Tag: hdr images

HDR Images of a Winter Day in The Parklands of Floyd’s Fork

Red Barn in Winter in an Ice coated landscape in The Parklands of Floyd's Fork
Red Barn in Winter in HDR

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This image is an HDR image captured in The Parklands of Floyd’s Fork in Louisville Kentucky. The trees and landscape were covered in ice which was creating a magical prismatic sparkle when the sun shown on them. I wanted to capture those colors and in making that attempt learned just how difficult that is.

As I reviewed the images back in my studio I could see faint hints of the colors that were being reflected as the suns rays diffracted through the ice but nothing was as spectacular as what I saw in person. I realized that my human experience was much more intense than my camera could record. Even with that discovery I’m still happy with these HDR images that resulted from that shoot.

Frozen Wetlands in The Parklands of Floyd's Fork
Frozen wetlands in The Parklands of Floyd’s Fork

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I especially liked the way the sun was illuminating the tree line while a cloud was shading the foreground in this image. The reflections on the ice around the vegetation are a nice way to bring the light forward in the scene while still reinforcing the sense of cold in the photo.

This image is also HDR and I think it really shows how extending the dynamic range through shooting brackets for HDR, with a strongly backlit subject, can capture a broad enough dynamic range to render the scene.

Winter scene of ice and bridge
Floyd’s Fork flowing under a bridge in The Parklands.

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When I’m shooting landscapes I like to include man made structures in the scene to show how they can exist in harmony with the natural environment. This bridge abutment with it’s strong geometric forms contrasts nicely with the flowing water of Floyd’s Fork. The bridge itself forma a frame to the sunlight’s reflection on the water. The railing along the top contrasts and reinforces the ice coated branches rising above it too.

This too is another case where the use of HDR technique in shooting, a three exposure bracket two stops apart, and HDR processing allowed me to capture information in the shadows as well as in the highlights. The extremely wide dynamic range of this scene could not have been captured as easily, if at all, with a single exposure. That is the main reason I totally embrace HDR photography even when I’m striving for strong realism in my images.

Ice coated landscape in The Parklands of Floyd's Fork
Ice coated landscape in The Parklands of Floyd’s Fork

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I liked this landscape because the sun was filtering through the trees creating a starburst of light while casting strong shadows across the landscape. As in several of these HDR images the HDR techniques of shooting and processing allowed me to capture the feeling of cold while gathering enough detail to make the image interesting.

Winter Sunset in The Parklands of Floyd's Fork
Winter Sunset in The Parklands of Floyd’s Fork

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I like the contrast of the complimentary colors of oranges and blues that are a major component of this composition. As in all of today’s images the use of HDR was the determining factor in the success of this shoot.

In closing today I’d like to say that whatever your feelings about HDR photography it has a place in photography. If you haven’t explored high dynamic range photography you are missing a valuable method that can open new vistas and expand your vision. Go on give it a try you too may find it is a wonderful tool that will allow you to express yourself in ways you have never before found possible.

 

 

Forecastle Fun

Forecastle Blew His Mind
Forecastle Blew His Mind

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Saturday evening I went down to Waterfront Park for the Forecastle Festival. I wanted to capture the frenzy and activity that Forecastle is known for. I opted to shoot bracketed shots of -2, 0 and +2 EV for eventual creation of HDR images of the crowd. I expected blur and indistinct faces due to the slow shutter speeds that were entailed and I was pleasantly surprised by this bracket set that left one man in the scene without his head. I played around with the anti-ghosting setting and finally applied 20% which rendered his head as a faint blur. After tone-mapping the initial merged shots in NIK HDR Efex Pro 2 I returned the file to Aperture 3 for final color, contrast and sharpening adjustments.

Forecastle Fun #2
Forecastle Fun #2

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I applied much the same processing to this image too. I especially like the way the purple light from the water feature illuminated the underside of the bridge and added color to the shadows on the figure in the foreground.

 

West of the Wharf

Louisville Shoreline
Louisville Shoreline

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This image was taken on the west end of the Louisville riverfront between the Third Street Wharf and the McAlpine Locks. The source files are all bracketed HDR images that were merged in NIK HDR Efex Pro 2 where they were first tone mapped before returning the merged file to Aperture 3 and then processing it in OnOne Perfect Effects where I applied a slight vignette.

Under the Interstate
Under the Interstate

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This image is from under Interstate 64  just past 6th Street. The view is looking east toward the Kennedy Bridge. Once again NIK HDR Efex Pro 2 was used to merge the three bracketed files. After that was done I opened it in OnOne Perfect Effects where I experimented with stacking several different effects to bring out the colors and contrast in the scene. I really should write down what I use but many times I am experimenting and go through many different filters before settling on a particular one. One feature I really like about using the OnOne Perfect Effects filters is that they can be stacked and that I can control the amount of strength I want by varying the opacity of each one and stacking several filters together using the layers feature. I then finished the image in my normal way using Aperture 3.

Solitary Sentinel
Solitary Sentinel

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This is an image from a merged bracket set processed in NIK HDR Efex Pro 2 and finished in Aperture 3. The bridges in the background are K&I Railroad bridges that connect west Louisville to New Albany, Indiana.

Ninth Street Ramps
Ninth Street Ramps

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This final image is also Processed in NIK HDR Efex Pro 2, OnOne Perfect Effects and Aperture 3.

Rusted Rivets

Bridge Reinforcement Plate Detail
Bridge Reinforcement Plate Detail

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These images are black and white conversions of HDR images that I created from a three shot bracket set using +2, 0 and -2 EV frames that I first merged  in NIK HDR EFex Pro 2 to create a HDR image. After merging and tone mapping them I returned them to Aperture 3 where I applied the black and white adjustment with an orange filter. I also sharpened them and added a little mid-contrast to show the texture in the rust and intensify the shadows.

Rivets Detail
Rivets Detail

 

Thunderboomer

Thunderboomer

I shot this image last night just as a storm front was passing through Louisville. I shot seven brackets E.V. +2, +1, 0, -1, -2, -3, -4 in order to capture the full range of tonality in the scene. As I have said before I watch my histogram closely to be sure that I have no blown out highlights which for this scene required four stops underexposure.

I processed these frames in both NIK HDR Efex Pro and NIK HDR Efex Pro 2 and discovered that the later version, NIK HDR Efex Pro 2, is superior in it’s anti-ghosting capabilities as well as it’s tone mapping. I used the Realistic (Deep) preset and adjusted the tonality slider slightly while in NIK HDR Efex Pro 2. I then returned the image to Aperture 3 where I tweaked the vibrancy slider and then sharpened the image. After this morning’s experiment I am sold on the upgrade to NIK HDR Efex Pro 2 and recommend it for anyone wanting to process bracketed HDR images.