Tag: Kansas

Topaz Clarity vs Topaz Adjust

Kansas Tractor #4 Clarity Version
Kansas Tractor #4 Clarity Version

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Today I decided to go back to an image I posted a few days ago that I had processed in Topaz Adjust. I have always liked the effect that Topaz Adjust has when applied to these sorts of rusted relics. I usually apply the Spicify preset and then tweak it to achieve the final result. The one thing that I have always struggled with when using that method was the extreme halos that arose when pushing contrast, saturation and definition to enhance the texture in the image.

Topaz Clarity is designed to allow enhancing texture, contrast and saturation while minimizing halos and similar artifacts. The image below shows haloing in the sky and around the edges of the tractor that are almost entirely gone in the Topaz Clarity processed image. From these two images it seems clear that they have accomplished their goal. I was able to open up the shadows and saturate the colors without getting the types of halos that the Topaz Adjust version below exhibits.

Kansas Tractor #3
Kansas Tractor #3

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From this experiment I can say Topaz Clarity lives up to it’s billing. I’m sure that as I become more familiar with the software I’ll be able to create images that reflect my vision for them while avoiding having to go into additional processing to deal with halos. I think Topaz Clarity is a valuable addition to my processing software and recommend it to anyone looking for a program that will give great control to contrast and color in single frame images.

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Topaz Clarity will retail for $49.99, but will be available at a special reduced price of $29.99 through May 31st with with this promo code: claritynew

Please use the Topaz link below when going to the Topaz Labs site. 

http://www.topazlabs.com/705.html

I’m an affiliate of Topaz Labs and earn a small commission on any sales made through my referral link which helps me offset the cost of producing SpeedDemon2. 

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End of Tractor Week

Kansas Tractor #2
Kansas Tractor #2

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Today’s post is the last one I want to share from my Kansas tractor series. Sometimes a detail is all that is needed to tell a story; I think that is the case with this image of an Allis-Chalmers grill shell and Allis-Chalmers emblem. The patina, the complex curves of the metal and the Allis-Chalmers emblem speak to an era long ago when industrial design was also concerned with aesthetics. The farm trucks in the background exist as metaphors for a time when America was struggling to survive the Great Depression and tractors such as this Allis-Chalmers were working to feed the world.

Because I was working with a single frame I used a preset in Topaz Adjust that I built especially for these images. I started with the Spicify preset that I dialed down to a level that emphasized texture and color; I then added a vignette and a border to the image as my finishing touches.

Cawker, Kansas Tractor

Kansas Tractor #3
Kansas Tractor #3

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Here’s another image from Cawker, Kansas. I chose this one because I like the composition with the wheel coming forward in the frame as if it is on the verge of entering the viewer’s space. I had a polarizer on my Nikkor 12-24 mm lens which really cut down on the glare and saturated the colors before any processing was done. The sun was almost directly overhead but by using Topaz Adjust with the Spicify preset I was able to bring out the texture and patina on this tractor.

One thing I currently strive for is to keep from overdoing the texture in these types of images. I like bold color but I try to avoid getting too much texture when applying the various filters to my Topaz work. I wasn’t always so restrained and when I go back to some of my earliest examples I wonder how I could have been so heavy handed with the software back then. I also credit Topaz Labs for refining their entire line of software and giving us the tools to take greater control of the various filters in it. As with many skills in photography the more one uses a given technique, or tool, the better one gets with it and they evolve into becoming a better photographer.

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Memo From the Department of Shameless Self Promotion

I am still accepting participants for my next HDR Workshop on May 17-18, 2013 here in Louisville. The last session was a great success; the participants all felt that it was time well spent and were applying the things they learned the next day. Here’s a link to the sign up page at Outdoor Photo Gear.

http://outdoorphotogear.ticketleap.com/using-hdr-photography/

More Playing with Topaz Adjust

He Retired in Kansas
Retired Kansas Farm Truck

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Here’s another image from Cawker, Kansas. I had a polarizer on my Nikkor 12-24 mm lens which really cut down on the glare and saturated the colors before any processing was done. Once again the sun was almost directly overhead but by using Topaz Adjust with the Spicify preset I was able to bring out the texture and patina on this old Ford farm truck. Spicify really enhanced the crazed windshield glass as well as the reflections inside the headlights.

The current version of Topaz Adjust has the ability to create layers of effects and control the amount and transparency they apply. Not only that, they have added a robust Vignette and Borders feature that didn’t exist in earlier version. I can also apply sharpening within the Topaz application which allows me to finish the image inside Topaz and eliminate the added step of returning to Aperture 3 for final sharpening.

Playing with Topaz Adjust

Kansas Tractors
Kansas Tractors

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Today I thought I’d play around with some images of old tractors I came across in Kansas a couple of years ago. I was riding through there on my way to Utah when I spotted a junkyard full of farm equipment. As you can see from the shadows it was high noon which is usually thought to be a time of day to avoid shooting anything. I have found over the past few years that photos taken at this time of day seem to really respond to Topaz Adjust treatment.

This was a single frame that I first opened in Topaz Adjust. I used the Adjust 4 presets and chose Spicify as my starting point. I dialed it down a little before adding some color adjustments to the Cyan and Blue in Aperture 3. Before that I applied one of the vignettes and a black border in Topaz Adjust.