Tag: Floyd’s Fork.

A Path Through The Woods

Enchanted Wood
Enchanted Wood

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Today I am sharing an HDR image that has been processed with Aperture  3, NIK HDR Efex Pro 2, Adobe Camera Raw, Photoshop CS5, Topaz Clarity and OnOne Perfect Effects. I shot the scene along Floyds Fork in the new Parklands Park that is being developed in eastern Louisville. My bracket set was -2, 0 and +2 EV which gave me three versions to work with for my HDR merger and tone mapping.

I first took the three bracket set into NIK HDR Efex Pro 2 where I merged them and applied the Balanced Preset. After that I made some adjustments in Aperture 3 before opening the HDR image in Adobe Camera Raw where I adjusted color saturation and luminance and then saved it in Photoshop CS5 as a tiff file. I then used Topaz Clarity to add micro-contrast and further refine the colors in the image. After returning the image to Aperture 3 I adjusted the sharpening, definition and added a vignette. I then opened the image in OnOne Perfect Photo Suite 7 and used Perfect Effects where I first applied the Vecchio filter at approximately 75% opacity to warm the image even further. Next I added the Holga Filter to another layer in OnOne Perfect Effects before returning the image to Aperture 3 for final sharpening.

Miles Lake Morning / Using Reflections to Add Interest

Miles Lake Morning #1
Miles Lake Morning #1

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When I went out to the Parklands the other morning I was hoping to get a dramatic sunrise but the eastern sky was empty. I decided to hike along the southern shore of Miles Lake to see if there might be something else in there to photograph. About half way to the end of the lake I looked behind me and saw that there was a weather front moving in from the west. I noticed that the clouds were creating an interesting reflection in the placid surface of the lake so I set up my tripod and shot a three frame bracket at -2, 0, and +2 EV.

Back home in my studio I opened the three images in NIK HDR Efex Pro 2 where I merged them and since the morning had been calm I only applied 20% anti-ghosting to the merged files. Once they were merged I applied the Deep #1 preset and made some adjustments to the contrast, white, blacks, shadows and highlights sliders. I then returned the image to Aperture 3 where I adjusted the recovery and vibrance sliders very slightly before sharpening and saving the image.

Parklands Morning

Parkland Morning
Parklands Morning

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I rode out to the Parklands yesterday morning to revisit the images that I shot the last time I was out there. It was a cool brisk morning and I enjoyed riding my motorcycle in the early morning darkness. I am so lucky to have two things I am passionate about that bring me out into the early morning awakening of the planet. As a photographer I need to get up early and get to a location in time to get my gear out and get in position to capture the dawn of a new day. As a motorcyclist the early morning hours are also magical and allow me to see, hear and smell the world as it rises out of the darkness. The feel of my machine as I carve through turns and feel the wind on me is something I have enjoyed for over 48 years and hope to continue for many, many more years; when I do I will always have my camera with me too.

I returned to this spot because I wasn’t particularly happy with the noise in the earlier set of exposures I shot here last week and wanted to capture the feeling of spring before the trees filled in completely. Instead of trying to capture the scene just at sunrise I took a walk along the shore and scouted some additional vantage points. After that I headed back down along Floyd’s Fork to see if the redbud trees that I shot last were still blooming. I wanted to revisit those images as well. I found what I was looking for and shot along the creek for a while before returning to the lake about an hour after sunrise.

The sun was peeking out from behind the clouds and illuminating the new born leaves beautifully. There was a weather front moving in from the west and it was bringing with it some very interesting cloud formations. I set up my tripod and started shooting again. The air was still and left the water undisturbed to reflect the sky beautifully. I was hoping for a fish to break the surface so that I could have the rings on the water when I heard these two geese coming down from the cove as they lifted themselves into the air. They were moving along in the shadows on the left when they turned and started flying toward my position. I shot two frames and then waited until they were up in the sky before shooting the last frame.

This image is another HDR from a three frame bracket set. I merged them in NIK HDR Efex Pro 2 and applied the Deep 1 preset before returning it Aperture 3 for some minor adjustments and sharpening. NIK HDR Efex Pro 2 anti-ghosting worked incredibly well, set at 40% strength, to isolate the two geese and prevent ghosting that would have shown the geese in different places in the frame.

Spring Morning on Floyd’s Fork

Spring Morning on Floyd's Fork
Spring Morning on Floyd’s Fork

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Another example of realistic HDR processing using NIK HDR Efex Pro 2. This image is from a three exposure bracket set shot at -2, 0, and +2 EV. I merged it and applied the Balanced preset before adjusting the tone mapping and tonality. I then returned it to Aperture 3 for final adjustment.

Spring Sunrise

Spring Sunrise
Spring Sunrise

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This is from a shoot I went on with a friend last week to the new Parklands park that is being created along Floyd’s Fork in eastern Louisville. We were there very early and I wanted to experiment with boosting the ISO and shooting in very dark conditions.

This image is from a three exposure bracket set taken well before sunrise. NIK HDR Efex Pro 2 did a good job of bringing out the colors and detail in the scene which was very heavily under exposed in the shadows. There is some noise in the deep shadows but all in all I’m pretty satisfied with the overall result. This park will take some getting used to and I hope that after a few trips out there I’ll have a better handle on what settings I’ll need to use to eliminate a lot of the noise in camera.