Tag: monochrome

Color and B&W HDR Versions of the Same Image

Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing #1
Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing #1

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Today I am sharing two versions of the same image. For the color image I used NIK HDR Efex Pro 2 to merge the three frame bracket set. I applied the default preset and then returned it to Aperture 3 for contrast and color adjustments.

Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing B&W Version
Construction Cranes on the Indiana Side of the Ohio River Bridges Project Downtown Crossing B&W Version

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I decided to try  OnOne Perfect B&W to convert the color HDR into a black and white HDR image. I started with the default B&W setting that OnOne Perfect B&W provided and tweaked it to adjust the contrast until it was the way I wanted it.  Not much more I can say about this one.

Time Gone By

Homage to A Time Gone By
Homage to A Time Gone By

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I wanted to try something a little different with these bridge images. I decided to take them into Nik Siver Efex Pro and see what might come from that. I first used my -2, 0, and +2 EV bracket set to create a HDR image in NIK HDR Efex Pro 2 which I then adjusted for exposure and tone mapped it. I returned it to Aperture 3 where I made a few adjustments to saturation, vibrance and detail slider before doing my final sharpening. After doing that I took that image into NIK Silver Efex Pro where I used the antique preset to create the image above.

Light at the End of the Tunnel
Looking Back To An Earlier Time

For the image above I followed essentially the same process, bracket set to HDR then back to Aperture for some adjustments and finally into NIK Silver Efex Pro where I applied the neutral preset and chose the Agfa 400 film look along with a little red filter to finish it

Whiskey Ridge Roadster

I found this track style roadster last year at the NSRA Streetrod Nationals in Louisville, Kentucky. I really liked the way this car was built and it’s racing style but I didn’t want to just shoot it from a standing position. I got this angle by laying down in the grass beside the car and shooting upward. I saw this composition in my viewfinder and knew immediately that I was onto something.

Back in my studio I decided to use NIK HDR Efex Pro to process the image. As I was going through the presets it occurred to me that this image was a good candidate for black and white. The preset I settled on caused some haloing around the cockpit of the roadster which I thought really fit with the image. After a few minor tweaks to the contrast I returned the image to Aperture 3 for final output as you see it here.

The composition uses circles to unify the image and adheres to the rule of thirds. The texture and position of the tire creates foreground interest while the perspective of the roadster draws your eye into and through the image into infinity.