Tag: onOne Perfect B&W

Sam’s 1952 International Harvester COE Rat Wrecker

A short article about a 1952 International Harvester COE Rat Wrecker being built by Sam Humston in Louisville, Kentucky

Color and B&W HDR Versions of the Same Image

Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing #1
Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing #1

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Today I am sharing two versions of the same image. For the color image I used NIK HDR Efex Pro 2 to merge the three frame bracket set. I applied the default preset and then returned it to Aperture 3 for contrast and color adjustments.

Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing B&W Version
Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing B&W Version

Click on the image to enlarge it in another window.

I decided to try  OnOne Perfect B&W to convert the color HDR into a black and white HDR image. I started with the default B&W setting that OnOne Perfect B&W provided and tweaked it to adjust the contrast until it was the way I wanted it.  Not much more I can say about this one.

Silhouette

Cedric's Shadow
Cedric’s Shadow

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I shot this image yesterday morning just after sunrise. I especially liked the way the hook and the crane operator, Cedric, were silhouetted on the rusty steel retaining wall. The morning light was simply gorgeous and I have several other images that really reveal the wonderful colors. While processing them I decided to see what one would look like in Black and White. I wanted to create an image that felt like it might have been taken at the turn of the twentieth century.

I used the normal exposure value of 0 EV which rendered the scene very well. I first processed this image in Topaz Adjust as a faux HDR image which allowed me to emphasize the colors and texture. I then took the resulting version into OnOne Perfect B&W where I applied the Ambrotype preset. I also added a border within OnOne Perfect B&W using the Emulsion 003 setting with a wide border size. I didn’t need to do anything else, except to add a little sharpening, when I returned the image to Aperture 3.