Tag: Graphics

Funnel Cake Fourth

Fourth of July Funnel Cakes
Funnel Cake Fourth

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This past week I attended the Fourth of July event in Louisville’s Waterfront Park to capture some fireworks images. While waiting for the fireworks show to begin I wandered around the park looking for images that spoke to the idea of festivals and the attendant support services that are needed whenever large groups of people gather for a celebration. The sky was leaden with the remnants of our unrelenting week of rain and thunderstorms so I went in search of some color to shoot.

As I strolled through the park I came upon the food vendors area and was immediately drawn to the scene you see here. I liked the graphic quality of the signage and the lights on and in the funnel cake vendor and decided to create a composition that incorporated it. I found a place behind the food wagons that also held some promise of a strong foreground element. I set my tripod up and shot this image because I enjoyed the strong diagonal lines and the contrast of colors between the booths and the park’s water feature. I also liked the way the stainless steel rails contrasted with the concrete and the angles that they created.

I shot a three frame bracket set using +2, 0 and -2 EV to be sure that I had a wide dynamic range to work with. Back at my computer I first took the three RAW frames into NIK Sharpener Pro and pre-sharpened them. I then opened the three images in NIK HDR Efex Pro 2 where I merged them into a HDR image. I applied the Deep 2 preset and then adjusted the amount of tone mapping and contrast to suit my taste. After the initial tone mapping was completed I returned the HDR image to Aperture 3 where I adjusted the individual color channels to bring out the reds and yellows of the signage. I also added some additional adjustments to the contrast and sharpened the image before adding a small vignette to it.

Topaz Clarity vs Topaz Adjust Comparison

Topaz Adjust Version
Topaz Adjust Version

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I wanted to see how Topaz Clarity would compare to Topaz Adjust in terms of rendering a more realistic faux HDR image so I went back in my library to some work I did at the Bonneville Salt Flats during the BUB Motorcycle Speed Trials.

The image above was processed in Topaz Adjust 4 and shows a lot of halos as well as a very surreal rendering of the racers themselves. I reprocessed the original file using Topaz Clarity which really improved on the result as you can see in the second version below. There is a lot less noise in the sky and the skin tones are more realistic though the shadow areas are not as open as in the earlier version. All in all Topaz Clarity made a smoother version while still compensating for the extreme lighting conditions of shooting at midday on the salt flats.

Topaz Clarity Version
Topaz Clarity Version

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Below is another image of a sunrise over the entrance to the Bonneville Salt Flats that I used Topaz Clarity to process. It has fewer problems with halos and noise while still extracting a great deal of information from the single frame exposure I used to create it.

Bonneville Sunrise
Bonneville Sunrise

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I like the way that Topaz Clarity handles these types of images and suggest that you give the Topaz software a trial of your own to see if it is something you want to add to your processing tools and techniques. Topaz is running a summer sale offer of the entire Topaz Bundle for $199 until July 7, 2013 which makes it a really good deal. If you want to trial or purchase any of the Topaz products please use the link below which credits me with your purchase and pays me a small commission.

http://www.topazlabs.com/705.html

 

A Path Through The Woods

Enchanted Wood
Enchanted Wood

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Today I am sharing an HDR image that has been processed with Aperture  3, NIK HDR Efex Pro 2, Adobe Camera Raw, Photoshop CS5, Topaz Clarity and OnOne Perfect Effects. I shot the scene along Floyds Fork in the new Parklands Park that is being developed in eastern Louisville. My bracket set was -2, 0 and +2 EV which gave me three versions to work with for my HDR merger and tone mapping.

I first took the three bracket set into NIK HDR Efex Pro 2 where I merged them and applied the Balanced Preset. After that I made some adjustments in Aperture 3 before opening the HDR image in Adobe Camera Raw where I adjusted color saturation and luminance and then saved it in Photoshop CS5 as a tiff file. I then used Topaz Clarity to add micro-contrast and further refine the colors in the image. After returning the image to Aperture 3 I adjusted the sharpening, definition and added a vignette. I then opened the image in OnOne Perfect Photo Suite 7 and used Perfect Effects where I first applied the Vecchio filter at approximately 75% opacity to warm the image even further. Next I added the Holga Filter to another layer in OnOne Perfect Effects before returning the image to Aperture 3 for final sharpening.