building an image only to discover that it doesn’t convey your vision for the piece. By applying plug-in presets the artist is able to look at variations rapidly and decide what they want final result to be. Once a preset has been selected the artist can then make their own changes to it and emphasize the aspects of the image that are important for their vision of the image.
