Tag: NSRA

Then and Now

Posted on by Nick Roberts

This image was taken at the 2010 NSRA Streetrod Nationals in Louisville, Kentucky. I titled it “Then and Now” because of the juxtaposition of the modern form of travel, the jetliner, with the Buick which would have been the way many people travelled in comfort and style in 1948.

I liked the big green Buick in the foreground and wanted to use it as the foreground anchor. The diagonal lines on the pavement serve to reinforce the angle the cars are parked as well as directing the viewer’s eye into the scene. I saw the jetliner making it’s approach to the airport and knew immediately that I wanted it in the photo. I shot several frames as it descended for landing and this one caught the airplane in the spot I liked best because it is framed by the clouds.

When I’m working at a car show the size of the Streetrod Nationals, over 10,000 cars typically, there is no way to shoot when the sun is low in the sky. The gates don’t open until well after sunrise and they are closed by early evening. Since I am shooting in some of the most unflattering light a photographer can get I must rely on subject matter and composition to get memorable shots.

I used Topaz Adjust on this image which helped bring detail back into the shadows while preserving the highlights. Topaz Adjust also does a fantastic job of accenting the texture in an image. In this image it enhanced the pavement texture as well as the clouds while punching up the colors of the entire image.

Reflections of a 1946 Mercury

Posted on by Nick Roberts

Last year I decided to shoot reflections at the Streetrod Nationals here in Louisville. As I worked that weekend I noticed that many times I was a part of the scene before my camera. I started playing with the idea of producing a self portrait within the reflections on the cars. This particular car caught my eye because when I was a kid in high school I owned a 1946 Mercury Coupe. My car was a deep green color but before it was painted green it had been maroon in color. I thought it would be fun to see what possibilities this particular car offered for utilizing the reflection to create a self portrait. I settled on this image as the best of the lot with this car.

My point with this post is that when I take my camera in the field I like to have some concept or theme when I’m shooting a subject that I’ve photographed literally thousands of times. By making reflections the overall concept of that weekend’s shooting I was able to take a cliched subject and give it new life. So the next time you are stumped about shooting something that you love, and have photographed many times, try thinking about another way to interpret the scene; you just may surprise yourself and walk away with an image that you really enjoy

 

Color In Composition

Posted on by Nick Roberts

Sometimes color is all you need to create a memorable image. By using complimentary color this image is balanced and moves the viewer’s eyes into the frame. This image is pretty much straight out of the camera. I used a polarizer to avoid glare from the sun’s rays in this image which I shot during the middle of the day at the NSRA Street Rod Nationals. Since I took care to make a good image in camera the only thing I needed to do was to sharpen it in Aperture 3.